heavy Persona vibes are emitting from this song

I LOVE TOKYO JAPAN🩷❤️🧡💛💚🩵💜

coooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooool yeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

LMK 🔌 📱 ⛽ ❄️ 🍫 🍄 ♦️ 💊 🔫 ✈️ 📬 ❌ 🧢

Cc music

Produced and Mixed at Wax LTD. Studios in Los Angeles, CA. by Wally Gagel and Xandy Barry. Mastered by Pete Lyman.

Order Limited Edition 7" Vinyl: http://b3scirecords.bigcartel.com/product/b3sr-004-rare-monk-splice-sleep-attack

Hailing from Portland, Oregon, the young turks of Rare Monk have a sonic resilience that’s like everything and nothing you've ever heard. While the obvious signposts are there to guide you (Modest Mouse, Sonic Youth, Phoenix), Rare Monk combine their love of both 90s and contemporary Indie Rock with a fevered Pop intensity, before shooting the whole thing into outer space to see what comes back. As frontman Dorian Aites puts it, “Although we draw upon many genres for inspiration, we’ve been creating our own thing based on nothing other than the idea that, ‘these are the songs we wrote cause they sound cool’”.

The psychedelic insanity can be traced back to their college roots, when the guys were the go-to band for drunkin‘ dorm rooms and sonic exploration. In 2012 Rare Monk teamed up with noted producer Skyler Norwood (Blind Pilot, Horsefeathers, Talkdemonic) for their self-released EP, ‘Death By Proxy’. The giddy pop thrill of the title track and the funky, slow burn of “Underground” act as the band's mission statement, and according to Dorian, “Is pretty genuine. I think the important thing here is not to try and fit a compartmentalized soundscape, or to try and be different from everyone else; the importance lies in doing what you are passionate about. Passion is genuine.”

In 2014 Rare Monk release a limited edition 7” AA-side single with new songs “Splice” and “Sleep/Attack” via B3SCI Records. The release was recorded and produced late Summer 2013 in Los Angeles at Wax LTD Studios by Wally Gagel (Best Coast, Muse, Family Of The Year, Folk Implosion). The songs showcase the next frontier for a band who venture toward a lauded career, capturing the sheer energy of an incredible live show, bridging a sound for the masses and that of music appreciation.

Sleep/Attack (Single Version)

TORCHES' single "Endlessly Repeating" featured in NYLON MAGAZINE http://goo.gl/dP3AtB

Endlessly Repeating EP available on iTunes! http://goo.gl/IXAy4d

www.torchesmusic.com
www.facebook.com/torchesthemusic

Recorded and engineered by David Newton and mastered by Jeff Lipton.
Written by Azad Cheikosman. Performed by TORCHES

Endlessly Repeating

Official audio for the Flume Remix of Lorde 'Tennis Court'

Get the Flume: Deluxe Edition now
iTunes: http://smarturl.it/flume_deluxe
Vinyl: www.flumemusic.com/deluxe2lp

Get Lorde 'Pure Heroine': http://smarturl.it/PureHeroineExtended

Live visuals by Toby & Pete
www.tobyandpete.com

@flume
www.facebook.com/flumemusic
www.flumemusic.com
@lordemusic
www.facebook.com/lordemusic
www.lorde.co.nz

Lorde - Tennis Court (Flume Remix)

Amsterdam

Tokyo

Leave Me

Pantomime

Look How Far Weve Come

02. Gold

You Will Leave a Mark

www.imaginedragonsmusic.com
facebook.com/ImagineDragons
twitter.com/imaginedragons

Imagine Dragons - Bleeding Out

All Eyes

Hear Me

Emma

New album "A Bad Girl In Harlem" out now - download on iTunes smarturl.it/npbadgirl

www.newpoliticsrock.com
facebook.com/newpolitics
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instagram.com/newpoliticsrock

NEW POLITICS ON TOUR NOW - dates + tickets on http://newpoliticsrock.com

LYRICS:
Should I believe in the world momma
Should I give up and hide or should I stay and fight
Should I believe in the rules momma
Tell me if I should run or learn to shoot a gun
I don't know what to believe momma
Yeah I'm down on my knees I'm begging please
It's getting harder to see momma
Give me something to believe believe believe in

Tonight you're perfect
I wanna fall in love with stars in your eyes
Tonight you're perfect
I wanna fall in love but only for the night
Only for the night
I feel perfect too!

You won't believe what I've seen momma
There's a fire inside there's a storm on the rise
It's in the air that we breathe momma
Can I speak out my mind in these changing times?
Give me a reason to be momma
Cause I'm down on my knees I'm begging please
Help me back on my feet momma
Cause I need someone to believe believe believe in

Tonight you're perfect
I wanna fall in love with stars in your eyes
Tonight you're perfect
I wanna fall in love but only for the night
Only for the night
I feel perfect too!


Tonight You're Perfect

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Tokyo

Imagine Dragons

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