oh wow, this is really gorgeous. Such a classic old-timey feel to it, with some wonderful lyrics. And when that harmonica comes in... damn. Great achy voice too. Curious what that slide guitar sound is... a slide guitar, a lap steel, a dobro? Might be my favourite song of yours man!

honestly man, this is really really nice. have it on repeat here...

Really wonderful song with great  vibe and performed so well. I really like this song a lot.

Coucou IMRE, une petite ballade chaleureuse qui fait du bien :)

Nice Imre:)  Long gone but still around somewhere:)

Wonderful mood you have created in this song. Thanks for sharing Imre

Planant et rêveur. Très jolie chanson !

It truly feels like a call from the Moon… a voice rising through the dark, pulling you upward. Such a magnetic, suspended, hypnotic atmosphere. Beautiful cosmic journey

I KNEW THROUGH TOUCH IF FROZEN & DUMB

Peace Through Suffering

Peace Through Suffering  [COtu + Belial Pelegrim]

from the EP "Funny Days" by Imre Lodbrog et Sa Petite Amie
available on
open.spotify.com/intl-fr/album/10…3Ds20LZwmXCscjae
music.apple.com/us/album/funny-days-ep/1822802207
www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg
recorded in Area 52 Studio, Saugerties New York
Steve Rust on Bass, Harvey Sorgen on Drums, Imre L. Vocals, Guitars, Hammond organ


TIMOTHY LEARY  LONG TIME
YOU AND I NO SEE
FROM THE OUTSIDE LOOKING IN
SHINE ON CRAZY STRAWBERRY
BLURRY IS THE OPEN SEA
CLOSE YOUR EYES AND YOU WILL SEE

EMOTION IN MOTION
THAT’S THE WAY TO FUNCTION
COOLNESS IN A POTION
SPIRITUAL ACTION
TUNE IN TURN ON DROP OUT

TIMOTHY DEARIE OH BABY
IT IS CLEAR TO SEE
FROM THE INSIDE LOOKING OUT
A HORSEMAN WITH NO HORSE
A HORSE WITH NO NAME
LEARN TO BE AND NOT TO BE

EMOTION IN MOTION
CAN YOU FEEL THE SUCCION
CHOCOLATE EXPLOSION
MARTIAN REVELATION
TUNE ON TURN OUT DROP IN

TIMOTHY LEARY (Lyrics + notes)

(Photo of Jesus' tomb, place of the resurrection of Jesus Christ in Jerusalem Israel)

Propitiation

Called in dismay
And you heard my pain
With you on my side
Who could be afraid?

Was about to fall
Then I heard your call
Your words of living truth
Will never pass away

[chorus]

He is my strength
And our redemption
Better to trust in Him
Than to trust in man

He is our hope
And our salvation
Better to trust in Him
Than to trust in man

Right hand exalted
Wrought with power
Everlasting mercy
endures today

His propitiation
Is our salvation
He is the gate
the righteous way

[chorus]

This is the day
The Lord has made
hearts are remade
In His holy name

Thank Lord Jesus
For He is good
And His mercy
Forever endures

Propitiation

Texte dit et écrit par La Gazelle
Musique : Lorzha la Succube

MON ÎLE

Nowhere to go

In the early morning hours, long before the sun will rise,
I’m thinking ‘bout that sun and how it sparkles in her eyes.
When it finally breaks the darkness, like a dog hangs on a bone,
I am thinking ‘bout that evening sun, and how it leads me home.
And unless I know you’re waiting at that door, that sun’ll shine no more.
As the midday sun is beating down, my mind is set on you,
And thinking how it filters down and does what sun rays do.
And these memories are enough to keep me going till the clock
When I finally hear that whistle blow and know it’s time to stop.
I can hear the whistle blowing in my mind – it’s finally time.
Time has not been my best friend.
Time is just like money, when you’ve got no time to spend.
Tried to break it, wouldn’t bend.
I’d save all my time for you if I knew just where it went.
Out here on the freeway, the sun is at my back.
You’re standing at the open door and I’ll be keeping track.
Tomorrow is another day, just like the one before.
But until it’s here I know that we’re gonna love some more.
I can hear the music playin’ sweet and low – here we go.
Time has not been my best friend.
Time is just like money, when you’ve got no time to spend.
Tried to break it, wouldn’t bend.
I’d save all my time for you if I knew just where it went.


Time

You just stand there (Piano Version) is the reduced, intimate version of my epic track DestKorn – You just stand there, released on Saturday, November 1, 2025.
In fact, the piano version came first, and from it the vocal version evolved - Link: https://soundcloud.com/destkorn/you-just-stand-there
No orchestra, no vocals – just one piano.

Performed on the legendary NOIRE piano (Native Instruments, VST), a custom grand recorded in Hall 3 at Funkhaus Berlin. The sound moves between “Pure” (clear, present) and “Felt” (soft, muted, almost like a whisper), so every note sits right in front of you.

The mood is vulnerable, reflective, but not without hope. The piano quietly says: “You just stand there,” and the melody drifts through sadness, closeness, fragility, and small traces of light. A lot of space, a lot of air, no distraction.

Musical style: minimalist solo piano with a cinematic feel. No beats, no layering – just keys, played slowly on purpose so every tone can breathe.

What is this track for?
For late hours. For thinking. For that moment where you don’t want words, only feeling.

🎧 Piano: NOIRE (Pure / Felt)
🎹 Tempo: 60 BPM
🎵 Genre: Cinematic / Emotional Piano

Deutsch / German
You just stand there (Piano Version) ist die reduzierte, intime Ausgabe meines  Tracks – You just stand there vom Samstag, 1. November 2025.
Eigentlich ist die Piano-Version zuerst entstanden / daraus entwickelte sich dann die Version mit Gesang - Link: https://soundcloud.com/destkorn/you-just-stand-there
Kein Orchester, kein Gesang – nur ein einzelnes Klavier.

Gespielt auf dem legendären NOIRE Piano (Native Instruments), einem speziell präparierten Konzertflügel aus Saal 3 des Berliner Funkhauses. Dieser Klang wechselt zwischen „Pure“ (klar, präsent) und „Felt“ (weich, gedämpft, fast flüsternd) und bringt jede Nuance direkt an die Oberfläche.

Die Stimmung ist verletzlich, nachdenklich, aber nicht hoffnungslos. Das Piano spricht leise: „Du stehst einfach da“ – und trotzdem wandert die Melodie durch Traurigkeit, Nähe, Zerbrechlichkeit und kleine Lichtpunkte. Viel Raum, viel Luft, keine Ablenkung.

Musikalischer Stil: minimalistisches Solo-Piano mit filmischem Charakter. Keine Beats, keine Layer, nur Tasten – bewusst langsam gespielt, damit jede Note wirken kann.

Wofür ist der Track gedacht?
Für ruhige Momente. Nachts allein. Zum Durchatmen. Für Szenen im Kopf, die eigentlich kein Wort vertragen. Genau dafür existiert diese Version.

💿 Credits
Music, lyrics, arrangement, mix & master: DestKorn (Matthias K.)
Vocal rendering: 
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.
SenneRecord2025

you just stand there (Piano Version)

Frozenspuk

Krill

Atlantouch(wellgraysan&Tot.masa)
Dope fantastic guy,wellglaysan-https://soundcloud.com/graysandrowned
https://soundcloud.com/bakutoarchive/tracks
Thank U 4 listening from us both🙇🙇✨

Atlantouch w/ wellgraysan

ONE   DAY YOU’LL CALL ME FROM THE MOON LOVE
AND I’LL TELL YOU I’LL BE THERE SOON
IT ONLY TAKES AN AIR BALLOON

DO YOU REMEMBER GOOD OLD MOONDOG
THE DIAMOND CARVER IN THE AIR
LONG GONE BUT STILL AROUND SOMEWHERE

LONG GONE BUT STILL AROUND SOMEWHERE
 
LET’S CALL IT THE CALL OF THE MOON LOVE 
LOONIES ATTRACTION FROM ABOVE
BREAKING NO PEACE ON BLUE LAGOON

REMEMBER MICHAEL AND HIS MOONWALK
THE DIAMOND DANCER IN THE AIR
SPIRITUAL HEIR OF FRED ASTAIRE

IT ONLY TAKES AN AIR BALLOON

I WOULD SO HATE TO MISS YOUR LOVE BABE
BY MISSING YOUR CALL FROM THE MOON
GIVE ME NO TIME I’LL BE THERE SOON

THE CALL FROM THE MOON (Lyrics)

Remixes

Metamorphosis (Remix)

Les chemins de nos vies sont souvent parsemés de questions.
The paths of our lives are often filled with questions.
Philippe SEGUINARD : Composer Arranger / Guitar / Bass
Régis GAUBERT : Arranger / Keyboard
Guillaume DULER : Songwriter / Singer

Lyrics
Au tournant de nos routes on laisse des visages
Des amitiés dissoutes ou parties en voyage
Il y a les heures qui tournent et le temps qui se fige
Des naufrages qu'on détourne mais qu'on garde en vestige

Tous les si j'avais su , et si , ou pourquoi pas
Interrogent nos vies à chacun de nos pas
Quand on se dépoussière on retient l'essentiel
Ça brille à la lumière juste un confidentiel

En détournant nos doutes on gomme des images
Des erreurs qu'on redoute comme un droit de passage
Y'a ce train qui s'en va et toi qui reste en gare
Le prochain est pour moi attention au départ

Tous les si j'avais su , et si , ou pourquoi pas
Interrogent nos vies à chacun de nos pas
La vie n'est qu'une seconde pas une minute à perdre
Faisons le tour du monde au risque de tout perdre

En parcourant les routes on voit des paysages
Des clichés qui s'ajoutent à nos maigres bagages
Ces années qui s'échouent qui ne reviendront pas
Autant de rendez vous où l'on n'était pas la

Tous les si j'avais su , et si , ou pourquoi pas
Interrogent nos vies à chacun de nos pas
Avant qu'elle ne s'achève vivons à l'heure d'été
Si le ciel n'est qu'un rêve rien qu'une absurdité

At the turning point of our paths, we leave behind faces
Friendships dissolved or gone on a journey
There are hours that pass and time that stands still
Shipwrecks that we turn away from but keep as relics

All the “if only I had known,” “what if,” and “why not”
Question our lives with every step we take
When we dust ourselves off, we remember what's essential
It shines in the light, just a secret

By turning away our doubts, we erase images
Mistakes we dread like a rite of passage
There's that train leaving and you staying at the station
The next one is for me, watch out for departure

All the “if only I had known,” “what if,” and “why not”
Question our lives with every step we take
Life is just a second, not a minute to lose
Let's travel around the world at the risk of losing everything

Traveling the roads, we see landscapes
Shot that add to our meager baggage
These years that are running out, that will never come back
So many appointments we didn't keep

All the “if only I had known,” “what if,” and “why not”
Question our lives with every step we take
Before it ends, let's live in summertime
If the sky is just a dream, nothing but absurdity
© Philippe SEGUINARD/Régis GAUBERT/Guillaume DULER Novemdre 2025

Tous les si j'avais su  TRANSLATED

lately.mp3

8. Core

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

(Don't follow me here, best on my main page ;)

THE CALL FROM THE MOON (Lyrics)

IMRE LODBROG

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