Free West Papua

west Papua

NeverEnough

resistance-label-profile

Dhangsha

Thinking Historically in the Present

Ancestors are smiling brightly on this whole soul! May this vibration be carried by the winds of liberation! 
SOURCE: https://soundcloud.com/indigenous-resistance

ILL.umi.Native WisDub

to listen

This month's transmission of Virology features Asian Dub Foundation founder and bassist Dr. Das aka Dhangsha.

Under this new moniker he makes rhythmic noise with a grounding in dub, and frequently collaborates with London's Sound-space label. 

The first hour is a mix of his own productions, followed by an interview discussing decolonisation, mentoring, political music and new music tech.

Dhangsha productions mix

0.00 - Autonomous Zones

4.32 - Heavy Manners

9.14 - Back Up Killer

13.32 - Local Apocalypse

19.17 - Dhangsha

23.38 - Dancehall Mutants

28.40 - MILKSHAKES 4 SNOWFLAKES (DSPSSSSD)

32.10 - Move

35.32 - The Devil Finds Work

39.35 - Ecotage

43.29 - Stopcontrol

49.16 - Zero Hour (DSPSSSSD)

51.37 - Intentions

56.43 - Virology


Interview tracklist

1.04.30 - Asian Dub Foundation - Rebel Warrior
1.21.45 - Indigenous Resistance - Revolution Dub
1.40.20 - Asian Dub Foundation - Hypocrites
1.50.15 - DSPSSSSD - Gone Viral
1.53.37 - Yao Bobby & Simon Grab - Diamonds (Dhangsha Remix)
1.59.04 - DSPSSSSD - Repeat a Lie Enough Times

Virology W. Dhangsha 03/04/21

I'M MIGRANT Remix

I'M MIGRANT - Dhangsha Remix

finally uploading this for the Soundcloud dwellers...

We are kick starting our mix series again!

Following a bit of a break brought about by our now regular show on Netil Radio, we are honoured and very excited to have a recording from Dhangsha, aka Dr Das of Asian Dub Foundation. We have decided to aim our mix series at more particular sounds, with less of a focus on DJs and more on exploring the sounds and influences of producers and bands. Dhangsha has put together an awesome mix, or rather a soundtrack, entitled ‘Refugee Backpacker / Dream Holiday’. HUGE thanks to Dhangsha for this bone rattling journey.

“Refugee Backpacker / Dream Holiday” is an imaginary score assembled by Dhangsha and inspired by Philip K Dick’s “We Can Remember It For You Wholesale,” made famous by the film “Total Recall” starring Arnold Schwarzenegger. The new interpretation of the story would be made from an anti-colonial perspective with a view to compelling the audience to challenge their prejudices regarding various global relations when confronted with the economic realities underpinning them.

Text from Dhangsha: "Aniruddha Das, better known as “Dr Das,” bassist and co- founder of Asian Dub Foundation has always been interested in all forms of ‘experimental’ sound. Over the last 30 years he has explored ‘noise’ within the context of ‘dub.’ With his current projects he is, to different degrees, dismantling and disintegrating the rhythmic framework to expose the beauty of noise in its own right. As such, he is attempting to demonstrate the proximity of ‘noise’ to the dance floor.

For this session, not only has he drawn upon his work with Dhangsha (Bengali for ‘destruction’) and DSPSSSSD (‘dispossessed’), but he’s presented tracks from various artists who’ve inspired him and who share some of the same sonic rationale, if not sometimes political - namely, people like Bantu, Simon Grab, Sankara Future Dub Resurgence, Hallucinator and Evicshen."

DHANGSHA 3WD MIX

3WD MIX 04 - DHANGSHA

Some of my favorites self composed work... Enjoy)))

V-iPod #222

UNFORESEEN

Streamed live on from Mickey Zoggs on Noods Radio - Saturday 02/10/2021.

Big thanks to @dhangsha for providing a very special 30 minute live recording of his own productions. Be sure to follow him and check out his music on Bandcamp

Music selections from me include Konduku, Alex Coulton, Stigma, Paleman, Davis Galvin, Ehua, Kepler438

https://dhangsha.bandcamp.com/

Staring at the Wall w/ Jurango & Dhangsha

This is a track ( in wav format)  from the vaults of IR/TFTT www.dubreality.com
A piece of oratory by Aboriginal  writer Jeannette Armstrong set to dub music...this is a radical speech and uplifting speech which is not only incisely dissects some of the subtle and not so subtle ways that racism and colonialism works to undercut the self esteem of individuals but it also clearly makes the point that WE ARE VALUABLE AS HUMAN BEINGS AND WE CAN MAKE A DIFFERENCE.. heres is an excerpt of what Jeannette Armstrong has to say ." the onus is on each one of us..the onus is not on someone else, we can not say who am I to do anything about it .im just one little  person, i cant change the system i cant do anything about it ,evryone of us has that responsibility , evryone of us can take on that responsibility , evryone of us are responsible, wether we wantto be or dont want to be, things happpen through action or non action, its your choice, you can be a teacher and you are always a teacher no matter what you do even if you dont want to be , but you are, you either teach good or you teach bad"
special thanks to graigg and others in the shadows for this trak and for dr das for inspiring us to put this trak up again.

IR:Indigenous Resistance We R Valuable FEAT jeannette Armstrong in Dub

FREE AIFF  DOWNLOAD OF IR : Indigenous Resistance/Ethiopia  Gambella Land Grab ( Soy Sos Amharic Mix)
In Gambella, a western province of Ethiopia , thousands of the indigenous inhabitants have been displaced from their lands so that the government can lease it to foreign companies to establish commercial farms. This is in contradiction to official government policy that forbids local farmers from leasing & selling their farmlands.The government has leased the land at ridiculously low prices to these foreign companies so that they can establish large commercial farms.In order to do this ,thousands of the indigenous peoples have been terrorized & forcibly displaced from their lands. Villagers  have been killed and thousands have fled to refugee camps in southern Sudan. While officially the government says there are no problems, that the inhabitants welcome the changes and that they are doing many things to improve the lives of the indigenous peoples, the reality is something else.Little effort has been made to respect the traditional lifestyles of the inhabitants and to provide them with expertise and tools to improve their own cultivation & to support local farmers. Instead the focus has been to facilitate foreign companies from countries like China, India, Pakistan,Saudi Arabi to create large commercial farms where most of what is produced  will go outside of Ethiopia with little benefit to ordinary Ethiopians except officials who are receiving bribes and kickbacks from foreign companies..
Vocals by Amard
Bass: Dr Das
All vocals & instruments recorded in Ethiopia by The Ghost
Beats & textures: Herman “ Soy Sos  “ Pearl
Mixed by “Soy Sos” at Tuff Sound Studio
Text written by The Ghost  & Amard
C 2012
Produced by IR ::Indigenous Resistance
www.dubreality.com

IR : Indigenous Resistance/Ethiopia  Gambella Land Grab ( Soy Sos Amharic Mix)

C# Tibetan Bowls With Binaural Beats (4hz And 2hz).  I added Binaural Beats at 4hz for the first 20 minutes and 2hz for the remaining set.

Binaural beats are a way of synchronizing your brain waves (which are measured in hertz) with the hertz of the binaural beat. The brain has a frequency following response which causes this to occur. This works best with headphones and is useful for meditation or relaxation. In this case I created three binaural beats. Each section is 10 minutes long and the beginnings are marked with the hits of the singing bowl. The tone is C 256 hz.

Here is an article from Wikipedia about Brainwave Entrainment:
en.wikipedia.org/wiki/Brainwave_entrainment

The brainwave states (Beta, Alpha, Theta, Delta) are listed on this page (scroll down to the table)
en.wikipedia.org/wiki/Electroencephalography

here's a basic rundown of the brains states:

Beta - 30hz-13hz - your normal awake state, in higher ranges or above 30hz you may be experiencing stress. In this case, you gotta chill!

Alpha - 13z-8hz - a relaxed and reflective state

Theta - 8hz-4hz - a very meditative state or getting drowsy and drifting off, if your sleepy)

Delta - 4hz and below - deep sleep or a very deep meditative state. Buddhist Monk's brainwaves have been measured in this state during meditation.

In the unlikely event that you experience any unusual physical or mental discomfort, immediately discontinue use.
http://sonicyogi.com

C# Tibetan Singing Bowls With Binaural Beats (4hz and 2hz)

 This is a new track by IR ::Indigenous Resistance mixed by Dr Das featuring 
Dj Soundar, Jerome Klur  with  Ixquic (Julieta Lara) reading a poem 'Dejame Passar " by Rosa Chaves. Scroll down to read a complete english translation of history of the trak.
El musica de IR: Resistencia indígena ( www.dubreality.com) "Dejame Passar"pasó por muchas etapas para llegar a la mezcla final que estás escuchando aquí.
Como el Dr. Das nos escribió
 "Primero escribí la línea de bajo de Déjame Pasar para una canción del proyecto DJ's Contra La Fam (que distribuye comida a gente sin recursos en Barcelona) y Simbiosis Kolective en el Hipnotik Fest de Barcelona. Ixquick, de Simbiosis, la escuchó y sugirió recitar el poema Déjame Pasar sobre la línea de bajo y así convertirlo en una nueva pista. Ixquick es de Guatemala y tiene una mezcla de raices mestiza /Maya. También es una gran conocedora de la política e historia indígenas de Guatemala así como de la ciencia Maya. Es una gran amiga de Rosa Chávez, de la que obtuvo el permiso para usar su poema/letra. 
[Rosa Chávez es una poetisa indígena procedente de la etnia maya quiché por parte paterna y de la etnia Kaqchiquel, también de origen maya, por parte materna. Ha publicado varios libros de poesía como "Casa Solitaria", "Piedra" y "Los dos corazones de Elena Kame"]. 
Al estilo de IR, grabó su voz usando el micro interno de la computadora."
IR escuchó una de las mezclas de prueba y le encantó su estilo dub, así que quiso incorporarla a su próximo proyecto. Dj Soundar y Jerome Klur añadieron nuevos sonidos e instrumentación al mix en Francia. Después, Dr Das lo mezcló en el estudio Red Reception de Londres. El track se estrenó en directo en Bogotá en un evento artístico y musical gratuito de DJ Soundar /DubNOIZ / IR y en el que participaron Dr Das, Bantu y Rebel Youth de Colombia. La actuación tuvo lugar frente a un mural gigante de IR en el distrito de la Candelaria y, mientras Dj Soundar pinchaba la canción para un agradecido público, en un muro cercano el grafitero Chite Yarumo pintaba un nuevo mural de IR de Assata Shakur, del partido Panteras Negras. Una fotografía de la tarde del evento hecha por Naira forma parte de la portada del próximo lanzamiento IR29 New Generation Dub. Este trabajo será un EP de anticipo con colaboraciones de Sawandi, Dr Das, Gebre Amlak, Dj Soundar, The Ghost, Jerome Klur, Ramjac y Dutty Bookman, entre otros. Después saldrá una edición de larga duración que incluirá el tema Déjame Pasar. Mientras tanto, disfruta de este dub mix combativo de Dr Das y échale un vistazo a su próximo álbum "Preparing 4 War".
CRÉDITOS DE DÉJAME PASAR:
Poema - Rosa Chávez
Voz – blessed Ixquic (Julieta Lara)
Bajo, producción, mezcla - Dr Das
Guitarra - Jerome Klur
Sonidos adicionales - DJ Soundar
Voces y bajo grabados en Barcelona@ Barrio del Carmel.
Guitarra y sonidos adicionales grabados en París.
Mezcla @ Red Reception, Londres.


The IR :Indigenous Resistance track  " Dejame Passar"  passed through many stages to reach the final mix you are hearing here.
As Dr Das wrote us
" I first wrote the Dejame Passar bassline for a track for the project Artists Contra La Fam who distribute food to homeless people in Barcelona. Ixquick of Simbiosis  Collective heard it and suggested reciting the Dejame Passar poem over it and so making it into a fresh track. 

Ixquick is from Guatemala and is of mestiza /Maya ancestry  and well versed in Guatemala's Indigenous politics and history and Mayan science. She is good friend's with Rosa Chavez who has given her permission to make use of her poetry/lyrics.
[.Rosa Chave is an indigenous poet of the Maya K’iche nation on her father's  side and Maya Kaqchiquel on her mother's side. She has published various books of poetry such as "Casa Solitaria" , "Piedra"  and "Los dos corazones de Elena Kame " ]


 In proper IR fashion, I recorded her voice using the macbook's internal mic."
IR  heard one of the rough mixes and loved its dub feel and wanted to incorporate it into a forthcoming IR project . Dj Soundar and Jerome Klur in France added new sounds and instrumentation to the mix.Dr Das then mixed it at Red Reception studio in London.The track was then premiered live at a free DJ Soundar /DubNOIZ  /  IR  music and art gig  with Dr Das , Bantu and Colombian Rebel Youth in Bogota, Colombia. The gig took place in front of the giant  IR  mural in the Candelaria District and as Dj Soundar played the track live to an appreciative audience a new IR mural of Black Panther  Assata Shakur was being painted in the nearby wall by grafitti artist Chite Yarumo . A photo by Naira  from this afternoon event is part of the cover of the upcoming " IR29 New Generation Dub  " release . This release will be a preview EP  with tracks featuring Sawandi , Dr Das , Gebre Amlak ,Dj  Soundar ,The Ghost , Jerome Klur , Ramjac, Dutty Bookman among others. This will be followed by a full length release which will include this track Dejame Passar .In the meantime enjoy this soaring miltant dub mix from Dr Das and check out his fortHcoming dubnoiz album " Preparing 4 War"

DEJAME PASAR CREDITS;

Poetry - Rosa Chavez
Vocals - Ixquick
Bass, programming, mix - Dr Das
Guitar - Jerome Klur
Additional sounds - DJ Soundar

Vocals & Bass recorded in Barcelona@ Barrio Carmel. 
Guitar and additional sounds recorded in Paris. 
Mixed @ Red Reception, London.

IR :: Indigenous Resistance  " Dejame Passar: DR DAS Soaring Miltant  Dub Mix"

A l'occasion de sa venue samedi 6 septembre au Nüba pour la Summer Madness #2 du Collectif Jazz Attitudes, https://soundcloud.com/dj-spinna-1 nous offre un mix de plus d'une heure pour se mettre en jambe. Parfait pour se chauffer dans son salon, dans sa salle de bain, entre potes, voire au bureau, discrètement entre deux tableaux Excel.

Summer Madness #2 w/ DJ Spinna, GonesTheDJ, Lord Funk & Jazz Attitudes Sound System, samedi 6 septembre au Nüba.
Plus d'infos › http://www.lemellotron.com/2014/08/27/summer-madness-2-w-dj-sipnna-gonesthedj-jazz-attitudes-sound-system-au-nuba/

[EXCLU] DJ Spinna - Jazz Attitudes special mix

Ebony Dubsters - Ra (Original Sin Remix)

Root Chakra Healing Frequency 432 Hz Meditation Music - Powerful Relaxing Music
Exclusive Playlist on Spotify: https://spoti.fi/332XJM7 

Beautiful nature videos and use the relaxing music in youtube channel: https://www.youtube.com/channel/UCf4iMeUCDs0NFkJI03aJSbQ

Located at the base of the spine, the pelvic floor, and the first three vertebrae, the root chakra is responsible for your sense of safety and security on this earthly journey. The word Muladhara breaks down into two Sanskrit words: Mula meaning “root” and Adhara, which means “support” or “base.” 

This is the first of the chakras of matter. Balancing the root chakra creates the solid foundation for opening the chakras above. Imagine that you’re laying the foundation for a house in which you’re going to live for a long time. A solid foundation embedded in firm soil will provide the stability you need to create a home filled with joy for years to come.

The root chakra is comprised of whatever grounds you to stability in your life. This includes your basic needs such as food, water, shelter, and safety, as well as your more emotional needs such as letting go of fear. When these needs are met, you feel grounded and safe, and you tend to worry less day to day. 

Whether or not you feel secure now often has less to do with what you have at your disposal and more to do with how safe you felt as a small child. When you consider psychologist Erik Erickson’s stages of development, the first stage—trust versus mistrust—is closely related to your root chakra development. As infants, if your caregivers readily gave you what you needed to survive with consistency, you felt secure in the world. You felt that the world was a place that could be trusted to provide your basic needs. Yet, if your caregivers withheld or delayed in giving you what you needed, or if that giving was inconsistent, you may find yourself with first chakra blockages.

Shamanic Tibetan Chanting Meditation Music

Spotify

Root Chakra Healing Frequency 432 Hz Meditation Music - Powerful Relaxing Music

Looking At Fear. That Extraordinary Jewel.

Jiddu Krishnamurti - Looking At Fear. That Extraordinary Jewel.

Rimbaudian - I would do everything I did again, and again (Preview)

Still Dancing on John Wayne's Head

Ohtokin (Prime Thought Meets Mannaseh Mix)

Thomas Sankara

Order Vinyl: 
https://noire-et-blanche.bandcamp.com/album/cool-bananas
https://kuronekomedia.lnk.to/CoolBananas

Starry Night

Galdino : Pataxo Warrior ( Sawandi's Defiance In The Shadows Mix) feat Jah 9 , Zumbi &amp;;The Ghost.
Galdino Jesus dos Santos was an indigenous Pataxó activist based in Brasil.
 His story:
 In 1997, he attended an indigenous rights meeting in Brasilia. Unfortunately, he missed the last bus to his lodging and as is the custom for many Brasilians, he stayed all night in the bus shelter in order to catch the morning bus. A group of youths – the sons of the capital’s elite judges and lawyers – found Galdino asleep. They poured gasoline on him and set him on fire, all as part of a cruel joke. Galdino died after suffering burns to 90% of his body. These murderous actions are indicative of how Brasil’s economically powerful elites treat those they perceive as ‘powerless.’
 Our story:
 Indigenous Resistance attended the trial of Galdino’s murderers. We met his family and were shown the coroner’s photos of his charred corpse. I.R. was also witness to the special treatment and light punishment meted out to the murderers. In the years since his death, we have watched the Brasilian media continuously mute all coverage and remembrance of Galdino’s tragedy. This state of neglect stands in sharp contrast to the high visibility given annually for the death of journalist Tim Lopes. But we know that Galdino’s death is not an isolated incident. It opens up urgent issues of land demarcation; the exploitation of resources on indigenous ancestral lands; and the abysmal state of indigenous rights throughout Brasil in general. There is no silence on Galdino’s story – only shadows.
IR:WE ENTER, WE WORK, WE DISAPPEAR
Track Credits
In Brasil: Zumbi and Pataxó singers recorded by Francisco X, João S. D. C., and The Ghost.
 In Jamaica: Jah 9 (aka Janine Cunningham) vocals recorded by Sawandi. Drums: Rashaun “Blackush” McAnuff, recorded by David Kennedy at Cedar Hill. All other music created and arranged by Sawandi. Mixed at Anchor Studio by Delroy “Fatta” Pottinger.Mastered at Anchor Studios by Spiderman.
In Cyberspace: Vocals: The Ghost. Arrangement assistance: Prasonik, Tapedave, The Ghost &amp; the Spirit of Galdino. Lyrics by Zumbi, Jah 9 (aka Janine Cunningham), The Ghost and Tapedave. Text remix:Prasonik


Galdino : Pataxo Warrior ( Sawandi's Defiance In The Shadows Mix) feat Jah 9 , Zumbi &;The Ghost.

1Space-Mind Continuum by GAUDI:TESTA
    2Hampton by KURSA
    3Engage by DUB PHIZIX
    4Channel Drift by AKKORD
    5Money Is Not Our God by KILLING JOKE (IN DUB)
    6Instant Distraction by DUB CIRCUS
    7Construction Yaper by DMVU
    8Africa by SHERWOOD & PINCH
    9Ragga Celtique (Chalice Dub) by ELFIC CIRCLE
    10Alfredo E Sergio Nello Spazio by PHONO
    11Voids (Conduct Remix) by MAUOQ
    12Ci Fice Lu Dub by GAUDI
    13Janapa by KURSA
    14Fear by REQUAKE
    15Black Brain Piranha Disco by BWOY DE BHAJAN
    16Siren Song Of Glass by SOLAR FIELDS
    17Joy Of Mystery by SAAFI BROTHERS
    18The Fader by GAUDI & BEATS ANTIQUE
    19Mysterious Happening by AFRICAN HEAD CHARGE
    20Faces Come Out Of The Rain by VLASTUR & J.P ILLUSION
    21Epilogue Leitmotif by GAUDI

More Gaudi: 
Website: http://www.gaudimusic.com/
Facebook: https://www.facebook.com/gaudimusic/
YouTube: http://bit.ly/gaudimusic
Mixcloud: https://www.mixcloud.com/originsmusic/
Instagram: https://www.instagram.com/gaudimusic/

A global favourite in the electronica and dub reggae music scenes, UK based producer GAUDI keeps his ever-growing fan base returning to the dance floor with his infectious bass-driven tunes and innovative live performances. Honouring the traditions of old school dub by performing on stage without a computer, GAUDI’s incredible sonic manipulations are interwoven with live Theremin, Moog, Vocoder, Tape Echoes, Percussion and live vocals - all of which makes for a one-of- a-kind experience not to be missed.

GAUDI - Psychedelic Future Dub (vol. 2)

"Yesterday's Tomorrows" by @moomin will be released on May 18th through Wolf Music (@nysoul). More info: bit.ly/Moomorrow

Moomin - Yesterday's Tomorrow

Info

Moomin - Maybe Tomorrow

off of 2008 vinyl release on UNICORNIO Records

L PACHECO

MI CAMINO

Order here:
https://www.juno.co.uk/products/ramjac-corporation-cameroon-massif/684512-01/

Taking a turn to some of its roots, Emotional Rescue offers a reissue of Ramjac Corporation’s UK house/breaks anthem Cameroon Massif!. First released on the increasingly cult-status Irdial Discs in 1990, this was very much the sound of the big bang explosion of Acid House morphing and splintering, as subsequent multi-genres developed, formed, imploded and reformed in a new ways that still subsists today.  

Within the melting pot of anything goes, chemically-enhanced optimism that spread across the UK during that return to the summers of love from 1987 onwards, the nascent sounds coming from Chicago and Detroit were mixed with a hybrid of 80s British influences, taking in European synth pop, US electro, new beat, hip hop and reggae.  Out of this appeared a new sound, mixing that love of techno and house with dub bass and break beats into a proto-jungle swirl.   

Like many growing up through the ever-evolving 60, 70s & 80s British music scene, Paul Chivers’ early years of learning piano and guitar, moved from Beatles era pop to take in punk, jazz and anything an eager musical mind could explore.  Developing a long-term
interest and study of Cuban and Afro-drumming, his acquisition of an Atari and sampler soon moved to programming of both drum machines and TB303 and with that, Ramjac Corporation was born.

Playing live at some of the earliest raves in 1988, as often through luck and “right time, right place”, including the infamous Back To The Future and Energy parties, Ramjac went from playing from 50 to 10,000 ravers in a matter of months, as the nation was gripped, depending on your cultural standing, by either a mixture of drug apocalypse paranoia or ecstatic celebration.   

It was a meeting with Akin Fernandez, founder of Irdial Discs, that led some of the first studio experiments and creation of Cameroon Massif!.  Utlising Akin’s in-house studio and production skills, alongside Chivers’ jazz influenced outlook of improvisation over arrangement, the track took shape, mixing the live programmed percussion, heavy dose of phase, delay and reverb and Sun Ra inspired keys that resulted in a number of mixes of Massif!.  

Collected here are the original 12” “Massive” and “Massing” mixes, plus a special live version taken from the “Live At Brain” reunion gig of 2009.   The sought after 1990 versions and original Live mix are taken a step further with this 13 mins + mix, in essence a resampling and remixing reversion with didgeridoo and live on mic MCing, that gives a real glimpse of those early live sets.  With more Ramjac Corporation material upcoming and a live reel-to-reel show appearing soon, the return of Cameroon Massif! is now.

A1. Ramjac Corporation - Cameroon Massif! (Massive Mix)

1) Tee (ambient space version) - THE ORB & GAUDI
2) Trenchtown Techno - DJ MADD
3) Black Velvet - MORPHY
4) Normalise - LOBE
5)Tamburo - MASTER MARGHERITA
6) Ryuhyo - ERALDO BERNOCCHI & NETHERWORLD
7) Mubar Camel Liquor - BWOY DE BHAJAN
8) Savant - SOLAR FIELDS
9) 30Hz Dub Prelude - GAUDI
10) Ovoidance - OVOID
11) Zoot Zoot (feat. Gravity Cuts) & Descent - KURSA & SCUBA
12) Benares Eternal City (Eryri Dub) - DUB TREE
13) Alley - ROTOR feat GAUDI
14) Wadada Means Love (Gaudi Instredit) - DUBBLESTANDART
15) Cessna Riddim - DISTINCT MOTIVE
16) Circular Reasons - DUBSWORTH
17) Tiger Style (Causa Remix) - RDG
18) One World (Gaudi Instrumental Edit) - REACTION
19) Spanish Blues (Greg Hunter Remix) - ANOTHER FINE DAY
20) Blue Filter (BDO's Space Echo Remix) - DELIA DERBYSHIRE APPRECIATION SOCIETY

More Gaudi: 
Website: http://www.gaudimusic.com/
Facebook: https://www.facebook.com/gaudimusic/
YouTube: http://bit.ly/gaudimusic
Mixcloud: https://www.mixcloud.com/originsmusic/
Instagram: https://www.instagram.com/gaudimusic/

A global favourite in the electronica and dub reggae music scenes, UK based producer GAUDI keeps his ever-growing fan base returning to the dance floor with his infectious bass-driven tunes and innovative live performances. Honouring the traditions of old school dub by performing on stage without a computer, GAUDI’s incredible sonic manipulations are interwoven with live Theremin, Moog, Vocoder, Tape Echoes, Percussion and live vocals - all of which makes for a one-of- a-kind experience not to be missed.

GAUDI - Psychedelic Future Dub (vol. 1)

LEVIATHAN CH. I - TRACKLIST

Code: Pandorum - ID
Code: Pandorum - ID
Code: Pandorum - ID
Code: Pandorum x Mantis - ID
Code: Pandorum - Neon Demon VIP
Code: Pandorum - Nani
Code: Pandroum - Shinda
Code: Pandorum x FaceSplit - ID
Code: Pandorum - Desjardin 2019
London Nebel - Crowls (Code: Pandorum Remix)
Code: Pandorum - Headhunt 2019
Code: Pandorum - Zetsubo
Code: Pandorum x Autodrive - ID
Code: Pandorum x Axen - ID
Code: Pandorum x Birthdayy Partyy - ID
Code: Pandorum - Katatsumuri
Code: Pandorum - Nigeru
Excision & Illenium - Gold (Stupid Love) (ft. Shallows) (Code: Pandorum Bootleg)
Pendulum - Hold Your Color (Noisia Remix) (Code: Pandorum Edit)
Code: Pandorum - Monxxed
Code: Pandorum x Izzy Vadim - ID
Code: Pandorum, Evilwave & Aimless - ID
Deathsquad - Deathsquad (Code: Pandorum Remix)
Code: Pandorum - ID
Code: Pandorum x Tynan - ID
Code: Pandorum x Qoiet - ID
Code: Pandorum - ID (feat. Qoiet)

Code: Pandorum - Leviathan Ch. I [2019 SHOWCASE]

Tah dah, the vol. 4 of Gaudi’s PSYCHEDELIC FUTURE DUB series has just landed! Great contributions by some of the hottest and freshest producers/artists from the electronica-dub-glitchy scene! This brand new dub-excursion digs deep and deeper into the intricate realms of the underground before resurfacing with plenty of yet undiscovered precious gems! Many are the unreleased tracks and remixes appearing in this superb 75min sonic journey, including new material from yet semi-unknown producers, to the more established ones and also from Gaudi himself, such as: the featuring on the collaborative track with KRYPTIC MINDS and ERALDO BERNOCCHI (as ROTOR), the brand new dub mix of Gaudi’s song ‘Subtle Obscurity’ from his 2013 album ‘In Between Times’ (Six Degrees Records), the deeply mysterious mashup-Gaudi remix of  “dub-fellas” ALMAMEGRETTA and UPWELLING, the ambient version of ’30Hz Dub Prelude’ from G’s latest solo album ‘Magnetic’ on Rarenoise Records and more surprises to be discovered. 
This new excursion is deep, refined, it’s dark and in moments also goth, the JAH DIVISION dub re-interpretation of ‘Love Will Tear Us Apart’ says it all, so does it DAYZERO with his ‘Down By Low’ and HEBBE with his ‘B Side Dub’.
Gaudi’s collaborator and fella producer GROUCH is also present here with a dubby/stompy number, alongside with legendary psy-chill pioneers SAAFI BROTHERS remixed by dub specialist VLASTUR (out on Liquid Sound Design) and followed by italian dub wizard Paolo Baldini DUFILES with his MELLOW MOOD ensamble, then MALA, DUBPHONIC, KOSHI, HIERONIMUS, SEPPA, VOODOO TAPES, OPUS, HEMISPHERE DUB and more. The journey ends with an exquisite piano sonata by Gaudi himself, reinterpreting the famous…..  –you’ll find out! ;-) 
(Bridges Music Reviews).

GAUDI - Psychedelic Future Dub (vol. 4)

Track off 2008 vinyl release on UNICORNIO RECORDS

L PACHECOS CUMBIA SQUARES Remix

Raag Bhairavi (Hindi: भैरबी) (Urdu: بھیرویں‎) is a Hindustani Classical heptatonic (Sampurna) Raag of Bhairavi Thaat. Traditionally it is a morning raga. In modern times, at least in Khyal Gayaki, it is usually performed as the concluding (finale) piece in concerts. It is the defining raga of its own Thaat.
Carnatic music has a Bhairavi raga which is quite different from the Hindustani raga.
Hanumatodi in Carnatic music has the same scale as the Bhairavi in Hindustani music.

Raga Bhairavi [Mandala - Healing Ragas  Music for Relaxation, Sleep and  Beyond]

Didn't I

Didn't I (Dave Allison Rework)

Absolutely fire showcase of St. Lucia’s Kuduro Soca or “Dennery Segment” sound, a local style notorious for slack lyrics and its hi-NRG pace, here served up spicy as fuck by one of the Caribbean island’s premiere DJs for Uganda’s Nyege Nyege Tapes.

Packing pure heat from the town of Dennery in St. Lucia’s Mabouya Valley, DJ Chengz’ mixtape extends an unmissable introduction to Dennery Segment, a fast and grimy offshoot of the Angola “Hard ass” style of Kurudo that’s been banned in the region for its blend of salacious lyrics and rave-inciting rhythms. Also incorporating strong influence from Zouk and Lucian drums, Dennery Segment is a super strong example of punkishly road level party music from the Afro-Caribbean diaspora that highlights the pronounced, technoid Portuguese accent dominating global dancefloor dialogues right now.

Catching 67 minutes of rudely stripped down drum loops and hooks locked with MCs chatting sexually charged filth in Kwéyòl (Saint Lucian Creole), the mix arguably recalls the energy of Carnival as much as the grime and Soca that went into UKF, and bristles with the electric rawness of early Marfox and classic Príncipe. But the defining feature is really the raunchy lyrical content, working in a long tradition of XXX-rated Soca styles but with a bang up-to-the-second sense of economy and directness touching on everything from alcohol problems to “Sex like spaghetti”, and galvanised by the jabbing, gruffly rhythmelodic urgency of the productions.

Little known beyond the region, perhaps aside from diaspora carnivals in US and EU, the infectious percolations of Dennery Segment are bound to incite fervent reactions with all discerning dancers and listeners who love it as rugged and rawly stylish as it comes. DJ Chengz’ expertly selected and blended mixtape is the ideal entry point to Kuduro’s latest mutation for anyone with hips and ears attuned to thrilling new music from the tropics.

DJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A

SONIC INTERVENTIONS & INDIGENOUS RESISTANCE

A militant IR session ft SANKARA FUTURE DUB RESURGENCE, DHANGSHA, MAPU & APACHITA. Broadcast 18.07.20 on Raskattas Radio Show.
Intro: West Papua Liberation 
1 TWO THOUSAND SEASONS DUB 
Intro: Black Panther Breakfast Club & Anarchism. 
2. PERFECT BLACK LIGHT
'Zoonotic' meaning intro. 
3. STANDING ROCK FUTURE DUB
4. WOMEN HOLD UP HALF THE SKY
5. FIRE
Intro: Afro Colombians, Indigenous people on the frontlines. Mariela Franco remembrance.
6. COLOMBIA N21
7. DREAMS ARE DUB REALITY
Intro: Dhangsha & Dj Soundar aiding in breaking musical convention.
8 IWA PELE
DUB MUSEUM, KAMPALA, UGANDA
Ras Issacs: flute, djembe, Nyabinghi drums 
Kabaka: vox 
Ras Kilomo: vox
Esaete: vox
Ras Charles: recording
Jozef Spin: translation
TURTLE ISLAND/CHILE
Mapu: vox, Aztec drums, shakers
Apachita: vox.
Nico: trucata
Prasonik:wordsmith interventions at 4 am 
COLOMBIA
Dub Code II: N21 demo and vox recording
UK
Dhangsha: electronics 
Ramjac: mastering
FRANCE
DJ Soundar: sequencing
BRAZIL
Dubzaine: Artwork
Brazilian Sistren In The Shadows : Brazilian pronunciation coaching
Indonesia:
Nina:vox

These are some reflections Dhangsha wrote on this broadcast that we would like to share with you :
Sonic Interventions & Indigenous Resistance                                                                                                                                                      
                                                                  
“IR Sonic Interventions” was first broadcast on 18th July 2020, on Raskattas Radio, based in Sofia, Bulgaria. It featured Sankara Future Dub Resurgence, Dhangsha and Dub Sisters Mapu, Apachita and Esaete. For those who listened in, it was like an exhilarating live gig - raw in sound and text with punk attitude, but disciplined like a Peoples' Army on manoeuvres - everyone jumping in to take the baton then passing it on - everyone looking out for everyone else.



This is what happens when sonic experimentation and co-operation moves music and text beyond current convention. The political commentary and degree of analysis demonstrated a depth that is missing from present day dub, but not at the expense of dance propulsion. Bob Marley and his contemporaries created a framework of militant poetry with which to uplift the spirits of oppressed people. But over forty years on, it is not enough to merely REPRODUCE that template. 



As Sankara FDR say: “this is no photocopy dub.” Aside from spoken testimonies, the session was comprised of field recordings, acoustic rhythms and melodies and uncompromising programmed sequences. It was assembled using a variety of techniques: post-punk cut & paste, dub mixology and live electronic improvisation. This was in fact an ‘alternative news broadcast,’ unashamedly betraying a robust anti-colonial perspective. It was on THAT level. 



For all the Sisters & Brothers out there with open hearts and minds and ready to engage: 

WE SEE YOU NOW. 



For all those out there who would hinder our ability to breathe - you have revealed yourselves: 

WE SEE 



Sankara Future Dub Resurgence is a group of musicians from Uganda living in  the city of Kampala and in the area near Lake Nalubaale  ,Uganda. They collaborated with  IR ::Indigenous Resistance and Dhangsha to produce the four track EP 
" IR 55 Sankara Future Dub Resurgence"  which has been released to critical acclaim and which is available on Bandcamp here https://dubreality.bandcamp.com/album/ir-55-sankara-future-dub-resurgence
.
They also contributed tracks to the IR album " If Thomas Sankara & Fela Kuti Were Here They Would Say FREE WEST PAPUA" a free album in support of the liberation movement for a Free West Papua available on the Dubdem website www.dubdem.com.br 
s.

Sankara Future Dub Resurgence with Dhangsha, Mapu & Apachita : IR Sonic interventions

Indigenous Resistance has just launched a new full length 12-track cd IR25 Dubversive. This album has tracks "Ivere...The Land," "Luana," and "Sacred Power Dr Das Ragga Mix" all featuring indigenous performers from the South Pacific, most notably from the Solomon Islands.

The roots reggae track "Luana" is sung totally in an indigenous language from the Solomon's and features singers Tohununo and Dublikkle One in a song dedicated to all children whose rights are being disrespected. 

"Ivere..the land" is about environmental devastation and is a collaboration between a US-based singer of black, indigenous and European ancestry, ChristianeD  and Olovotu, an indigenous composer and musician from the south pacific. Ace producer Soy Sos takes indigenous  instruments and beats recorded by Olovotu and adds his own personal touch to them to create a swirling dance floor groove that mixes chants with Christiane D mezmerising lyrics and vocal styling. There is a video filmed in Brazil in the Amazon for this track that you can watch it and read about  it how it was made here: http://dubreality.wordpress.com/2010/12/16/video-for-ivere-opening-trak-of-ir-25-dubversive-cd/ Christiane D created her own video describing how the collaboration was done totally across the internet and how the lyrics of the piece came about and you can watch it here:  http://www.youtube.com/watch?v=pp6NWsYtLTg and read the blog post here: http://dubreality.wordpress.com/2010/12/16/an-ir-dubversive-insight-into-trak-ivere-with-christiane-d/

The track "Sacred Power Dr Das Ragga Mix" features vocals from Solomon Islands performer Tohununo alongside traditional singing from indigenous people in Canada within a reggae ragga riddim created by the founder and bassist of Asian Dub Foundation, Dr Das. You can watch a video of this trak here: www.youtube.com/watch?v=2J1CAW7YPq4

"This Land Is Not For Sale..." is about Atenco, a classic land-rights struggle. For some time, IR had been aware of the siege of Atenco and had been following the news through its direct and underground channels. When Asian Dub Foundation contacted us about working on a collaboration around this issue, it made perfect sense to us. Land rights are the center of many indigenous struggles and IR has done tracks & grafitti projects related to this matter. With tracks on recent IR releases, we have hoped to illuminate the independence movement in West Papua, the The Free West Papua Movement (OPM), the plight of the Krikati people of Brasil, or the Minga Indigenia of Colombia. This new collaboration was created through the internet with musical mixes, speech fragments, and ideas flying back and forward in the digital domain. IR's network of dubversive members working in shadows across the Americas from Peru to Colombia, made their contributions by editing, transcribing, translating and recordings. These were relayed via the net to ADF in the UK. 

This is the 25th release on the IR label which over the last 6 years has done numerous collaborations with indigenous performers from the South Pacific doing collaborations solely through the internet which linked musicians like ADF and Adrian Sherwood with performers in the South Pacific. In fact the first 7-inch vinyl, IR2, released by IR was a track for the Free West Papua movement.

Sacred Power [Dr Das Ragga Mix]

Diverging

Native American Flute with Tibetan Bowls (2hz Binaural Beat).  This track is based on an F# tone (at a=432hz tuning) for activating the heart chakra.  The flute was made by Coyote Oldman.

http://coyoteoldman.com

Binaural beats are a way of synchronizing your brain waves (which are measured in hertz) with the hertz of the binaural beat. The brain has a frequency following response which causes this to occur. These can help induce states of relaxation, meditation and help to relieve anxiety and stressed out states. This works best with headphones because binaural beats are panned hard left and right which forces the brain to synchronize the two tones. 

Here is an article from Wikipedia about Brainwave Entrainment:
en.wikipedia.org/wiki/Brainwave_entrainment

The brainwave states (Beta, Alpha, Theta, Delta) are listed on this page (scroll down to the table)
en.wikipedia.org/wiki/Electroencephalography

here's a basic rundown of the brains states:

Beta - 30hz-13hz - your normal awake state, in higher ranges or above 30hz you may be experiencing stress. In this case, you gotta chill!

Alpha - 13z-8hz - a relaxed and reflective state

Theta - 8hz-4hz - a very meditative state or getting drowsy and drifting off, if your sleepy)

Delta - 4hz and below - deep sleep or a very deep meditative state. Buddhist Monk's brainwaves have been measured in this state during meditation.

In the unlikely event that you experience any unusual physical or mental discomfort, immediately discontinue use.
http://sonicyogi.com

Native American Flute #2 with Tibetan Singing Bowls (2hz Binaural Beat)

“잃어버린 나의 2020년을 찾아서...” -jazzbear

ILLVILLNS 8TH ANNIVERSARY SPECIAL MIX FOR BBOYS & BGIRLS BY JAZZBEAR

L.J.S. Remix

I.R website www.dubreality.com
I.R blogwww.dubreality.wordpress.com
I.R. is a new music label launched in 2003that explores the twin themes of Indigenous Resistance/Indigenous Reality. Issues and examples of indigenous resistance and Indigenous reality that normally dont receive attention will be highlighted through our releases.
I.R also refers to homegrown insurrection and the fight against injustice everywhere.
An autonomous venture, I.R releases comes together with a minimum of resources but with a maximum of cooperation and care from those involved in the project; a family of loosely affilated folks who believe in the spirit and deed of resistance. Some of our conspirators include Underground Resistance , Dr Das ,Ramjac,Asian Dub Foundation,Deeder Zaman,D. WattsRiot Adrian Sherwood,Delroy "Fatta" Pottinger, MichaelFranti ,Mapu,Assatta Shakur,John Trudell,Dubdem Soundsytem,
Sos Soy,Christiane D, Saevo,Sawandi,Tapedave,Prasonik Augustus Pablo..to name a few.
I.R is intimately connected to the TFTT freedub project. Hence there will be opportunities to recive vinyl, books, posters free of charge.
We all have the capacity to fight the beast. We all have a part we can play.
