Gibby-Dj - sexyfish

Sample from the A-side of the 'Texas Chainsaw Dopefiend' reissue CD; originally released in 1996 on Mother Savage Noise Productions. Co-released with S.A.P.

Texas Chainsaw Dopefiend

Dave Gilden - Fucked (excerpt)

karmadetonationtapes.bandcamp.com/album/panopticon

A1 - Cheng Daoyuan - Backfired
A2 - Cheng Daoyuan - Proxima Centauri
A3 - Cheng Daoyuan - Anisocoria
A4 - Cheng Daoyuan - Hide Your Cries
A5 - Cheng Daoyuan - Ceratomyrmex
A6 - Cheng Daoyuan - Ellenbergeri
A7 - Cheng Daoyuan - your finger looks perfect in this box

B1 - Khronoform503 - Tainted Gas Cylinder
B2 - Khronoform503 - Arrhythmia
B3 - Khronoform503 - Deviant Sect
B4 - Khronoform503 - Kawalan (feat. Lilith)

Cheng Daoyuan:

Cheng Daoyuan is a Taipei-based multi-media creator whose works spans experimental sound, installation, and visual creation.
At the core of Cheng’s art is the convergence of two distinct planes into a coherent form, striving to immerse himself in the here and now, while simultaneously, and paradoxically, seeking to exile himself in this non-existent time and space : where the true equates to the false, where to exist means to be extinguished.

www.chengdaoyuan.com

---

Khronoform503:

Khronoform503 is a vessel of foreboding dread hailing from the seedy streets of Singapore. Coming from a myriad of bands from the punk/underground scene there, this solo act was made as an ode to the Death Industrial genre and emanates aural frequencies from the centre of his personal vortex; and the aggressive variety and enormity of the textures which swirl about and confront are unified by the volatile character of a relativistic surrounding.

khronoform503.bandcamp.com

credits
released May 15, 2021

All Sound by Cheng Daoyuan & Khronoform503
Mastering by Chia-Chun Xu
Cover Art & Layout by Chia-Chun Xu

Full Split / Buy

A1 - Cheng Daoyuan - Backfired (RTS-015)

APOD0056 Actually Existing Takeover
Edition Erich Schmid Ep. 32

APOD0056 Actually Existing Takeover. Edition Erich Schmid Ep. 32

devil in the details (extended)

bff * ༎ຶ _ ༎ຶ *

Porto Simpatica nasce come sede di studi condivisi, al cui interno, oltre alle pratiche individuali, si affianca un project-space dalla finalità multipla; spazio espositivo e luogo di eventi trasversali come workshop, cicli di conferenze e incontri interdisciplinari. L’attività espositiva del gruppo si anima e si consolida espandendosi anche al di fuori delle mura dello spazio – con interventi che interrogano il significato tradizionale di mostra – attraverso la partecipazione collettiva a diversi side-projects. Agendo dunque non solo come sede di incontro ma anche come realtà deterritorializzata e aspecifica, Porto Simpatica è sperimentazione che si estende.

I fondatori di Porto Simpatica sono:
Federico Arani, Simone Bacco, Jerico Cabrera Carandang, Ginevra Collini, Giulia Crivellaro, Vito Gara, Andrea Lo Giudice, Alessandro Matera, Stella Rochetich.

Questo è l'episodio #4 di Àffàlaios, una rubrica a cura di Traccia d'artista.

Àffàlaios, in dialetto barese "far casino, baccano", è una rubrica dove in ogni episodio verranno condensate le registrazioni di fischi, boati, risate, parolacce, barzellette, imprecazioni o semplicemente di quei suoni comuni negli studi d'artista e che non sono poi così diversi dai bar, dai cinema, dal traffico, dai supermercati, dalle case di ognuno di noi. L'intento è quello di mescolare, di invitare, di aprire, di rendere comune.

Traccia d'artista // Àffàlaios! #4 / Porto Simpatica / Chi Ti Credi Di Essere?

First focus of the year is on Aya, dj and producer who works between Manchester and London. Her work is primarily concerned with the transfigurative power of experience and memory on the physical body. After diving into that sound I fell in love with the higher magnitude of Aya’s productions, as the artist says ‘it’s finding yourself in situations where your expectations are being met, and then immediately broken apart’, literally.

-It's neither one thing nor t'other, just as much a sly nod to dissociative afterparty sloppiness as it is any self-congratulatory pinkwashed grandstanding. The music follows suit, fragmenting familiar sounds and twinning them with familiar words, assembled in unfamiliar ways. Stories are muddled with phonetics just as dubstep is macrodosed with microtonal drone- (on Hyperdub).



I want to highlight these verses from ‘somewhere between the 8th and 9th floor’ and ‘OoB Prosthesis’:



Last year I came round from a hole

With a broken thumb

And a note on my phone

Four words

The vibe hath changed



I dive deep in the tissue

There's a wish that I held

And so I'm shaving down erasing

All my face just to melt



What’s happening lyrically is being represented sonically, Aya’s words about her debut album im hole.


https://aya-yco.bandcamp.com/music

https://hyperdub.net/products/aya-im-hole

https://ycolife.bandcamp.com



Tracklist

aya - filton [ disocciative edit ]

aya - TELL ME WHAT U THINK BOUT ME

aya - somewhere between the 8th and 9th floor

LOFT - borderland (2013)

LOFT - Maida Leng - gabrielspractisehour (2014)

LOFT - xo_allnitelong_xo (2015)

aya - dis yacky

aya - OoB Prosthesis

aya - the only solution i have found is to simply jump higher

LOFT - Ice Palace Theme (2012)

LOFT - swerverswerver-gabrielsmarshlandencounter (2013)

aya - Emley lights us moor (feat Iceboy Violet)

aya - tailwind

aya - Fantas II - Electric Boogaloo

LOFT - forthesmallparty // gabrielinacorner (2014)

LOFT - it'samurkylife-gabrielunderthemanholecover (2015)

LOFT - Marvin Gaye - I Heard It Thru The Grapevine [LOFT's Desperation In Sickness Rewrite] (2011)

Traccia d'artista // Àffàlaios! #4 / Porto Simpatica / Chi Ti Credi Di Essere?

Inactual.magazine

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