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PREMIERE: WRACK ft. Miss Jay - Siege Tank

STK012 out now https://kud.li/stk012

“Como El Viento, Vuelve” is Manolis Sueuga’s experimental take on the elusive nature of ancestry; one that gestures towards Sueuga’s partial understanding of their Tohono O’Odham roots, while acknowledging the unknowability of the past.

Through haunting rhythms and atmospheric interludes, Sueuga conjures an ominous journey that invites us to contemplate the unresolved and incomplete areas of our histories that we may never understand.

The project will be followed by a “Remixed” EP including productions by Only Now, TAYHANA, EL PLVYBXY, and Lila Tirando A Violeta.

Out December 3, 2021

Mastered by Imaabs (Modos Estudios)
Artwork by Salvador Loza

Como El Viento, Vuelve

Claridad Extática

Support

Sueuga - Claridad Extática

we invited the excellent Sueuga (fka Sueuga Kamau) to perform an ultra-rhythmic dungeon-like remix.

Hedo Hydr8 - B (Sueuga Remix)

from "Ángel Caído" EP available at wvwv.bandcamp.com

artwork by Arjan Guerrero

Ángel Caído

KOI - Luz Caída

https://yukumusic.bandcamp.com/album/m-stn-fauna

Mix @A+++

místní fauna VA

TTT (Místní Fauna - YUKU)

produce: B E N N (2023)
re-edit: B E N N (2024)
mixed / master: B E N N(2024)



Release date:
8 March 2024

Sirens Hill (2024 re-edit)

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024
Artwork by Benfika

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Caverna

Entrañas - Coscacho (IM114)

Taken from SBKT065: ABADIR & Nahash - Marchadair مرشدير
Release date: 25th September 2024

Over the past few years, Nahash and ABADIR have been sharing food recipes, the same sense of humour, and their love for 90's rave, Beth Gibbons, Sun Ra, and grilled lamb. They met last summer for the first time and enjoyed a B2B together during a label showcase in Fano, Italy. Their memories of and appreciation for 90’s and early 00’s Arabic pop music inspired their first collaboration on SVBKVLT. Marchadair is the distillation of the meaty club sound by both producers; ABADIR’s micro-edited audio sampling and surgical chopped percussions mixed with Nahash’s lavish dub techniques and hefty bass, all serving as the main ingredients for these 4 heavyweight tracks. To close the menu, the EP features remixes by Ehua and Toumba.

The track titles play on a symbolic link between both artists and their native languages, using French words that have morphed into Egyptian slang. This Franco-Egyptian mixture echoes the hybrid sound of the EP.

Artwork by Dave Gaskarth
Mastered by Raphael Valensi

Preorder

ABADIR & Nahash - Tenterlé تنترليه

SWINE WORLD 003

third compilation of @swine-daily-blog based on collaboration and exploration of new sounds. 25 artists from 14 cities for 11 songs with many different styles and approaches. This is the style of Swine Daily in the year 2024. A postcard from now to the future

Cover SIDA100 (www.instagram.com/sida100/)
Mastering Viktor Jenčuš
https://swinedaily.bandcamp.com/album/swine-world-003

Released by:
SWINE RECORDS

B E N N + Entrañas - Espina

AVAILABLE FOR PURCHASE: https://vultraa.bandcamp.com/album/ultra-lounge

BANDCAMP

Decanter

mapalma x Brandy & Monica - The Boy Is Yours (DJ NOSEDRILL Blend)

let me know what you think with a comment (:

BEL AIR Sounds: La Canicule

FREE DOWNLOAD

HYSTERIA (Out on Bel Air Sounds)

Afro B - Pull Up (Mina Remix)

Palms/Susurro is Miracles' sonic imagining of a digital jungle landscape, with a 'calm, mysterious and somewhat' isolating' timbre to both tracks. 

Tracks: 
1. Palms 
2. Palms (TenTwentySeven Remix) 
3. Susurro 
4. Susurro (Copout Remix)

Impasse ft Wasted Fates

Imaabs

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