There’s a barrel-organ carolling across a golden street
    In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
    And fulfilled it with the sunset glow;

WAke_2020

Lime Lodge's Collection 2021 in benefit of Women in Exile.

Purchase!

Natalia Panzer - Untitled

Kate Clark (portatif organ) 
Mitch Renaud (feedback systems) 

Recorded in Victoria and Montreal, May 28th, 2020 as part of Drone Day at of-the-now: Archipelago (2020.

Tuning Relations II

Some new 'Music For Church Cleaners' material from 2011 coming out soon on MIE. 

Music for church cleaners volume 11 - Hymns of love against the grain

Fluid Hammer

Pancrace - CSO

US-born, Stockholm-based minimalist artist and apprenticing organ tuner Kali Malone gave a special organ performance in TivoliVredenburg's Grote Zaal as opening of Le Guess Who? 2019. The performance was part of The Bug's curated program for the festival. 

We can now share two exceptionally beautiful pieces from the performance: 'Sacrificial Code' and 'Glory Canon III'. Both are deeply immersive and mesmerizing tracks, drawing in listeners with Kali Malone's well-known warmth and timelessness.

Captured on Thursday, 7 November 2019, at TivoliVredenburg's Grote Zaal during Le Guess Who? 2019.
Recorded and mixed by Marc Broer & Philip ten Brink.
Photography by Jelmer de Haas.

Kali Malone - Sacrificial Code

"Ruminant (Version)" by Sarah Davachi

Listen to this track and more at adultswim.com/singles

Sarah Davachi - Ruminant (Version)

Imaginary Instruments is the duo work of composer/sound artist Mitch Renaud and historical keyboard specialist Katelyn Clark. Formed in 2019 in Victoria BC, the two musicians share a fascination with the materiality of sound and of tuning relations between instruments. In their work, feedback systems of a modular synth combine with early instruments (portatif organ/harpsichord) to draw out unexpected and envisioned sound. They co-compose long duration pieces for live and recorded settings, drawing from historical tuning systems, deep listening practices, and the sonic imaginary.