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imogen

English songs

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I Knew You Were Trouble.

We Are Never Ever Getting Back Together

Love Me

Sex EP

Sex (EP Version)

Chocolate (US Version)

Originally by Imogen Heap.
guitar and organ parts by me haha 

thanks for listening!

Imogen Heap - Half-Life (Instrumental Cover)

What Now

Radio

Somebody Else

Somebody Else (Alt Edit)

Published by Megaphonic Publishing

Record label - Megaphonic Records

copyright 2015

for information on use of sync please contact Info@imogenheap.com
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Lyrics

Oh my tiny human

At 05:08 you break me apart again

The space-time continuum

Buckles and bends around your every twist and turn
I can barely remember life before You came crashing in on one day Crazy beautiful you
 Blind me like the dawn
After ashes fell on Pompeii Crazy beautiful you
A miracle, a mystery

And one short stop away

From joy to misery.

When the night becomes day

I give you my every last ounce

You make a pin-cushion out of me

And you can thank me later, babe (if i'm alive)
How long can one live without sleep? Still i can't stand to imagine
 Life without....
You came crashing in on one day Crazy beautiful you
 Blind me like the dawn

After ashes fell on Pompeii
 
Crazy bright beautiful you
Suddenly propelled,

So many light years from bliss
 And completely unprepared,
 How can anyone deserve this?

￼
I've tried, i've tried all the tricks in the book, I’m at my wits end, Now look here what do you want from me!?
I can barely remember life before... You came crashing in on one day Crazy beautiful you
 From the ashes of Pompeii
To fireworks and champagne Crazy beautiful you
You little devil, you

Oh i love you so much

It's the hardest thing i've ever done But you're so worth it
 Yes you are

Yes you are

You little devil, you
Recording Credits
Written, arranged, performed, produced and mixed by Imogen Heap
Imogen Heap – Vocals, programming, synths 
 Stephanie Appelhans - Violin

Diego Romano - Violin

Yasin Gündisch - Viola 

Hoang Nguyen - Violoncello

Simon Minshall - Trombone, Bass Trombone, 
 David Horwich - French Horn

Percussion – Florence “Scout” Heap-Lebor 
 Assistant engineer - Alexis Michallek

Studio Manager - Alexis Michallek
Recorded at The Hideaway, London
Mastering - Simon Heyworth Mastering assistant – Andy Miles String players appear courtesy of the Junge Deutsche Philharmonie
Artwork Credits
Sleeve design – Andy Carne

Streemliner - Andy Carne (File to be added) 
 Photography (stills from music video) – Michael Lebor 
 Image Selection from Music Video - Karen Carne
 
 
 Gear used for Recorded Song
Vocals :
Microphone: Neuman TLM 103 
 Pre-amp: Avalon Vt-737SP
Strings and Brass :
Microphones: Neumann TLM 103 - Sennheiser MK800 
 Pre-amps: Avalon Vt-737SP - Avalon AD2022
Instruments/ sounds:
Teenage Engineering OP1

Ameda Elite Breast Pump

Scout’s Rattles, Rustling cubes and Heimess Baby Gym
Software Instruments and DAW :

Avid Pro-Tools HD + Reaper Rewire

Plugins from Waves Gold Bundle and Focusrite D2/D3
EastWest - Orchestra Gold

Box Of tricks by Sonic Couture : Vocal Choir, Boomwhackers, Glockenspiel
Thanks
Scout Heap-Lebor, Michael Lebor, Alexis Michallek, Mum, Dad, sis and bro, Phil Cummings, Tim Shettatt, Uwe and all at Sennheiser, Ash Dorey, Jason Wapling, Jill Lebor, Giles, Kate, Jamie Bartlett, Paul Pacifico and all at the FAC, Vinay Gupta (and the Ethereum gang), Phil Barry and Russell Verbeeten (Ujo), Rupert Hine and Alan Graham (OCL), Chris Ellis Francesco Canessa (protip.is), Joe Lubin, Zoe Keating, Jennie Fagerstrom, Karen Carne, Andy Carne, Michael Harris (and all at the guardian), Tom Panton (and all at Sonos Studio London), Simon Heyworth and Andy Miles from SuperAudioMastering.com, Chris Vatalaro, Kumar Kamalagharan, Mike Benson, Pod Blumen.

Tiny Human

Written as a commission, to make a song that may scientifically help make babies happier! All a bit odd but was fun to do. Scout was integral to the making of the song of course! There's a little making of doc arriving soon for an insight. For now, here are the lyrics. I've decided to officially release Tiny Human on the same day (as I never actually released it anywhere other than on my website and put the video on YouTube). I like the idea that these two songs, one of the trials of early motherhood and the other, a song to sing with your little one for better times go together. Almost like an old fashioned A and B side. You can decide what would be the A or the B side! Here are the lyrics. Inspired by Scout as she LOVED transport and learned how to say helicopter when she was staying in London with us, as I composed the Harry Potter and the Cursed Child play music. Hope you and any little ones you may have or know LOVE it and that it has the intended effect. 

Published by Megaphonic and Felt Music
Record label - Megaphonic Records
copyright 2016
for information on use of sync please contact info@imogenheap.com 
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Lyrics 

Bring bring on the bicycle 
Beep beep in the car
Ping ping a submarine 
phew phew helicopter
A choo choo train an aeroplane 
Or whee down the slide

I just adore 'dore 'dore you every day more 
Wherever we are

So up in the sky
And deep in the ocean 
Through valleys and hills 
Away we go

Bring bring on the bicycle 
Beep beep in the car
Ping ping a submarine 
Phew phew helicopter
A choo choo train an aeroplane 
A rocket to the stars! 

There’s a dance dance dance going on in my heart
Wherever we are

So up in the sky
And deep in the ocean 
Through valleys and hills 
Away we go

You oo oo little monkey who’s staying up late
Who purrs like a cat when they get their own way
Who then turns into a lion and let’s out a 
ROAR!!!

I love love love you every day more
Whatever’s in store

Wooo up in the sky
And deep in the ocean 
Through valleys and hills 
Away we go


Recording Credits 
Written, arranged, performed, produced and mixed by Imogen Heap 
Inspired by Scout and other babies

Imogen Heap – Vocals, programming, synths, clarinet, guitar, mbira, field recording
Florence “Scout” Heap-Lebor - Percussions, toys, giggles, roars and wows
Commissioned by Cow & Gate
Inspired by and direction from Scout and other babies and Goldsmith University Scientists 

Michael Lebor - Whistling and backing vocals
Mary-Anne Paterson - Backing vocals
Erica Doerr - Backing vocals 
Lesley Abrey - Backing vocals
Alexis Michallek - Backing vocals
Assistant engineer - Alexis Michallek
Studio Manager - Alexis Michallek 
Recorded at The Hideaway, London 
Mastering - Simon Heyworth
Artwork Credits 
Sleeve design – Andy Carne 
Front cover image of Scout - Michael Lebor
Illustration - Imogen Heap
 



Recording details : 
Vocals, clarinet, mbira, guitar, drums: 
Microphone: Neuman TLM 103 
Pre-amp: Avalon Vt-737SP
Sounds: 
Abigale’s Horn (1955 Morris Oxford) recorded by Imogen Heap.
Scout’s giggles and vocalisations recorded by Imogen Heap.
Linda the cat purring recorded by Alexis Michallek.
Rocket launch sound from US Govt agency.
Bike Bell While Riding recorded by Iwan Gabovitch.
Lily the Grumpy pomeranian recorded by Robert Ponto.
Fiji the cat, meowing recorded by Chocktaw.
Hair dryer, monkey, hiccups and sneezes collected by parents of panel babies.
Propeller airplane (Cessna), Helicopter and trains from Digiffects library.

 
Software Instruments and DAW :
Avid Pro-Tools 
Ableton Live 
Plugins from Waves Gold Bundle and Focusrite D2/D3 
Box Of tricks by Sonic Couture (Glockenspiel, Cocktail Kit, Whirly Tubes, Body Percussions, Vibraphone)
Native Instrument’s Action Strings

Thanks 
Liz Williams and all at Felt Music

The Happy Song

Propeller Seeds

Sparks

Me the Machine

Plague Songs

Glittering Cloud (Locusts)

Fifty Shades Darker

I Don’t Wanna Live Forever (Fifty Shades Darker)

I made this cover with FL Studio 12
 - Guitar plugin - AME2 and Real LPC
 - Bass plugin - Ample Bass Free
 - Drum plugin - Toontrack EZD2
 - Effect - mostly default from FLS 12

Dashboard Confessiona - Handsdown (FL Studio cover by Indirasydi)

Self-produced, independent, engaged, she blurs the boundaries between pure art form and creative entrepreneurship. Heap has always communicated and collaborated with her loyal following (currently she has over 2.2m twitter followers alone) both on and offline in pioneering ways. This has included fans contributing sounds, words and ideas through her inventive Listening Chair project for example or taking on a whole city in China for her song Xizi She Knows.

Her graceful tunes such as signature track Hide & Seek populate movies and TV shows, accompany dance and theatre performances and more recently, have been sampled by a whole new generation of young rappers and producers. On the more commercial end and being an 'artistąs artist', Heap has penned songs for and with Taylor Swift, Britney Spears, Mika and Josh Groban among others.

Her Mimu Gloves project a cutting edge experimental gestural music ware developed initially for Imogen’s studio and stage work was premiered at TEDU Global 2011 and since has attracted worldwide interest from the New Scientist, BBC tv and radio, Wired, Dezeen, Mashable.. the list goes on. Now Heap can be found collaborating and supporting new Mimu glovers' who range from pop starlet Ariana Grande to the the leading UK charity working in music, disability and technology, Drake Music. Other technology projects have included a generative and reactive music jogging app, explorations in 3D sound with leading engineers and technologists and Arboreal Lightning, a sound and movement reactive LED tree spanning over 1.5km!

In August 2014 Imogen curated and headlined a 4 day festival of contemporary classical music with heavy leanings in technology, bursting with installations to inspire at London’s iconic Roundhouse Camden.

Heap’s albums have been nominated 4 times for Grammys winning her one for engineering, an Ivor Novello award, The Pioneer award in 2015 from the Artist and Manager awards and recently another Grammy for her contribution to Taylor Swift’s album 1989.

Imogen has now added to her roles. Mum, as her little girl Scout was born in November 2014 on her living room floor. True to form of Imogen’s creative character to draw from and experiment with whatever may be going on around her at the time, Scout is the percussionist on Tiny Human, the first song after her birth.

To release Tiny Human, Imogen started to think on how the music industry could be improved in the wake of blockchain technology and smart contracts. So in her spare time, Imogen’s been speaking and meeting up mostly about what she calls ‘Mycelia’ - A foundation from which to create, champion and maintain the ethical, technological and commercial standards required to run a fair trade music industry.

Heap has recently produced the music for the Harry Potter and The Cursed Child, theatre production. J.K Rowling's next story in the series has opened at the Palace Theatre in London’s West End, May 2016.

In 2017, you may see Imogen in a town near you as she’s planning her much awaited next World Tour!