Indie Film Hustle is dedicated to showing you how to hack the film business. Interviews with Acadamy Award® / Oscar nominees and industry professionals giving you the real deal from the inside of independent film with no BS, just the truth on what it takes to survive and thrive doing what you love. We discuss cinematography, RED Camera, Arri Alexa, Blackmagic camera, post production, color grading, filmmaking, visual effects, motion graphics, film festivals, editing, film crews, directing, producing, film business, screenwriting, movie scripts, film distribution, film marketing, VOD, VHX, iTunes distribution, DIY filmmaking stuff, short films, feature films, video training courses, web series, independent film and much more in this podcast, all in an effort for you to survive and thrive in the jungles of the film business. Hosted by Alex Ferrari http://www.indiefilmhustle.com

Indie Film Hustle Podcast: Filmmaking | Screenwriting | Independent Film | Cinematography

Film

podcasts series one

Podcasts

Here it is! The first episode of the Indie Film Hustle Podcast. I'm going to go over what to expect from the show and from me. I'm here to help you survive and thrive in the film business and get your film hustle on! Take a listen!

IFH 001:  Introduction | Show Formalities | What to Expect

This week we are joined by Oscar nominee & legendary actor Robert Forster. He dishes out amazing advice to actors, directors and human beings a like. He even tell us his favorite Quentin Tarantino direction he got on the set of Jackie Brown.

IFH 002: How to Be a Working Actor w/Legendary Actor Robert Forster

This week we discuss my misadventures in Hollywood with my film BROKEN. I talk about how to be ready if and when the spotlight of Hollywood is on you and your project. What to do in those meetings and how NOT to waste the opportunity. 

IFH 003: The Hollywood Game - Be Prepared to Play

So you want to move to Los Angeles and make it big in Hollywood. The question is should you? Do you need to? When should you if you do? What kind of plan should I have in place? What should you do if you live in another country? All will be answered in this episode.

IFH 005: Do I Need to Move to Los Angeles to Make it in the Film Business?

In this episode we tackle visual effects in indie film. Visual Effects in Indie Film is really hit or miss, mostly miss. Many indie filmmakers don’t have any idea what to do when it comes to visual effects.

Uber visual effects artist Dan Cregan takes you through a master class on indie film visual effects and tells us how he went from indie visual effects to huge studio films like Guaridans of the Galaxy and The Hobbit.

IFH 006: Indie Film VFX Master Class with Visual Effects Artist Dan Cregan

I’m so excited to have on the show this week Dov Simens, founder of Hollywood Film Institute. He created the remarkable 2 Day Film School and has launched the careers of Quentin Tarantino, Chris Nolan, Spike Lee, Kevin Smith, Queen Latifah, Guy Ritchie & more.

Without taking his course I wouldn’t have been able to make my first film BROKEN. He laid the foundation for my filmmaking career. It’s sounds nuts that you can learn everything you need to know to make a feature film in 2 days but you can.

Sit back and prepared to be schooled in the ways of Jedi Film Teacher Dov Simens.

http://www.indiefilmhustle.com

IFH 007: Dov Simens – American Greatest & Quentin Tarantino’s Film Teacher

On this week's episode we discuss a dirty indie film distribution secret, Producer's Reps. Like all things in life not all producer's reps are evil, scam artists or scumbags. Many do a great job and are more than fair with the filmmakers they work for.

I'm hear to warn you about the other kind of producer's rep, the predatory, conman that loves to promise the world and deliver nothing to the already broke filmmaker. I was burned by one of these grifters early in my journey as a indie filmmaker and producer.

Get Social with Indie Film Hustle:
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Podcast: IFH Podcast

IFH 004: What is a Producer's Rep & How not to be Ripped Off!

Suki Medencevic ASC and the Art of Cinematography
I have found over the years that is one of the biggest technical issues in independent film. Someone borrows a friends RED Camera or Arri Alexa and thinks that's all you need. Cinematography is not only a mystical art but imperitive in today's gluttony of indie films in the market place.

Good cinematography can really make your independent film project rise out of the gutter of poorly produced indie films. Today on the show I interview Suki Medencevic ASC (American Society of Cinematographers).

For all the show notes goto: http://www.indiefilmhustle.com/009

IFH 009: Suki Medencevic ASC & the Art of Cinematography

Linda Seger is a legend when it comes to screenwriting coaching and script consultanting. She's been couching for over 30 years and pretty much invented the job title. After reading her best selling book, "Making A Good Script Great" I had to have her on the show.

She's  best known for her method of analyzing movie scripts, which she originally developed as her graduate school dissertation on "What Makes a Great Script." She founded the script consulting industry, becoming the first entrepreneur who saw script consulting as a business, rather than an offshoot of seminars or books.

Linda Seger has consulted on over 2000 screenplays and over 100 produced films and television shows including Universal Soldier, The Neverending Story II, Luther, The Bridge (miniseries,) etc.

Take a listen to this master class on screenwriting with Linda Seger and get ready to take notes!

IFH 031: How to Make a Good Script Great with Linda Seger

World-renowned French cinematographer Pierre Lhomme discusses his life and career at a special event in 2013. The evening was in conjunction with the release of a 50th anniversary restoration of LA JOLIE MAI, which was co-directed by Lhomme and Chris Marker, and the conversation followed a screening of Jean-Pierre Melville's ARMY OF SHADOWS. 

This podcast is brought to you by The Film Society of Lincoln Center. Film Lives Here. 

www.filmlinc.org

#88 - Pierre Lhomme

In this week's episode of Shot for Shot, Perry and Geoff talk about the perfect shots within Martin Scorsese's Silence. Then Geoff sits down to speak with DP Rodrigo Prieto about Silence, working in multiple genres, and honing his craft.

View this week's Shots in the companion post: http://buff.ly/2o3PRpi

Be sure to follow us on Twitter (@OnePerfectPod) and Facebook (facebook.com/oneperfectshot). Subscribe in iTunes, Stitcher, on TuneIn, or wherever you get your podcasts. You can also follow hosts H. Perry Horton (@hperryhorton) and Geoff Todd (@TheGeoffTodd). We'd very much appreciate your feedback, as well. Leave us a review on iTunes or email us: pod@filmschoolrejects.com.

Thanks for listening!

Shot for Shot with Rodrigo Prieto

Perry and Geoff explore the perfect shots of Sam Mendes' Road to Perdition, shot by the great Conrad L. Hall.

Shot by Shot: Road to Perdition

Some would say that Jim Cummings' journey to winning this year's SXSW Grand Jury Prize for best narrative feature started back in 2016 when his short film "Thunder Road" won the Grand Jury Prize at Sundance. Yes, the short, which many consider one of the greatest of all time, was the source for their feature adaptation, but in reality, Jim's journey to SXSW royalty started long before "Thunder Road." And while he's certainly the star of this film, it would also be unfair to say that Jim made this journey alone. Between Jim, the film's creative director Danny Madden, and producer Ben Wiessner, the tight-knit crew behind the film have worked together on projects at SXSW for the last seven years in a row. In 2018, their production company ORNANA, wasn't only in Austin to represent "Thunder Road", but also for the Vimeo Staff Pick Award-winning short "Krista." Mere hours after winning their respective awards, the team was already at it again, creating a video and launching a Kickstarter for the feature-length version of Krista. Even with a Grand Jury Prize from Sundance at their disposal, Jim and crew found it impossible to find anyone who would produce their feature. But that didn't stop them. It just fueled the fire more. "Thunder Road", which tells the story of an eccentric police officer whose mourning over his mother's death leads to disastrous consequences, is the result of a decade of strong team building, work ethic, and an unrelenting desire to get stories told. Joining Producer Jon Fusco on the podcast today are several members of the producing team that made it happen, Ben Wiessner, Natalie Metzger and Matt Miller. cinematographer Lowell Meyer (who himself had three projects in competition at the festival) and of course: writer, director and actor, Officer Arnaud himself, Jim Cummings. We discuss all aspects of production which surround their mantra: "Don't wait for somebody to make your movie, do it yourself."

Don't Wait for Somebody to Make Your Movie, Do it Yourself: The Winning Mantra Behind 'Thunder Road'

Three filmmakers with short nonfiction films in the SXSW 2018 lineup—Jury Award-winner&nbsp;Charlie Tyrell, Mohammad Gorjestani, and Leah Galant—sit down with No Film School’s Liz Nord to discuss why this is a golden age for documentary shorts,&nbsp;how they each got their projects made, and how shorts can fit into your filmmaking career’s bigger picture even if you’ve already worked on commercials or features.

Why Now is the Time to Make Your Doc Short

In this episode of our step-by-step podcast on how to get your first feature made, using No Film School founder Ryan Koo's Netflix Film "Amateur" as a case study, we dive into the creative and visual side of prep including storyboarding, shotlisting, previz, and creating overheads. He also discusses some common pitfalls to avoid such as why it's challenging to rewrite the script during prep and why locking locations is&nbsp;so important before starting principal photography. Ryan gives us some tips into his favorite tools and apps that helped him through pre-production as well as the cameras and gear that made the production of the film possible.

How Do You Tell Your Story Visually? The First Feature: AMATEUR [Episode 6]

In this episode of our step-by-step podcast on how to get your first feature made, using No Film School founder Ryan Koo's Netflix Film Amateur as a case study, we dive into the production stage of filmmaking. Watch Amateur on Netflix, available now worldwide at netflix.com/amateur. You can find all other episodes of The First Feature at nofilmschool.com/firstfeature. This episode of The First Feature is sponsored by Music Bed. Get 20% off you next on-site license at musicbed.com/new with coupon code "FirstFeature20."

How Do You Go Through Production? The First Feature: AMATEUR [Episode 7]

In this episode of our step-by-step podcast on how to get your first feature made, using No Film School founder Ryan Koo's Netflix Film Amateur as a case study, we dive into the post-production stage of filmmaking. Watch Amateur on Netflix, available now worldwide at&nbsp;netflix.com/amateur. You can find all other episodes of The First Feature at&nbsp;nofilmschool.com/firstfeature. This episode of The First Feature is sponsored by Music Bed. Get 20% off you next on-site license at&nbsp;musicbed.com/new&nbsp;with coupon code "FirstFeature20."

How Do You Finish Your Film? The First Feature: AMATEUR [Episode 8]

In episode 10 of Filmmaking Footnote, Michael talks about the American Society of Cinematographers (ASC). We talk about how the selective group of cinematographers operates and who gets inducted.

American Society of Cinematographers - 010

Famed Cinematographer Ed Lachman discusses this year's official New York Film Festival poster, which he co-designed with artist JR. 

This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here.

#201 - Ed Lachman

This is a big one! We got to sit down with Oscar-winning cinematographer Robert Elswit, who also has the distinction of being the only man to shoot two "M:I" movies -- "Ghost Protocol" and "Rogue Nation!" On this week's episode we dive deep into "Ghost Protocol," and get his thoughts on working with Brad Bird and shooting the Burj sequence (it sounded as hairy as it looked). And as for some bonus content, Elswit describes what it was like shooting a James Bond and Jason Bourne movie, as well. It's an embarrassment of riches, really.

34. Robert Elswit Interview, Part 1 (Cinematographer of 'Ghost Protocol' and 'Rogue Nation')

Indie Film Hustle is dedicated to showing you how to hack filmmaking & the film business. Interviews with Acadamy Award® / Oscar nominees and industry professionals giving you the real deal from the inside with no BS, just the truth on what it takes to survive and thrive doing what you love. 

We discuss cinematography, RED Camera, Arri Alexa, Blackmagic camera, post production, color grading, filmmaking, visual effects, motion graphics, film festivals, editing, film crews, directing, producing, film business, screenwriting, movie scripts, film distribution, film marketing, VOD, VHX, iTunes distribution, DIY filmmaking stuff, short films, feature films, video training courses, web series and much more in this podcast, all in an effort for you to survive and thrive in the jungles of the film business. 

Hosted by Filmmaker Alex Ferrari 
http://www.indiefilmhustle.com

IFH 009: Suki Medencevic ASC & the Art of Cinematography

IFH Filmmaking & Screenwriting Podcast Network