SINNER GET READY

I WHO BEND THE TALL GRASSES

Preacher’s Daughter

Ptolemaea

Alice (Bodies Bodies Bodies)

Angel

Let Go

Peeping Tom

Good Guy

Whiplash

[Intro – loop-ready chant]
Stay in the feeling, baby, stay in the feeling
Stay in the feeling, baby, stay in the feeling
Stay in the feeling, baby, stay in the feeling
Don’t go missin’, don’t go driftin’

[Verse 1]
You don’t even try, and I fold in
Every glance like the world slow-spinnin’
Got me speakin’ soft like a prayer low
Got me floatin’ out where the dreams go

You make seconds feel like rain on skin
You the silence that still pulls me in
Don’t need a script, just say my name
You the start and end of my flame

[Pre-Hook]
And I could stay like this forever
Breath on breath, no need to measure
I lose my cool, but not my grace
You touch my hand, I leave this place

[Hook — repeat anthem style]
Stay in the feeling, baby, don’t move fast
I want every moment here to last
You give me a love I can’t unlearn
Let it burn, let it burn, let it burn

Stay in the feeling, baby, don’t think twice
Even your shadow feelin’ nice
You got that voice I dream in loops
Stay in the groove, stay in the truth

[Verse 2]
I used to run from this kinda high
Used to brace for the comedown lie
But your love got room to breathe
I melt into the air you leave

Got me dancin’ barefoot in my mind
You hit like rhythm, you heal like time
Every "come here" feel like fate
Every “what now?” feel like wait

[Pre-Hook]
And I could hum your name like mantra
You be peace, I be the dancer
I ain’t tryna name this thing
I just wanna let it sing

[Hook — extended variation]
Stay in the feeling, baby, hold that light
You be the moon when the sun ain't right
You the echo I keep inside
Let it ride, let it ride, let it ride

Stay in the feeling, baby, slow that breath
Even your silence feel like depth
You don’t ask, but I still give
You the part of me that lives

[Bridge – layered harmonies]
You don’t gotta promise me
I don’t need no prophecy
Just move how you always do
I’ll follow the sound of you

You don’t gotta make it more
I don’t need no open door
Just let this moment stretch like stars
You already are, you already are

[Breakdown – repetition chant with vocals & ad-libs]
Stay in the feeling, baby, stay in the feeling (uh)
Stay in the feeling, baby, stay in the feeling (mmm)
Stay in the feeling, baby, stay in the feeling (right here)
Stay in the feeling, baby

[Final Hook — repeat + fadeout]
Stay in the feeling, baby, stay in the feeling
Stay in the feeling, baby, stay in the feeling
Stay in the feeling, baby, stay in the feeling
You the rhythm in my ceiling

Stay in the feeling, baby, stay in the feeling
Stay in the feeling, baby, stay in the feeling
You don’t speak, but I’m still healin’
Stay in the feeling, stay in the feeling



DON'T GO

Speak for Yourself

Have You Got It in You?

Goodnight and Go

Self-produced, independent, engaged, she blurs the boundaries between pure art form and creative entrepreneurship. Heap has always communicated and collaborated with her loyal following (currently she has over 2.2m twitter followers alone) both on and offline in pioneering ways. This has included fans contributing sounds, words and ideas through her inventive Listening Chair project for example or taking on a whole city in China for her song Xizi She Knows.

Her graceful tunes such as signature track Hide & Seek populate movies and TV shows, accompany dance and theatre performances and more recently, have been sampled by a whole new generation of young rappers and producers. On the more commercial end and being an 'artistąs artist', Heap has penned songs for and with Taylor Swift, Britney Spears, Mika and Josh Groban among others.

Her Mimu Gloves project a cutting edge experimental gestural music ware developed initially for Imogen’s studio and stage work was premiered at TEDU Global 2011 and since has attracted worldwide interest from the New Scientist, BBC tv and radio, Wired, Dezeen, Mashable.. the list goes on. Now Heap can be found collaborating and supporting new Mimu glovers' who range from pop starlet Ariana Grande to the the leading UK charity working in music, disability and technology, Drake Music. Other technology projects have included a generative and reactive music jogging app, explorations in 3D sound with leading engineers and technologists and Arboreal Lightning, a sound and movement reactive LED tree spanning over 1.5km!

In August 2014 Imogen curated and headlined a 4 day festival of contemporary classical music with heavy leanings in technology, bursting with installations to inspire at London’s iconic Roundhouse Camden.

Heap’s albums have been nominated 4 times for Grammys winning her one for engineering, an Ivor Novello award, The Pioneer award in 2015 from the Artist and Manager awards and recently another Grammy for her contribution to Taylor Swift’s album 1989.

Imogen has now added to her roles. Mum, as her little girl Scout was born in November 2014 on her living room floor. True to form of Imogen’s creative character to draw from and experiment with whatever may be going on around her at the time, Scout is the percussionist on Tiny Human, the first song after her birth.

To release Tiny Human, Imogen started to think on how the music industry could be improved in the wake of blockchain technology and smart contracts. So in her spare time, Imogen’s been speaking and meeting up mostly about what she calls ‘Mycelia’ - A foundation from which to create, champion and maintain the ethical, technological and commercial standards required to run a fair trade music industry.

Heap has recently produced the music for the Harry Potter and The Cursed Child, theatre production. J.K Rowling's next story in the series has opened at the Palace Theatre in London’s West End, May 2016.

In 2017, you may see Imogen in a town near you as she’s planning her much awaited next World Tour!

Peeping Tom

imogenheap