Stuff

Cover of "Who We Are" - Imagine Dragons as chorus and "Pumped Up Kicks"- Foster the People as the verse. "Who We Are" is on the soundtrack of The Hunger Games: Catching Fire. I do not own the rights to either of these songs.

"Who We Are / Pumped Up Kicks" - Imagine Dragons (Frontmen Gun)

Tokyo

Pantomime

08.  It Comes Back To You

06.  Polaroid

03.  Smoke And Mirrors

The Heist

Wing$

The Cage is an album caught between light and shadow – a collection of songs that breathe both intimacy and grandeur. Minimalist guitar and piano motifs intertwine with warm cello lines, carried by hypnotic beats and wide, cinematic soundscapes. The sound moves between trip-hop, indie and alternative – at times fragile as a whisper, at others soaring and eruptive.

The lyrics circle around love in the face of collapse, around longing, and the feeling of being trapped while still carrying hope within. Each track opens its own space: from melancholic floating ballads to dark, urban trip-hop grooves.

With The Cage, Velvet Petals deliver a work that feels both vulnerable and powerful – a soundtrack for sleepless nights, moments of solitude, and the quiet triumph of loving against all odds.

My Songbird says

LYRICS

All of my life
I’ve been sitting at the table
Watching them kids their living in a fable
Looks, luck, money and never left a’wishin
But now it’s about time to raise up and petition

All of my life
I’ve been sitting at the table
Watching them kids living in a fable
Looks, luck, money and never left a’wishin
But now it’s about time to stand up and petition

Cause I’ve been wondering
When you’re gonna see I’m not for sale
I’ve been questioning
When you’re gonna see I’m not a part of your machine
Not a part of your machine

I’m not scared of what you’re gonna tell me
No I’m not scared of the beast in the belly
Fill my cup with endless ambition
And paint this town with my very own vision

I’m not scared of what you’re gonna tell me
And I’m not scared of the beast in the belly
Fill my cup with endless ambition
And paint this town with my very own vision

Cause I’ve been wondering
When you’re gonna see I’m not for sale
I’ve been questioning
When you’re gonna see I’m not a part of your machine
Not a part of your machine

I am the machine
I am the machine

Cause I’ve been wondering
When you gonna see I’m not for sale
I’ve been questioning
When you’re gonna see I’m not a part of your machine
Not a part of your machine

Cause I’ve been wondering
When you’re gonna see I’m not for sale
I’ve been questioning
When you’re gonna see I’m not a part of your machine
Not a part of your machine

I am the machine

Imagine Dragons - Machine

www.imaginedragonsmusic.com
facebook.com/ImagineDragons
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Imagine Dragons - Fallen

All Eyes

Emma

Amsterdam

It’s Time EP

It's Time

The River

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Tokyo

Imagine Dragons

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