Questo album raccoglie composizioni create in momenti diversi della vita dell’autore e oggi finalmente riunite in un unico percorso musicale. Ogni brano riflette una stagione interiore, un ricordo, un passaggio personale e professionale, restituendo un viaggio tra emozioni, luoghi e tempi differenti.

Lo stile unisce elementi neoclassici, ambient e cinematografici, con un linguaggio musicale intimo e contemplativo. I brani alternano nostalgia e luce, memoria e movimento, come un flusso continuo che accompagna l’ascoltatore lungo una narrazione personale e universale al tempo stesso. This album brings together compositions created at different moments in the composer’s life, now gathered into a single musical journey. Each piece reflects an inner season, a memory, or a personal transition, offering a path through emotions, places, and different periods of time.

The style blends neo-classical, ambient, and cinematic elements, with an intimate and contemplative musical language. The tracks alternate between nostalgia and light, memory and movement, flowing as a continuous narrative that guides the listener through a story that is both personal and universal.

Dedicated to Ryuichi

A quiet klezmer piece capturing an Israeli morning after loss — the silence after the night, grief without words, memory carried by breath and melody. Instrumental. No politics. Only human mourning.

An Israeli Morning After Loss

Yazh - Movie - Sivayanama

PALLIKKATTU

Sita Kalyanam

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Ayyappa Suprabhatham | Vande Vigneswaram | Rare selection | KJ Yesudas |

A sequel to this composition http://soundcloud.com/indian_music_fan/beauty-of-nalinakanthi-sequel

Do use headphones please 

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Download Full Version

Beauty of Nalinakanthi

Watch on YouTube: https://www.youtube.com/watch?v=_3IATQ3Kt-8

Abhogi 2.0 - the more you uncover the hidden layers in this raga, the more arise! Bringing you my next IndianRaga music video, a sequel to Swara Sadhana, with Apoorva Deshpande once again. This time we ardently explored the eclectic raga of Abhogi, amalgamated both in Hindustani and Carnatic. Which part of this song stood out to you? Comment below!

Abhogi to me, is a striking raga, with the way it's carried in different styles of music. It's captivating and intoxicating, despite missing Pa, the 5th note which is the midpoint in the musical scale. The Carnatic composition is "Sabapathikku," written by Gopalakrishna Bharathi, in the Tamizh language. The Hindustani bandish is an original composition by Apoorva, adding beautifully to the rendition about an abstract divinity in music. The lyrics are deep, meaningful, and idolize an abstract version of a musical deity.

Abhogi 2.0

The first track from a new series - Carnatic Projekt, here I present Alaipayuthey.

Song: Alaipayuthey
Ragam: Kaanada
Talam: Adi
Oothukkadu Venkata Kavi

Arrangement, Flute, Video: Vijay Kannan
https://compiled.social/VijayKannan

Carnatic Projekt

Alaipayuthe

Carnatic Projekt - Ep 1: Alaipayuthey

Download:
Bandcamp: https://indianmusicfan.bandcamp.com/track/mokshamu

Others:
https://distrokid.com/hyperfollow/vijaykannan/mokshamu

The second track from my Carnatic Projekt Series, the epic Tyagaraja Swami kriti in Raga Saramati, Mokshamu Galadha. Peace.

Details:
Song: Mokshamu 
Raga: Saramati
Tala: Adi
Tyagaraja Swami

Arrangement, Flute and Video: Vijay Kannan
https://compiled.social/VijayKannan

Previously released on Carnatic Projekt:
Ep 1: Alaipayuthey Kanna - https://youtu.be/z56_VOYA_MY
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Saint Thyagaraja, one of the Trinity of carnatic music, was a musical genius with single minded devotion for Lord Rama. He was born in 1767 in Tiruvarur in Thanjavur district. His parents, aware of the divine predisposition of their child, named him Thyagabrahmam, after Lord Thyagaraja, the reigning God of Thanjavur, whose temple marks this place. Saint Thyagaraja's life is full of accounts of his musical scholarship (impromptu compositions and extempore singing, inimitable singing skill with a voice spanning 3 octaves) and deep devotion. Several compositions of his mark his encounters with Lord Rama. 

Reference: shodhganga.inflibnet.ac.in 


The Saint, content in his devotion, lived a simple life free from materialistic desires, on alms given by the audience that listened to his music as he sang on streets every morning. At least two incidences are known where he eschewed the company and patronage of a king, in order to serve ONLY ONE, the one in his heart, the Supreme Spirit.

His compositions speak of his love and longing for his beloved Shri Rama, entreating Him to come to him, to end the misery of separation. These songs depict the soul's longing for the infinite spirit. Along with his musical genius, Saint Thyagaraja was a self realised soul, who knew that the misery of the mind could end only when it merges in the Divine. Some of his compositions address the mind, even chastise the mind, asking it to focus on Him who delivers the soul from its delusion of sorrows and bestows upon it infinite bliss.


He is said to have received the divine gift of musical knowledge from Devarishi Narada. Several krithis of his are known, that are in praise of this Divine Sage.


For Saint Thyagaraja, music wasn't mere technical elegance or emotional expression but the path to attain salvation by immersing oneself in its devotion. Such was his life, his music, his habit.


In 'Mokshamu', in the beautiful engulfing notes of this philosophical song, the Saint ponders over this very theme; how music inspires devotion, and leads to salvation, Moksha ('jivanmukti', the realisation of the self, 'jiva', that liberates one from the cycle of births and deaths). The Lord waits to bless the devoted heart with His presence. 

The Saint ponders, not as one who has doubts or questions about these, but as one who has already found the answer, and knows that answer to be true.

Mokshamu

Carnatic Projekt - Ep 2: Mokshamu

Download:
Apple Music/iTunes: https://distrokid.com/hyperfollow/vijaykannan/gaanamoorthe
Bandcamp: https://indianmusicfan.bandcamp.com/track/gaanamoorthe

The fifth release of the Carnatic Projekt Series, a very favorite song of mine by Tyagaraja Swami in the raga Gaanamurthi, Gaanamoorthe. I hope you all also enjoy it as much as I do. Peace.

Details:
Song: Gaanamoorthe
Raga: Gaanamurthi
Tala: Adi
Tyagaraja Swami

Arrangement, Flute and Video: Vijay Kannan
https://compiled.social/VijayKannan

------------------------------------------------------------
Releases in Carnatic Projekt:
------------------------------------------------------------
Ep 1: Alaipayuthey Kanna - https://youtu.be/z56_VOYA_MY
Ep 2: Mokshamu galadha - https://youtu.be/yZ6H8gCpB_0
Ep 3: Mahaganapathim - https://youtu.be/wKmp930_jQY
Ep 4: Shakti Sahitha - https://youtu.be/kSXD-JMPnoc
Ep 5: Gaanamoorthe - https://youtu.be/e4DDfOsv75M


Saint Thyagaraja, one of the Trinity of carnatic music, was a musical genius with single minded devotion for Lord Rama. He was born in 1767 in Tiruvarur in Thanjavur district. His parents, aware of the divine predisposition of their child, named him Thyagabrahmam, after Lord Thyagaraja, the reigning God of Thanjavur, whose temple marks this place. Saint Thyagaraja's life is full of accounts of his musical scholarship (impromptu compositions and extempore singing, inimitable singing skill with a voice spanning 3 octaves) and deep devotion. Several compositions of his mark his encounters with Lord Rama. 

Reference: shodhganga.inflibnet.ac.in 


The Saint, content in his devotion, lived a simple life free from materialistic desires, on alms given by the audience that listened to his music as he sang on streets every morning. At least two incidences are known where he eschewed the company and patronage of a king, in order to serve ONLY ONE, the one in his heart, the Supreme Spirit.

His compositions speak of his love and longing for his beloved Shri Rama, entreating Him to come to him, to end the misery of separation. These songs depict the soul's longing for the infinite spirit. Along with his musical genius, Saint Thyagaraja was a self realised soul, who knew that the misery of the mind could end only when it merges in the Divine. Some of his compositions address the mind, even chastise the mind, asking it to focus on Him who delivers the soul from its delusion of sorrows and bestows upon it infinite bliss.

He is said to have received the divine gift of musical knowledge from Devarishi Narada. Several krithis of his are known, that are in praise of this Divine Sage.

For Saint Thyagaraja, music wasn't mere technical elegance or emotional expression but the path to attain salvation by immersing oneself in its devotion. Such was his life, his music, his habit.

One of Saint Thyagaraja's gems; in this unique raaga Gaanamurthi, the notes sweep across high and low places of feelings, evoking deep emotions for the one who carries the name of this raaga - Gaanamurthe. Gaanamurthe, Him, Shri Krishna who is Venugopala, the Divine one from whom music flows, who controls all rhythms of the Cosmos, of the 3 world's, protect me. He who is Divine Love, beloved of Shri Rukmini, friend of Arjuna; His glory, His valour as the infinite endless one from whom all these virtues spring, brims in this song.

Gaanamoorthe

Carnatic Projekt - Ep 5 - Gaanamoorthe - Vijay Kannan Flute

Indian Flautist | Composer | Producer | Collaborations | YouTuber | Electrical Engineer | PhD |

Youtube: http://youtube.com/AboutIndianMusic

Use of headphones is highly recommended :-)

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Please check song description on each track here... :-) thanks!!
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I do collaborations sometimes. If you like the music, share it with people? :)

Cheerio
Vijay