Techno, House, Progressive - Hauptsache mit dem Oerly Touch im Sound! 

Gustavo Câmara, also known as Kustan, is an expert groovemaker whose greatest influence comes from Latin sounds. Those who witness his sets quickly realize that the desire to dance becomes inevitable. With a contagious energy, he makes the track go crazy, always delivering iconic performances wherever he goes. His biggest musical influences include Afro House, Latin House, Indie Dance, Hardgroove and Progressive Trance.

He started his career in electronic music in 2015, but it was only at the end of 2020 that he actually became a professional. Established in São Luís do Maranhão, he participated in several events in the city and, since then, has been expanding his presentations and seeking new experiences outside the state. His constant search for musical knowledge and sound maturity led him to attend several events and festivals in the underground e-music scene, such as Warung and Koletivo, where he worked as a resident DJ and promoter, creating space for new artists.

In addition, he was involved in initiatives such as Pisa, a non-profit event and among friends that aims to bring more people to the electronic environment. He was also present at Matsuri, an event aimed at the otaku audience, showing that his musical knowledge goes far beyond the main strands.

Currently, he is focused on perfecting new skills and expanding his networking, further solidifying his presence in the electronic scene and ensuring that his music continues to resonate in the hearts and bodies of those who let themselves be carried away by the rhythm of his beats.

Hi there, I'm Dany. I am an all kind of House Music Fan since 1999. Especially Deephouse, Techhouse, Deep Vocal House and Groovy Techno are my Favorites...

also live on # classichouseradio.com # ... Chicago... where housemusic comes from...

Since 1998 Remember & New Techno (Groove / Acid / Industrial), Electronic music (Only Vinyl). No matter where the music comes from, here you will only find good music.

Followers of Incorrect Music