Produced by Taymxru
Mixed and Mastered by @JoshIGuess
Featuring @AkiraDoves

Lyrics:
akira: just suck me off
real good
I don't care anymore
just suck me off
and go real slow
and then go fast 
it's what I like

d34d: i miss your taste
cant stay away
she looks down upon me
as it starts to rain
she puts those flowers 
upon my grave
the worms eat my flesh
and the bones decay

akira: like the bite and the taste of your lips
take me home so we can fuck all night
i like when you cum
I liked when we fucked and fucked all night

just suck me off
real good
I don't care anymore
just suck me off
and go real slow
and then go fast 
it's what I like

d34d: her nails dig into my back
she gives me a heart attack
we poppin tabs and smokin gas
she said can i have some of that

we sittin at the lake 
but im trippin out my mind tho
i dont date no hoes
i only date psychos

she pulled my head out 
of the war that i was fighting
i was all alone
shes the one that took a liking
when i look into her eyes
it feels so exciting
shes my other half
our souls are coinciding

just suck me off
real good
I don't care anymore
just suck me off
and go real slow
and then go fast 
thats what i like

what i like (feat. AkiraDoves)

Ad hoc Blues band, tucked away in the mountains of Greece.

A creative singer who writes what is in my heart.

Vive La Résistance

DM or Email for Inquires/Booking

music on all platforms

lyrics always in description

IM the darkness that embraces you I'm the fear of letting go I'm sleep you need and I'm the drugs you crave reach me. I scream i ponder and i die with nothing left but me nothing left but my regret nothing left I'm empty headed even my thoughts have left me and ive some still yet to open my cranium I'm stricken I'm scorched my soul is on fire and the only way to ease this pain to format it nicely in a daw for your and my pleasure love you darkies

Female rage artist

https://linktr.ee/nyxbourne

Atmospheric, angular, and emotionally raw. Fauhn crafts fractured soundscapes shaped by divergence, dissonance, and the drive to feel.

I’m a songwriter exploring what’s possible in Alternative emo music, original lyrics, riffusion music. Contact me if you’re interested in covering any of these songs. Also I remix original demo songs using suno to bring out their best versions with original lyrics and melodies.

Follows, reposts, and comments are always appreciated! 🎧🔥

🎶 I’m Kerlhan, a passionate music creator influenced by everything from Frank Zappa’s wild genius to the cinematic calm of Jan Garbarek, the raw energy of Linkin Park, and the elegance of Coltrane or Di Meola.

My music blends metal, electronic, cinematic, and experimental elements. A Day Before Hell dives into the turmoil of a soul on the edge, while other tracks explore other worlds.

If you’re into genre-blending sounds, heavy emotions, and immersive atmospheres, hit follow, drop a comment, or repost-it helps more than you know.

🎧 Let’s feel something real.

Je m'appelle Kerlhan, ici en tout cas, passionné de musique sous toutes ses formes. De Frank Zappa à Jan Garbarek, de Linkin Park à Lacuna Coil, sans oublier John Coltrane, Iron Maiden ou Al Di Meola… J’aime mélanger les genres, expérimenter, sortir des cases.

Ma musique reflète cette diversité : A Day Before Hell plonge dans le chaos intérieur d’une âme en lutte, tandis que d’autres morceaux explorent d'autres mondes.

Que ce soit à travers des guitares lourdes, des synthés planants ou des voix venues d’ailleurs, mon but reste le même : ressentir, et faire ressentir.

Si mon univers te parle, n’hésite pas à liker, commenter ou repartager car ton soutien fait toute la différence.

🎧 À très bientôt.

Andrew Adkins doesn’t chase the spotlight—he bends it. Based in East Nashville, just across the river from the neon bustle of Broadway, Adkins has been quietly carving out one of the more intriguing catalogs in modern underground rock. A shapeshifter by design and a lifer by default, he’s the kind of artist whose work doesn’t just sound like something—it feels lived-in, dreamt-up, and a little haunted.

Before going solo, Adkins cut his teeth in a pair of promising, combustible bands. The first was Mellow Down Easy, a swampy blues-rock trio signed to Dualtone Records. The second—Lions for Real—was a gritty-stomp fever dream that burned bright, got picked up by Ryan Gosling’s boutique label, Werewolf Heart Records, and flamed out just as fast. Instead of chasing the next hype cycle, Adkins turned inward.

Since 2013, he’s released a string of solo albums that refuse to play by genre rules—blending dusty Americana with neo-psychedelia, cracked singer-songwriter confessionals with off-kilter rock & roll. His songs don’t so much follow a formula as they unspool like strange little films: vivid, unsettling, and beautiful in the weirdest places. His music has found its way into film and TV (Peacock, Lionsgate Films, Netflix, Hulu, Paramount+, CBS), yet he’s managed to sidestep the machine—remaining defiantly independent and idiosyncratic.

Adkins has shared bills with names like Sturgill Simpson, Lainey Wilson, Cage the Elephant, and Billy Joe Shaver, but don’t mistake him for a scene-hopper—he’s part of the same lineage. The strange ones. The uncompromising ones. The ones who never quite fit into the box but built their own corners of the map instead. Andrew Adkins is an artist obsessed with the craft, allergic to trends, and hell-bent on making music that hits the gut and the weird part of the brain. In a town obsessed with polish, he’s still chasing something raw.

what i like (feat. AkiraDoves)

D34D (@imactuallyd34d)