Coups de cœur francophones 3

Fall 2025

20250925 MIX

TIME FOR TALES IN THE GARDEN OF FANTASY

AB_REPOSTS Playlist 160 The Latest songs from some fantastic
Artist's/Bands and a few of my own.

Playlist 160

Octubre 2025 MVD

Dominique's Record Breakers #41

AB Playlist 157 The latest songs from these fantastic Artists & Bands.

AB Playlist 157

Garden Of A Thousand Candles

In the garden of a thousand candles
Dreams awake you
Silently stare at the walls
Gold adorns you
Fantastical colours
Dreams await you
Lead where you dare

In a little field beyond Granton Meadows
There's a spot of heaven under yonder tree
Step aboard my time machine 
The future looks a silent Spring
Listen to the spirits come walk with me

Look around there were trees there were fields
Seems so serene beyond finite ideals
What happened to the simplest of times?
Blood, fire and steel
The old ways die
The old ways die

In the garden of a thousand candles
Dreams await you
Silently stare at the walls
Gold adorns you
Fantastical colors
Dreams awake you 
Lead where you dare

Over and over dreams falling over
Over and over lead where you dare

Pete Austin is The 1969. Playing electric and acoustic guitars, bass guitar, piano and mellotron, lead and backing vocal. Mixing and drum loops.
Released January 2022. Recorded throughout 2021.

The Garden of a Thousand Candles

This track has been a labor of love, and I'm so excited to finally share it with you all. It's a fun, upbeat tune that I hope will get you moving and grooving. 💃🕺
"Lost In The Melody" is all about getting swept up in the music and letting go. I had a blast creating it and I really hope you enjoy listening to it just as much.
I want to say a huge thank you to everyone who's supported me on this musical journey. Your encouragement means the world to me. 💛
So give it a listen when you have a moment, and let me know what you think! I'd love to hear your thoughts.
Thanks again, and I hope this tune brings a smile to your face and some rhythm to your day! 🌈🎶

Lost In The Melody

Music by Simon Alami
Tasha Warren, clarinet
Yun Hao, piano

MOSTLY MODERN FESTIVAL
Skidmore College, Arthur Zankel Music Hall
Saratoga Springs, New York (USA)
6/18/2024

LINKS
Festival: https://www.mostlymodernfestival.org
Ensembles-In-Residence: https://mostlymodernfestival.org/ense...
Composer: www.simonalami.com
Recorded by Arts Laureate: https://www.artslaureate.com

Tea With Debussy And Pärt In Casablanca (Clarinet &  Piano World Premiere)

Moroccan Dances (World Premiere) 
Music by Simon Alami  I. High Atlas the Majestic  
AMERICAN MODERN ENSEMBLE 
Erin Bodnar, conductor 
Lindsey Goodman, flute 
Tasha Warren Yehuda, clarinet 
Matthew Ward, percussion 
Geoffrey Burleson, piano 
Katherine Cheng, violin 
Dave Eggar, cello  

MOSTLY MODERN FESTIVAL Skidmore College, Arthur Zankel Music Hall Saratoga Springs, New York (USA) 6/7/2024  LINKS Festival: https://www.mostlymodernfestival.org 
Ensembles-In-Residence: https://mostlymodernfestival.org/ensembles-in-residence
Composer: https://sites.google.com/view/simonalamicomposer/
Recorded by Arts Laureate: https://www.artslaureate.com

Moroccan Dances - I High Atlas the Majestic (World Premiere)

Joy Swirl - AfterHours

This song is a classic rock collaboration between Mike Fox and me. I hope you enjoy it. I believe Mike killed the guitar and vocals. We would love to hear your thoughts :)

Lyrics:

V1
I give half my life to the road
Stadiums and concert halls
I’m running on overload
And with every missed call

Pre-chorus
I see your face in the crowd
Hear your voice in my strings
They’re calling me home
It's been way too long, I miss

Chorus
Your kiss on my lips
Every night, my arms holding you tight
And the world just you and me
The way, the way, we were always meant to be

V2
The grind is taking its toll
Overdue for a change of pace
Can’t help thinking of you as
I take my place on the stage

Pre-chorus
I see your face in the crowd
Feel your heart in the drums
They’re calling me home
It's been way too long, I miss

Chorus
Your kiss on my lips
Every night, my arms holding you tight
The world just you and me
The way, the way, we were always meant to be

Bridge
Last show I’ll ever know
One more encore then hit the road
In twenty-four hours, I’ll feel

Chorus
Your kiss on my lips
Every night, my arms holding you tight
The world just you and me
The way, the way, we were always meant to be

Kiss on my Lips: Collaboration with Mike Fox

Mown crafts a foreboding sonic narrative that feels both ancient and futuristic, like a warning whispered through time. Pulsating patterns, immersive atmospheres and refined rhythms evoke a world on the brink of revelation - or ruin. It’s a gripping descent into the ritualistic core of electronic hypnotism, where every sound feels like a sign.

Re:Axis, Kontinum and Aleja Sanchez each channel the arcane prophecy into their own language, delivering remixes that resonate as echoes of an inevitable fate.

Purchase At Bandcamp

Mown - Thorns (Original Mix)

Mown - Actually... (Original Mix)

Mown - Such A Waste (Re:Axis Remix)

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

Through the velvet hush of space, the starship glides majestically, drawn to the whispering pulse of an uncharted world. Beneath clouds tinted with alien hues, it descends toward jeweled reefs cradled by bioluminescent seas, each curve of the landscape a secret waiting to unfold. Onboard, sensors hum and hearts quicken, yearning to touch the living poetry written in the planet’s untouched ecosystems. It is time to Save Your Atoll.

Save Your Atoll is a project born in 2019 by Italian artist Antonello Meloni based in Sardinia. Deep sound and Techno are his current language that forms the basis of a musical expression rich in ambient and atmospheric elements never forgetting the groove that outline the storytelling. While he initially concentrated mainly on podcasts, of which he launched dozens on well-known channels of the scene, over time he released more and more of his own productions on groundbreaking labels such as The Gods Planet, Oslated or Fur:ther Sessions, where his first LP also saw the light of day in 2023.

Antonello brings a mix that reflects a broad spectrum of his hypnotic musical taste, ranging from tribalistic ethno pieces to organic techno worlds and breaky surprises of severe trippyness. What unites them is the psychedelic flow typical of Save Your Atoll, which leaves no brain cell untouched and no cosmic secret unexplored.

Discover more of Save Your Atolls universe:

https://soundcloud.com/saveyouratollofficial
https://www.facebook.com/saveyouratollofficial
https://www.instagram.com/save_your_atoll
https://ra.co/dj/saveyouratoll
https://saveyouratoll.bandcamp.com

Dynamic Spheres #030 - Save Your Atoll

MISSING YOU  (From Open Collab Paploviante)
Backing Track:
https://soundcloud.com/paploviante-and-friends/turn-of-time-open-collab-offer
Vocals Leslie (Ghosthack) Missing you
Lillithe:  Mix, Arrangement and Production

Missing you (From Open Collab Paploviante)

The phrase Thy kingdom come is part of the Lord’s Prayer, a prayer that Jesus taught His disciples (and all future servants of His kingdom) as a pattern for prayer.In Luke 11:1, the disciples observed Jesus praying and wished to learn from Him how to pray. They recognized that Jesus’ day-to-day actions flowed from His intimate prayer life with God, and they wanted their lives to reflect the same. So Jesus taught them this model prayer: “Whenever you pray, say, Father, your name be honored as holy. Your kingdom come. Give us each day our daily bread. And forgive us our sins, for we ourselves also forgive everyone in debt to us. And do not bring us into temptation” (Luke 11:2–4, CSB).A fuller version of the Lord’s Prayer features in Matthew 6:9–15 as part of Jesus’ extensive teachings in the Sermon on the Mount. In both passages, Jesus includes the statement Thy kingdom come.

Let Thy Kingdom Come

The Garden

The Garden (Original Mix)

Ode à Mylène, inspirée de son univers.

Dans Ses Abysses

As Saturn breaches the black horizon, its rings ignite the void in a slow, celestial crescendo. From the shattered ice plains of its nearest moon, time dilates - each pulse echoing through frozen silence. Hypnotic rhythms transmitted by our adept Christian Samsara rise with the planet, pulling the mind into orbit.

The Danish-born DJ and avid records collector, embarked on his journey into electronic music during his early teenage years. It was during this time that he stumbled upon the ambient genre, which swiftly blossomed into his profound passion and eventually led him behind the decks.
Throughout the course of his DJ career, Christian has graced numerous festivals and events worldwide. Additionally, he has curated countless mixes for well-known podcast channels and shows such as Inveins, Campfire Stories by Silent Season, 꿈 Kkum, Orb Magazine, just to name a few, revealing his expertise in Ambient, Downtempo, IDM, and Deep Techno. 

Christian’s Dynamic Spheres mix showcases a mature and thoughtful selection of tracks, paired with pristine, crystal-clear mixing. The result is a personally shaped, mesmerizing atmosphere that continues to leave its mark on the scene. An audio document that serves as the perfect companion to a cosmic spectacle - like the slow, majestic rise of Saturn.

The set was recorded 09.08.25 @ UROCZYSKO Festival (Groove Stage) in Poland 09.08.25.

Mastered by: AES Dana @ Ultimae Studios.

Discover more of Christian Samsara’s universe:

https://soundcloud.com/samsara-ultimae
https://ultimae.com/artists/christian-samsara
https://www.facebook.com/Ambient.Explorer
https://www.instagram.com/christiansamsara

Dynamic Spheres #031 - Christian Samsara

Giving and Taking (open invitation for a collaboration from IPG1) 
https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
Lyrics IPG1:
Cloud Stepping (Chorus) Life is relative, 
to the one that’s living it Inside outlook, 
to giving and taking it 
Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few 
we have can nearly fit
(Verse1) 
If we knew it all, and all, and all 
Then nothing would matter It’s all a puzzle to be solved 
We have always been the answer 
The plan of god without reward 
Evolves in different ways 
We are all awake in different dreams 
To let the devil play
(Verse2)
 Who amongst us hear the screams 
Of millions of lives lost,  and don’t look on it as savagery
 And wonder what’s the cost 
What’s the worth, and what’s the cost 
Are we listening or not 
Are we listening or not
(Chorus)
 Life is relative, to the one that’s living it Inside outlook, to giving and taking it Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few we have can nearly fit

Giving And Taking IPG1 and Paploviante

*My last upload was taken down by Soundcloud
Here's an older one from the vault.

Remixed by LS/2014.

Dial my Heart

Quote Tante Meli: https://soundcloud.com/tante-meli
....something very different - i know :D

DIE GLUT means "the glow" (of fire)
my thoughts behind it were the great good mood when we jumped over almost burned down fires when we were kids. jumping was always a sign of being "brave". although it was never really dangerous ;D

whole translation:
I'M JUMPING OVER THE GLOW
JUST BECAUSE I'M ABLE TO -
I HAVE COURAGE

german:

ICH SPRINGE ÜBER DIE GLUT
WEIL ICH ES KANN
ICH HABE MUT

Die Glut (Dance Remix)

U.Poet - Children Of The Revolution {Prod by Kinelle Man}

do it again

Old song remixed today 

I hear a riff in the clouds so high 
Strings bending like angels sigh 
A melody that won't let me cry 
Are there guitars in heaven 
Do they shine Do they glow 
Do they play the songs we know 
Are there guitars in heaven 
Strings of gold Frets of light 
Echoing through the endless night 
I see a chord painted on the sky 
Six lines drawn where dreams won't die 
A pic in the wind It whispers why 
Can you hear the sound 
Breaking through the ground 
Are there guitars in heaven 
Do they shine Do they glow 
Do they play the songs we know 
Are there guitars in heaven 
Strings of gold Frets of light 
Echoing through the endless night 
Play me a solo Soft and slow 
Let it burn Let it show 
If there's a stage where spirits go

Are there guitars in heaven .mp3

One Touch (prod.by H.Gee)

DJ Rascal - Ghost In The Bassline

Worlds Aglow

- Picture -
Art Cover Editor. Shyntwirl
Colorist Editor. Shyntwirl
Lightning Editor. Shyntwirl
Effects. Shyntwirl

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Structure. Shyntwirl
Programmer. Shyntwirl
Developer. Shyntwirl
Reverb. Shyntwirl
Background. Shyntwirl
Synthesizers. Shyntwirl
Piano. Shyntwirl
Harp. Shyntwirl
Guitar. Shyntwirl
Fx. Shyntwirl

[New Single]

PROD. Shyntwirl

Shyntwirl - Ashes Of The Phoenix On My Skin

Amour qui brûle
https://www.youtube.com/watch?v=B4oO6qVV-b0

[Verse] 
Amour qui brûle
Qui danse 
Qui flambe 
Dans le silence 
Où tout s’embrase 
Un feu fragile 
Une douce flamme 
Un éclat d’ombre 
Une douce extase

[Chorus] 
Que cet amour 
Oh cet amour 
Qui vole haut 
Qui fend les jours 
Un cri 
Un souffle 
Une vérité 
Près de la divinité 

[Verse 2] 
Il court sans chaînes 
Il rêve sans peur 
Les cieux le guident 
La nuit l’appelle 
Un vent qui siffle 
Un parfum de fleurs 
Un mystère doux 
Une étincelle 

[Chorus] 
Que cet amour 
Oh cet amour 
Qui vole haut 
Qui fend les jours 
Un cri 
Un souffle 
Une vérité 
Près de la divinité 

[Bridge] 
Et si le ciel tombait sur nos têtes 
Et si le temps cessait ses pas 
L’amour persiste 
L’amour s’entête 
Il est tout ce que l’on a 

[Chorus] 
Que cet amour 
Oh cet amour 
Qui vole haut 
Qui fend les jours 
Un cri 
Un souffle 
Une vérité 
Près de la divinité

Amour qui brûle

Rap; https://soundcloud.com/frawstakwa

Chorus vocals; https://soundcloud.com/specialececilia

Production; https://soundcloud.com/rizlix


Here's a collab with two soundcloud legends FRAWSTAKWA and Special Cecilia, you can find there original vocals below;

https://soundcloud.com/frawstakwa/the-tales-they-will-tell-up-1

https://soundcloud.com/specialvocals/aca-same-planet


Cover art created with https://www.canva.com/


FRAWSTAKWA x Special Cecilia x RiZLiX - Tales From The Universe


from the EP "Funny Days" 
available on
open.spotify.com/intl-fr/album/10…3Ds20LZwmXCscjae
music.apple.com/us/album/funny-days-ep/1822802207
www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York
Steve Rust on Bass, Harvey Sorgen on Drums,  Barbara Browning Vocals Imre L. Vocals, Guitars, Hammond organ


FUNNY DAYS FUNNY WAYS
PERDU DANS LE PURPLE HAZE
DANS LA VALLÉE DES SYCOMORES
UN PARADIS ARTIFICIEL
A L’AUTRE BOUT DE L’ARC EN CIEL
ET TANT ET TANT DE TEMPS DEVANT
QU’ON EN VOIT PAS VRAIMENT LA FIN

FUNNY DAYS FUNNY WAYS
PERDU DANS LES CHAMPS DE FRAISES
DANS LES BRUMES DU NEVERMORE

UN PARADIS CONSENSUEL
PEUPLÉ DE FORMES SENSUELLES
AVANT D’ALLER SE FAIRE AVOIR DE L’AUTRE CÔTÉ DU MIROIR

FUNNY DAYS FUNNY WAYS
JUSTE FILER À L’ANGLAISE
ET RESSUSCITER LE MATAMORE

FUNNY DAYS FUNNY WAYS
YELLOW SUNSHINE PURPLE HAZE
ET NO FUTUR DANS L’ANGLE MORT

FUNNY DAYS (Lyrics + notes)

Special thanks to Paploviante for his generous open collab offer 🫶

I added mostly keyboard music to Paul’s jamming jazz track of keyboard, guitars (awesome solos!), bass, and percussion. VST instruments or E-instruments that I used are listed below. No AI, made by humans.

Paploviante's original track is here:  https://soundcloud.com/paploviante-and-friends/time-turns-back-paploviante

And if you love saxophone as I do, check Joerxworx's sax remix of Paploviante's Time Turns Back here:  https://soundcloud.com/joerxworx/time-turns-back-by-paploviante-joerxworx-sax-remix

BTW, time falls back one hour on Sunday, October 26, 2025, in most of the European Union, and on Sunday, November 2, 2025, in the United States, Canada, and other locations observing Daylight Saving Time in autumn.

…………
85 bpm

DAW: Apple Logic Pro X 
MIDI: Akai Professional Keyboard 
Concert Grand 
Ambient Lead
Studio Trumpet 
Focus rhythm arp
African Kit ~ Metal Shaker for an extra Tick-Tock rhythm in the intro, outro
……………..

COVER ART is a surrealistic interpretation of the song as original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop. Includes a thumbnail of Paploviante’s original cover art.
.

Time Turns Back by Paploviante | SUNNYBECK Remix

Prologue to a fantasy adventure

Gimme / feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://www.looperman.com/acapellas/detail/16204/gimme-89bpm-pop-acapella
https://soundcloud.com/patriciaedwards
Paploviante:
E Bass, Composing, Arrangement, Mix and Mastering
Picture: AI Perchance

Gimme feat. Patricia Edwards-Papploviante

Original Lyrics by Tony Harris that inspired Mike.
Vocals, instrumentation and mix by Mike Fox.

HE GREW UP BACK IN THE DAY
WITH TWO GUITARS IN THE HOUSE
ONE WAS SPECIAL TO HIS MOM
NOBODY KNEW HOW TO PLAY

IT BELONGED TO HIS UNCLE
THEY CALLED THE GUITAR MAN
THAT WAS KILLED IN THE BIG WAR
NEVER GOT TO PLAY IN A BAND

(CHORUS)
HE WROTE THIS SONG
ABOUT THE GUITAR MAN
HE NEVER GOT TO MEET HIM
OR WRITE A SONG WITH HIM
PRAY HE'S UP IN HEAVEN
PLAYING IN A BAND

HE CARRIED HIS GUITAR 
EVERYWHERE HE WENT
ALWAYS HAPPY TO PLAY
HIS PLAYING WAS HEAVEN SENT

(GUITAR SOLO)

THEY ALWAYS SAID HIS UNCLE A. J.
WOULD BE A STAR SOMEDAY
BUT LIKE SO MANY OTHERS
HE HAD A BIGER PRICE TO PAY

HIS MAMA GAVE THE GUITAR AWAY
CAUSE NOBODY KNEW HOW TO PLAY
IT WAS JUST COLLECTING DUST
WISHES HE HAD THAT FLAT TOP TODAY

(REPEAT CHORUS)

2025 (C) Lyric by Tony Harris

Playing in a Band - Collaboration by Tony Harris and Mike Fox

Pierre and Jean-Claude Bordetti productions (c) 10/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.
Many thanks to Didier for this beautiful photo.

Trace (Lyrics/Paroles)

Sunlight flickers on a lost place, 
We leave the map of us in every space.
Always human traces, written on the face, 
Footprints in the sand, secrets in the lace, 
We run, we fall, we rise, 
we always leave a trace,

A fire of memories rises in my mind,
the sea, the burning sand, the sky,
and the grace of this place,
it is the world, its visible face

Trace

Musique et chant / Music and vocal : Ootol
Paroles, chant et jaquette / Lyrics, vocal and artcover : Lukowig

Paroles / Lyrics :

Un n'est un tout
One is not all
Pas d'atout
And that's all
Tout se gomme
Everything is erased
Pas d'or juste des pommes et
The gold of youth has evaporated
Je ne sais quoi de paumé ...
Leaving me on an aged earth

Quelle déveine
No chance
Ma veine explose
My vein is bursting
Dans ma paume
In the palm of my hand
Aucune pomme
No more future lines
Dors sur tes lauriers
Rest in peace
Sur l'oreiller
On your pillow
Tu vas sommeiller
You will sleep
Dans l'or rayonner
In gold you will shine
Sensas...
Thrilling
Sans savoir
Without knowing
Qu'il n'y a pas d'avoir
That nothing is free
Ni d'aveux
And may your wishes
Ni de vœux 
Are confessions

Sans avoir
Without having
Vraiment le choix
The choice
Tout s'échoue
Everything fails
Pas trop choux
And collapses
Et en quoi as-tu foi ?
Do you have faith?

Un n'est tout
One is not all
Mais tout comme...
And that's all
Foule de gomme
The crowd is huge
Est-ce que tout est comme
Are we the in-between
Nous en somme ?
A balance of sorts?


Et où nous en sommes ?
And where are we?
Avec des bulles ?
Does it fizzy?
Est-ce que tout est comme
Is everything like us ?
Nous ?
Qu'est-ce qui nous assomme ?
What is it that brings us down?
Et où ?
And where ?


Un n'est tout
One is not all
Et tout som-
-meil un grand coup
And that's all
Ça nous assomme
Loneliness is gloomy
Est-ce pareil partout ?
Is it the same thing everywhere?


Partout ou rien
One is not all
Un n'est tout
And that's all
Manitou aucun
Nothing is good
Aucun Manitou 
No god

Jardin suspendu

One is not all

Spaghetti Bolognese and Snickers Bars

'HANG ON'
by Andrew Borderick Copyright 2017
I made this rock'n tune in 2013 (one night with ?? cans of Jack)

HANG ON

'OUT OF THE BLUE'
Written, Performed & Produced 
by Andrew Borderick, Copyright 2017/2020
Mastered by Andrew Borderick 24/08/2020

YOU CAN TAKE THE WORLD WITH YOU,
PLEASE DON'T LEAVE ME ON THE MOON,

THERE'S NO TIME FOR LOVE IT TURNS TO DUST,
THERE'S NO STREETS TO FIND YOUR WAY,
WHEN YOUR OUT OF THE BLUE,

IT'S UNEASY WITHOUT YOU,
ALL THE COLORS TURN TO BLUE,

SHOW ME A WAY TO FALL IN YOUR WICKED WORLD,
CAN YOU HERE MY CALL FOR
YOU..OO, I JUST WANNA GET TO YOU,
YOU..OO, I JUST WANNA LET YOU KNOW,

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

I GUESS I'LL HAVE TO LOOK AWAY,
IT'S NOT THE SAME WHEN YOU DON'T CARE,

THERE'S NO TIME FOR LOVE, IT TURNS TO DUST,
CAN YOU HEAR MY CALL FOR
YOU..OO, I JUST WANNA GET TO YOU,
YOU..OO, I JUST WANNA LET YOU KNOW,

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

(BREAK)

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

Timeline

OUT OF THE BLUE

Par ces temps de morosité quelques pistes pour y mettre fin .

https://open.spotify.com/intl-fr/track/2bNSZJyGihBijtIFIMUYwY?si=a913a8a2401a4afa

Suicide blues

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

FUNNY DAYS (Lyrics + notes)

IMRE LODBROG