beautiful piano intro,  great guitar, man that beautiful, whisky soaked vocal really gets in your ear , so lovely!

This is a surreal stream of consciousness that feels like clicking through twenty tabs at once while riding a ski lift in Telluride and accidentally summoning Glinda the Good Witch. It’s clever, chaotic, weirdly poetic, and beneath the glitchy, spoken word detour through “Wicked” references, adult sites, Mattel, and French phrases, there’s this oddly heartfelt thread about age, family, memory, and absurdity. It doesn’t ask you to make sense of it, just invites you to ride along. 🧯 The fire extinguisher blinked slowly and muttered “I wasn’t sure if this was satire or prophecy, but I stayed for the goat” 🐐🧂 The salt grinder swirled dramatically and said, “Darling, I haven’t heard a monologue this bizarre and beautiful since the blender tried slam poetry” ☕ The coffee machine buzzed softly and whispered “It’s like a crossword made of birthday cards and regrets” 🌀 It’s wild, funny, and oddly touching, like a tech glitched postcard from someone who’s seen too much and loves you anyway.

Crossroads

Humans are the only species who preserve a lasting relationship from parents to children and vice versa after the offspring has reached adolescence. This can be curse and blessing at the same time in some cases, but overall it is a gift in my view. We will stay the children of our parents for a lifetime obviously. Once you have realized this and don't consider it a threat anymore you are given the chance to close the circle in a peace- and beautiful way.


Photo (c) Laurent Bayeux

One Day When it was Time to Come Home

"Micro Jam" (demo v1) 

A short one minute jam or sketch I played this weekend using my 37-key Korg microKEY AIR as a MIDI controller. The VST sounds come from Arturia Mini V4 (Minimoog bass sound), Audiolounge Key Affair 3, Spectrasonics Keyscape, UVI FMX2 XL, Gospel Musicians' Neo-Soul Keys Studio 2 and UVI Emulation III. Drums and the fantastic drum beat come from UVI Beatbox Anthology 2 (The 7o7 kit).

Recorded and mixed in Cubase Pro with significant help from iZotope Neutron. Mastered with Ozone 11.

Here are links to a short video where I played the bass line: 
- https://www.youtube.com/shorts/2nyKmNNCI_o
- https://www.instagram.com/reel/DH1mauaSv8M

Micro Jam (demo)

Hey everyone - Mr Spotty Book and I thought we'd quickly rattle off a chirpy little choon to try and capture the global mood of the moment.  You're welcome!

By rather clever use of an unedited, zero production, rough one-shot take, a woefully failing voice and the virtuoso  touch of a buzzing string, I think I've successfully managed to impart an air of total amateurishness to the piece.  A level of rustic backwoods front porch authenticity that them there pro's can only dream of.... :)

Have a brilliant day.
________________________________________________________________________________
The Good Earth Calls

Watching dust play evening’s light
Skips the beams, or so it seems
I’m wondering if dust has dreams
When it settles out of sight.
Finest diamond has its flaws
Don’t need perfection just because
I listen, and the good earth calls, tonight.

Misplaced trust, screaming lies
Pollen falls in howling squalls
A shattered world that just appals
Such a sorry sight that greets my eyes
As crypto fool’s gold they adore 
Flotsam morals wash these shores
I listen, and the good earth calls, tonight.

Staring at my feet what do I see
Best support I got and the only ones for free
Guess that’s how the hammer falls
I listen, and the good earth calls, for me

Made my peace to seek respite
Watching clouds for hours and hours
Prone within this bed of flowers
Withered as the line of hopes I’d write
Life’s pearl had deeply fissured cracks
Optimism took two steps back
I listened, and the good earth called, tonight.

Athena breathed life to my clay
Clay don’t cost much but that’s okay
Lord I listened, ……….when the good earth called, tonight.
________________________________________________________________________________
Photo by Patti Black on Unsplash

The Good Earth Calls

Dedicated most especially to L.K.A. ( Debbie`s new little grandson ), and to all children:)
Piano composition, piano: Debra Buesking @debra_buesking
Melody composition, poem and voice: Oddrun Eikli
cover design: Debra Buesking

Thank you from my heart dear Debbie my friend, for this collaboration of hope. 
Thank you Arne Hiorth for your studiowork.

What is the United Nations Convention on the Rights of the Child?
The United Nations Convention on the Rights of the Child (UNCRC) is a legally-binding international agreement setting out the civil, political, economic, social and cultural rights of every child, regardless of their race, religion or abilities.
The hope, vision and commitment of world leaders in 1989 led to the Convention. It is up to today’s generation to demand that world leaders from government, business and communities end child rights violations now, once and for all. They must commit to action to make sure every child, has every right.


Gently.

Wrapped in red, orange and blue
The little baby in mothers arms
Tiny white jasmin growing in her garden
Mother Nature dressed in spring
From magic skies of mint
Every color spins new
In future clear as aquablue

Let Nature Embrace you
Gently
So gently

Life`s colors flow from gold to umber
In crocuses, Petunias
In Asters and in Pansies
A thousand shades of reds
In yellows and in brown
From Magic skies of mint
Every color spins new
In future clear as aquablue

May Nature Embrace you
Gently
So gently

Gently. Debra Buesking and Oddrun Eikli

Pierre and JC Bordetti productions (c) 05/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.
Many thanks to Anne-Lise for this beautiful photo of the island of Lanzarote.

Instrumental Jazz Fusion

Luminous cave

Luminous Cave

Additional vcls B.Browning

SOMEONE SAID
DON’T GO MISTAKING PARADISE WITH A HOME ACROSS THE ROAD AND I SAY
DON’T GO MISTAKING WICKED.COM WITH WICKEDMOVIE.COM OH NO
IT MIGHT LEAD YOU INTO A MATTEL GLITCH SOMETHING YOU DON’T REALLY WISH EVEN IF YOU’RE OVER 21
BREAK A LEG DON’T BREAK AN ARM SKIING IN THE TELLURIDE
ET CAETERA MAN AUX ARMES SOUVIENS-TOI, BONNIE AND CLYDE
BEING OVER SEVENTY ONE
I THOUGHT I MIGHT CLICK ON THE LINK COULD I BELIEVE I SAW ? OH NO
OVER 6000 WICKED SCENES
HOW CAN THEY ALL FIT IN ONE SCREEN? OBSCENE MAN OBSCENE
I’D RATHER HAVE THE LAND OF OZ A TALKING GOAT WITH A POINTED HAT A FEMALE CHILD GLINDA THE GOOD ELPHABA GALINDA TIT FOR TAT
SANS COMPTER MADAME MORRIBLE WHAT IS LIFE BUT A SILLY RIDDLE ENFIN BREF
AU FESTIVAL DE TELLURIDE
OU QUE TU SOIS OU MÊME AILLEURS MES MEILLEURS VŒUX DES INVALIDES DE MÉNILMUCHE, DU SACRÉ CŒUR
OUI CAR TOUT ÇA C’EST D’LA BROUTILLE L’IMPORTANT MAN, C’EST LA FAMILLE PAS VRAI ?
REMY MAGALI REBECCA REBECCA REMY MAGALI AND PHYLLIS OF COURSE
HERE’S TO THE SOCCER PLAYERS BON ANNIV BON ANNIV EMMANUEL

MATTEL GLITCH (Lyrics) Song for Emmanuel

I think I saw one in my garden the other day... ;)

Don't Be A Fred

The blues are steeped in the tradition of bawdy/dirty songs. Think of Bo Carter (my pencil don't write no more) or Lil Johnson (Sam the hot dog man). You get the idea.
Here's my bawdy blues celebrating outdoor sex.
Added as the last track on my album "All This Useless Beauty". Check it out!


Lyrics:
Ohh my girl 
She's so cityfied
But something comes over her
In the countryside
When she tells me to pitch a tent
I see in her eyes
That bad intent
She becomes a wild woods woman (2X)

Riding down the road
She says:
"Get a blanket and pull over to the side."

We're out in nature
Doing our thing!
All god's creatures they cover their eyes
Oh, the ground is so rough
Don't ya know she can't get enough
Wild woods woman (2X)

In the tall grass
Having some fun
I feel like Mother Nature's only son
Down in the milkweeds that makes me sneeze
Don't ya know she's got me on my knees
It gets so hot!
So hot!
So hot!
She never tires
(Only you can prevent forest fires)

Wild Woods Woman

Cover
Written by Eddie Cooley and Otis Blackwell
Originally recorded by Little Willie John (1956)
Most known by Peggy Lee (1958)

Fever (Cover)

Another great tenor solo from My mate Georg !!!

MATTEL GLITCH (Lyrics) Song for Emmanuel

IMRE LODBROG

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Ingo Bremenkamp

Ingo Bremenkamp

Craig T Elliott

😏 Krazy Krissie 🧦

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