this gets the award for best track title of the month, in addition to being very nice music if a bit conventional.

sound a bit like a cover of another song I knew, I still enjoyed the drums

I feel like I'm about to play Contra 2 or something! In a good way

That crunchy beat hits me right in the 90s!

this is a very strange break. I assume you cut out a few beats from the DAW - intentionally. I thought SoundCloud was broken to start with.

😂 ...and now how am I supposed to listen to this while still laughing. EXCELLENT! 👌

Say what you will, but you've put more music in here than in a dozen of the others combined, hehehe.

It's just a fun and goofy track with excellent sense of nerdy humour and plenty of composing. I'm still torn, but can't help myself and give it max appreciation!

those drums work really well, nicely played too with the driving feel

One Synth Challenge #189: Myth 1.5 by Dawesome

One Synth Challenge 188 entry by Seap, October 2024
Synth: SixTraq by Full Bucket Music

The year is 1981, and the disco is alive with the vibrant energy of Halloween night. The dance floor is a sea of costumes, from classic vampires and witches to the latest pop culture icons. The DJ, dressed as a futuristic robot, proudly showcases his brand new Roland TB-303, a synthesizer that promises to revolutionize the sound of the night. As he tweaks the knobs, the room fills with hypnotic, pulsating beats that make the crowd move in unison.

In the corner of the disco, an arcade machine stands as silent sentinel, its screen glowing with the sight of a yellow, cheese-like character being chased by ghosts. The game, a recent hit, draws a small crowd of enthusiasts eager to beat the high score. The clinking of quarters and the excited shouts of players blend seamlessly with the music, creating a symphony of sound that defines the era.

A group of friends take turns at the arcade machine, laughing and cheering each other on. Among them, a few are dressed as ghosts, their white sheets fluttering as they move. One person stands out in a bright yellow cheese costume, drawing amused glances and playful comments from the crowd. The DJ, noticing their enthusiasm, decides to mix in some of the game’s iconic sounds into his set, causing a ripple of nostalgia and excitement to spread through the crowd. 

As the night progresses, a girl dressed as a pink ghost finds herself dancing closer to the yellow cheese. Their laughter is infectious, and their eyes meet frequently, each glance lingering a little longer than the last. The chemistry between them is undeniable, as they move closer, their hands brushing and smiles widening. The music swells, and they lose themselves in the rhythm, feeling as if they are the only two people in the room. As the final song plays, they share a knowing smile, realizing that this magical Halloween night has brought them together in a way they never expected. With a promise to meet again, they part ways, each carrying the memory of this unforgettable night in their hearts.


Organic Synthesized Chaos

Ghost And Cheese [OSC188]

Future Is A Myth (OSC 189 - Dawesome Myth)

This track made for the KVR One Synth Challenge using only sounds from the VSTi Myth. Also, only DAW and free 3rd party FX used.

DAW: Reaper
Track Details:
50 * Myth
50 * ReaEQ
4 * kHz Transient shaper
4 * Twin Delay
2 * Oril River
9 * LFX-1310 (autopan)
1 * Bass Professor Mark 2
4 * TAL Dub Delay
Master:
SlickEQ
MSED
Limiter No. 6
Meter:
SPAN
Youlean Loudness Meter
Stats:
LUFS-I: -13.1
DR: 6

The Mythics play Techno - OSC #189 - Myth

"The Myth of Time"

November 2024 submission for One Synth Challenge #189

Synth: 12 x Dawesome Myth 1.5
Effects: ALL effects are synth-only.

Mastering: None. No limiter, so please dial up the volume a few dB.

----
DAW: Reaper 7
Synth: 12 x Dawesome Myth 1.5
DAW effects: None
Additional effects: None
Master bus: None

-----
Some of the fun experiments in this track:
* All effects in-synth. No mastering effects. LUFS low to minimize clipping.
* The track features 3 different main time signatures with some effort into seamless transitions.
* Melody / arp lines time warped with non-linear time-warping homebrew scrips (sinus and exponential time mapping).
* Multi-instrumental 1/8 echo delay. I.e. the delays are using different Myth instruments.
* Tempo is linearly changing between 90 and 135 BPM during most of the track.
* Sound design. Just random knob turning to taste, LFO stuff and effects.
* All EQs and reverbs are in-synth.
* Most volume mixing with MIDI velocity. (not 100% though).

--- 

Theme song to the sci-fi summer flick "The Myth of Time (2031)"
Oscar winner 2032 for best original soundtrack.

In a sprawling, dystopian future where the rich control the flow of time, Alex Kane, a hardened "Time Hunter," is hired to track down and eliminate rogue time manipulators—individuals who illegally alter the timeline for personal gain. Time is no longer a fixed constant; it has become a commodity, and those who possess the power to control it live like gods. When Alex is tasked with finding Evelyn Roarke, a mysterious woman who has reportedly discovered a way to break the time loop that has enslaved humanity, he uncovers a dangerous secret.

Evelyn, once a brilliant scientist, has become a fugitive after stealing the prototype for a device that could allow anyone to escape the corporate-controlled timeline. But her discovery comes with a chilling revelation: the timeline is not what it seems, and humanity’s history has been deliberately warped to maintain a cycle of oppression. As Alex dives deeper into the underworld of time manipulation, he begins to question his own past, unraveling memories that don’t seem to belong to him and discovering that his every decision may have already been made.

Haunted by visions of alternate realities, Alex must decide whether to follow his mission and kill Evelyn, or join her in her quest to shatter the myth of time itself. In a city where past, present, and future blur into a nightmarish kaleidoscope, The Myth of Time explores the boundaries of free will, memory, and the ultimate cost of controlling time.

The Myth of Time [OSC189]

My Entry: "Centuries". Made of OSC 189

Style: Electronic Soundtrack Circa. With Pop, Classical and Drone
elements.

~8 instances of MYTH VST3 in EXT64 beta (see screenshot at KVR thread).
~1 custom sample imported in MYTH for 2 drums sounds.
~free VST effects:  RSS EQ302, EfektorGQ36, LoudMax64.

What about this MYTH synth? Surely it sounds good, but of the many
'mangling' resynthesis features some I found too grainy or useless, sounding to me
like many alternative types of harmonic distortions. Therefore too
expensive as CPU load for the actual results, those could be replaced
with focused external plug-in effects, in studio use.
What I liked most of MYTH is the easy adding of envelopes and
synced LFOs to modulate the parameters, very good.

Centuries

Atmospheres from Tibet with an Ambient sounscapes and heavy percussion.
Created with Myth 1.5 synthesizer from Dawesome

Tibet OSC189

Made for the One Synth Challenge #189 with 25 Instances of Dawesome Myth in FL Studio 24. 

Every sound is made from audio samples of some videos i took at a.. uhm... convention.. for... people who work in the IT field.

Effects: 
Channel EQ [1]
Fruity Balance [1]
Fruity Delay 2 [3]
Fruity Limiter [3]
Fruity Parametric EQ2 [9]
Fruityx Reeverb 2 [3]
Fruity Stereo Enhancer [3]
Fruity Transient Processor [1]
Maximus/Soundgoodizer [10]
Melda MAutoPan [1]

Analyzing:
FL Tuner [2] 
Wave Candy [2]
Youlean Loudness Meter 2 [1] 











I was there... ironically. I mean i was teleported by actual aliens from outer space. Againts my will. I have proof. Somewhere. Mom, I swear it was just a coding convention!

Mom I swear it was a coding convention (OSC#189 - Myth)

Track created entirely with Myth...and a few mixing tools in Bitwig.

cb8rwh - Dragged Down

KVR OSC 189

Created in FL Studio with Dawesome “Myth”, an incredibly good synth where you can lose focus very quickly if you don't concentrate. A wonderful playground that invites you to create all possible and impossible sounds!

The Myth

My Entry for the OSC #189 Myth.
One Synth, one instance, one track, one sample (transformed into two Irises and one Modal), one take.
Done in Bitwig, no further processing or plugins have been used...


Tj-Shredder Gayatri

STREAM: https://linktr.ee/neukatalyst

--------------

Final Placement: 7/32 (top 22%)
Made for KVR Audio's "One Synth Challenge" #189

This month, it was "Myth" by Dawesome. Myth was the only synth used across multiple instances, including all drums. Only stock-effects and perpetually-free effects were used to process them and the master. As Myth can resynthesize audio, a special rule this month allowed processing of recorded audio and royalty-free samples, provided that they go in and out of Myth. Other usual rules apply: no [raw] samples, paid effects, or self-modulating effects.

-DAW:
FL Studio 24

-Instances used:
25	Myth

-Effects, excluding FL controllers/modulators:
1	Big-Sur
1	BL Panogram
2	Burier
1	DC1A3
2	Deelay
1	DJMFilter
1	DReverbLite
5	EQUO
1	Filtron
2	Flux Mini 2
1	Frequency Splitter (FL)
1	Fresh Air
1	Fruity Balance
7	Fruity Parametric EQ 2
3	kHs Dynamics
2	kHs Gain
1	kHs Haas
3	kHs Transient Shaper
2	LePhonk
1	LoudMax
1	Magic Dice
1	Magic7
4	Pancz
1	peakeater
1	Raum
1	Soundgoodizer
1	Soundly Place it
4	Spreader (FL)
1	TB_EZQ_v3
3	Valhalla Supermassive

-Lyrics, written and performed by myself for Myth-import:
	In silicon halls, your soul is sold
	A barcode aesthetic's how your story's told
	Mythical dreams reduced to code
	A life of servitude is what you owe
	Ghosts in machinery; our faces fade
	Digital chains are how our myth is made
	Commodified where your hearts are for trade
	In this dystopia where your future's enslaved

--------------

YouTube: www.youtube.com/user/NeuKatalYst
SoundCloud: soundcloud.com/neu-katalyst/tracks
FaceBook: www.facebook.com/NeuKatalYst
Instagram: www.instagram.com/neukatalyst
Email: NeuKatalYst@gmail.com
Discord: neukatalyst

Thanks for all your support!!

Neu KatalYst - Barcode Aesthetic [KVR OSC #189: Myth] [DnB/Electro-House]

OSC Myth

This was produced for the One Synth Challenge 190 using only the synthesizer Vital to make all of the sounds in this track. 

25 instances of Vital were used in Ableton 10 to make this, I used mostly effects built in to Vital and some Ableton effects as well.

Ableton effects used: Utility x 8; Limiter x 4; Convolution Reverb x 3; Echo x 2; EQ8 x 6.

Third party plugins: Loudmax free and Youlean Loudness Meter 2 Free.

Maltoné- Essential Elements - OSC 190

This is my entry "New Year" for the 190th edition of the KVR One Synth Challenge. All sounds were generated using the Vital plugin with a mix of free, paid and included effects in Ableton Live 11.
I hope you enjoy it and feel free to offer any comments on how I might improve it if I do a remix for a wider release.

Please also note that downloads are only intended for personal use. Redistribution to other platforms (except for what is needed for the challenge ), modification, or other commercial uses is prohibited. If you wish to use it commercially or do a remix don't hesitate to contact me first to work out a deal.

I designed the art using an AI-generated image and may consider replacing it with a photograph of my own.

New Year

Street Fighter II - The World Warrior (Blanka (Mashup))

Concept score made for Blaze fielding from the Streets of Rage saga. I do not own the rights to this music.

Blazing Typhoon

Join the challenge by going here: https://shorturl.at/bhBFQ

I make noise which mostly resembles music.

Mom I swear it was a coding convention (OSC#189 - Myth)

Impedance Music

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