Self-produced British composer and recording artist for 25 years, Imogen Heap has released five solo albums, another as one half of Frou Frou and collaborated with countless and varied artists including Taylor Swift, Nitin Sawhney, Deadmau5, Eric Whitacre, Jeff Beck and Jon Hopkins. Her compositions and songs pop up in blockbuster and indie films as well as countless TV shows, are featured in underground rap and dance music and covered by the likes of Ariana Grande. As composer and arranger for one of the biggest hits in theatrical history, Harry Potter and The Cursed Child, Imogen won the Drama Desk Outstanding Music in a Play award. As a sought-after speaker and performer, Heap hosted 2020’s Grammys Premiere Ceremony. Heap’s collaborative and multi-dimensional workflow attracts companies for commissioned works, leading to songs such as Tiny Human, the first song to distribute payments via a Smart Contract, and The Happy Song, a highly successful song for children in their early-years. Heap, recognised as an artist's artist, has won two Grammys and an Ivor Novello award. In recognition of her pioneering work at the intersection of music and tech, Heap has a hat trick of three honorary doctorates for the gestural music-ware 'MI.MU gloves' system and recently for ’The Creative Passport’, an integrated digital ID solution, empowering music makers to be the change toward a fair and flourishing music ecosystem. Between projects a constant for the past year is every Thursday afternoon, Imogen Q&A chats with her fans via The Listening Chair with those who subscribe to Imogenheap.app to collaborate together on Augmented Imogen, Imogen's in dev AI.

Disclaimer: by uploading sounds you automatically agree to the terms & conditions which can be found here: https://docs.google.com/document/d/1CdHsy-1QbOU31jGDGnKcylAGqbXxStTsgULESICZC4c/edit?usp=sharing

I'm working on a new commissioned project (that I can’t really talk about yet). 
...but I can tell you that the main reason I took it on is because it involves working with two of my most favourite things, Scout and music! 
Can I write a piece of music that makes babies happy, that doesn’t make you want to tear your hair out? 
Are there sounds I could use that babies like more than others?
In context for sure…for example... Scout loves the metronome on the piano more than she does the piano! 
and there’s nothing like a giggle to inspire another giggle...
but maybe we can see if there are noises out of context that work too (as well as the actual song itself!)? 

Please upload sound recordings of what in your experience makes babies laugh via the Soundcloud group page that you'd be happy for me to use within the song. 
The more weird and wonderful the better.. you know me!

Vocals/Guitar: Mic Manalo
Keys: Gani Palabyab 
Bass: Ethan Muriel 
Guitar: Kim Hue Jin 
Drums: Mark Villena

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