Available on All Streaming platforms ⚠️  
Loop like it's name indicates speaks on being stuck repeatedly doing the same thing. The two rappers mentions the difference between wanting to change and actually changing. more specifically the duo mention their drug use and how they keep coming back to it. 

Loop, comme son nom l'indique parle sur le fait d'être coincé dans une boucle. Les deux rappers mentionne la difference entre vouloir changer et réellement  changer.  Plus spécifiquement le duo parle de leur addiction aux drug et comment ils finissent toujours par y retourner.

Loop

Spotify & Apple Music

Loop (feat. Srgio)

Welcome to KnG FsT/I-Polar Entertainment music world!!! I-Polar Entertainment is a fully independent label from outer space located on Planet Namek. Hosting a variety of music and talent. Current premier artist is KnG FsT and hosting other up and coming talent. Follow all socials for future updates and related content.

ABTony moves between Pop, Hip Hop, R&B, House, and the spaces in between, crafting sounds that are cinematic, experimental, and deeply human. On SoundCloud, you’ll find tracks you won’t hear anywhere else—exclusive experiments like the Peach Boy Roy Demo, collabs, and works-in-progress that push boundaries and blur genres.

Each release is a glimpse into a world in motion, where grit meets smoothness, and the unexpected is part of the journey. Step in, press play, and explore a world unfolding in real time.

Singer/Songwriter/Engineer/Mixer/Producer from Houston TX
Lover of good art. Musician at heart. Experimentalist/Traditionalist.

Archived Projects. Looking for the New stuff? Go FInd it @akumarecords

Haroldwhitmore61@gmail.com#MR.T da toolman youtube.com #MR.T da toolman Spotify#Toolman_23 tic toc#mrtdatoolman23Instagram

◼️ https://linktr.ee/impatient 🖤 

◼️ Impatient is an experimental  Rap artist and producer from Paris, France known for his conscious and storytelling lyrics, Impatient often touches upon thought-provoking themes such as perspective, loyalty, politics and conspiracies. Heavily inspired by artists such as Kendrick Lamar and Travis Scott, Impatient poetically fuses conscious meaningful lyrics with dark melodies and club-rattling 808s. Sprayed with a touch of activism, the rapper speaks for the young but silent generations that have to grow and find themselves in a heavily divided and malicious world like on tracks such as ‘Hong Kong’(2019) or ‘Common Enemy’(2022). Impatient means to have hope and excitement for the future. He is on a mission to bring impactful substance back to Hip-Hop through his open-minded and cinematic approach to music production. Varying between nostalgic boom-bap beats to modern Trap, Impatient shows his versatility through his discography and collaborations with artists and producers such as J, Blackbird, JY and Prettyspookyghost. 

Further influences on the Rapper include Eminem, JID, Ice Cube as well as French artists such as Nekfeu and Nepal. With his unique sound and background, Impatient brings elements of UK drill with the French rebellious mindset mixed on American Trap instrumentals to create piece by piece a new era of Rap music. 

I love to work with other artist and producers so hit me up!
Tryna make this world a better place is my dream goal for my music 🖤 I don't want fame I just want the people to think a little more. 

inquiries: impatientxxx@gmail.com

🔥Multi Genre Producer


🎹Deal Available hmu at hanzomusic412@gmail.com

I'm a producer out of Pearland, TX,   give feed back...

the spectator & the innovator... my form of therapy

Chromeskii aka winter chrome ❄️
Instagram @xdchromeheart1632
i really don't be saying shii 🤷🏽‍♂️

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”