It's been two years and I'd like to know
Did you mean what you said? Did she still make you choke?
I wrote all these words, flurried like snow
On November nights, you fall into smoke

Ohh, I missed the first snow
Ohh, it's too late to know if we can outrun the cold

It's been two years and I'd like to know
Did you mean what you said? Did she still make you choke?

Ohh, I miss all the snow
Time stops and water drips down into smoke

It's been a few years and I still don't know
Were you okay? Should I have let you go?

--

art generated using dall-e

first few flurries & november night

Helix

Multiplicity

oh you hardly know me
well whats there to know

see you just dont get it
ive only gone and let myself go 

i could say that because i can see a reflection
that more lies beneath the surface
say you know yourself itsembarassing
mention of myself its embarassing
formless entity held in suspension
its harder to say your certain when im
out of touch and ive lost sight
ive lost sight

lacking retention
unclear intentions
its impossible to verify
an existence of such
sometimes i think in other peoples voices
to verify my existence and such

Command So

Produced by Silver and Vague002

I'm floating with leaves, like I been puffing on green
I'm in the pocket with your wallet, take a picture of me
And all the talking I just stop it, the voice won't stop it
Keep a picture of me, keep a picture of me

I been mixing words up, feeling fucked up
Green and purple vision, I don't know, I'm getting smoked out
Like why you going ghost now?
Thought you would hold me down
And all the messages looking like a ghost town

All the messages looking like a ghost
Just keep a picture of me, keep a picture of me

Little out of luck and I been holding onto something
In the bright lights wishing I could live inside the darkness
We ain't that tight, I can feel us spinning out of orbit
Take a whole flight, cloud walking, boutta see a storm hit

Where'd you go when I was feeling so cold?
I got frostbite breaking the snow
This a bad type feel on the low
We got no time, trust me I know

I got frostbite breaking the snow
This a bad type feel on the low

So keep a picture of me on you close
Keep a picture of me so you know
I can smell memories on your clothes
Keep a picture of me so you know

LULL

pockets (silver + vague002)

Ellipse

Tidal (Instrumental)

behonest

024 - Awakening Waves Unknown

Apartment Life

These Are The Things About You

Self-produced, independent, engaged, she blurs the boundaries between pure art form and creative entrepreneurship. Heap has always communicated and collaborated with her loyal following (currently she has over 2.2m twitter followers alone) both on and offline in pioneering ways. This has included fans contributing sounds, words and ideas through her inventive Listening Chair project for example or taking on a whole city in China for her song Xizi She Knows.

Her graceful tunes such as signature track Hide & Seek populate movies and TV shows, accompany dance and theatre performances and more recently, have been sampled by a whole new generation of young rappers and producers. On the more commercial end and being an 'artistąs artist', Heap has penned songs for and with Taylor Swift, Britney Spears, Mika and Josh Groban among others.

Her Mimu Gloves project a cutting edge experimental gestural music ware developed initially for Imogen’s studio and stage work was premiered at TEDU Global 2011 and since has attracted worldwide interest from the New Scientist, BBC tv and radio, Wired, Dezeen, Mashable.. the list goes on. Now Heap can be found collaborating and supporting new Mimu glovers' who range from pop starlet Ariana Grande to the the leading UK charity working in music, disability and technology, Drake Music. Other technology projects have included a generative and reactive music jogging app, explorations in 3D sound with leading engineers and technologists and Arboreal Lightning, a sound and movement reactive LED tree spanning over 1.5km!

In August 2014 Imogen curated and headlined a 4 day festival of contemporary classical music with heavy leanings in technology, bursting with installations to inspire at London’s iconic Roundhouse Camden.

Heap’s albums have been nominated 4 times for Grammys winning her one for engineering, an Ivor Novello award, The Pioneer award in 2015 from the Artist and Manager awards and recently another Grammy for her contribution to Taylor Swift’s album 1989.

Imogen has now added to her roles. Mum, as her little girl Scout was born in November 2014 on her living room floor. True to form of Imogen’s creative character to draw from and experiment with whatever may be going on around her at the time, Scout is the percussionist on Tiny Human, the first song after her birth.

To release Tiny Human, Imogen started to think on how the music industry could be improved in the wake of blockchain technology and smart contracts. So in her spare time, Imogen’s been speaking and meeting up mostly about what she calls ‘Mycelia’ - A foundation from which to create, champion and maintain the ethical, technological and commercial standards required to run a fair trade music industry.

Heap has recently produced the music for the Harry Potter and The Cursed Child, theatre production. J.K Rowling's next story in the series has opened at the Palace Theatre in London’s West End, May 2016.

In 2017, you may see Imogen in a town near you as she’s planning her much awaited next World Tour!

Tidal (Instrumental)

imogenheap