yes BIO

oh ok
I'm a poet at heart
also dable in art
2d 3d and the other D's.
This Music is totally for entertainment purposes and mind bending experiences.
The producers hold no responsibility for any unbelievable enlightenment.
My Heart and Soul are pure!
So is my Art and Craft.
Messages 

#ai #lofi #synthwave #retrowave girl-artist-musician 恒星波

I seemed to have reached a peak on here and cannot follow more than 2000. You are welcome to follow me on Spotify and YouTube until I have my website up and running. Thankyou to all my loyal followers. I really appreciate you. stay in touch and most importantly stay true to you. love to you all. I must write a song entitled "Algae rhythms" and wondered if you wanted to collab ;-) 

https://www.youtube.com/@Nikistitch1

Trance, Edm , e tutto ciò che viene ballato in Discoteca

https://www.instagram.com/dj_giaguaro_80?igsh=czI5NHM4cWV1NWJ1&utm_source=qr

I’m an artist  I was really looking forward to work with you. For the painting, I would be doing an oil on canvas,

Repost your music: bit.ly/BoostYouMusic

NETWORK / FOLLOWERS: 1.000.000

Lem wes is an undefined exploratory project by Nicolas Otisii from Paris.

New ep "FOLKLORE" AVAILABLE NOW ON BANDCAMP.
https://lemwes.bandcamp.com/album/folklore-ep

Info/ contact : Lemwes01@hotmail.com

Distressed and torrid tunes from night shadow of my home: basic, simple, with love and respect as I and I hope U like it. 
All photos and music made, produced, arranged and mixed by me at berg 27 studios, Trzin, Slovenia, 2018-2025
Member of Random Logic 1992-94
Torrid distress uses: 
Ableton 11 suite (Win 11, I7), 
Focusrite Scarlet 1, Kurzweil PC88: 
tc electronic icon series: master x, brickwall HD, Dyn 3000. PEQ3000, TC 1210, TC8210, DVR 250 
AKAI: APC 40 MK 2
KORG: volca modular, volca drum, volca bass
KORG: Drumologue groove box
Opal by fors, 
GForce: Minimosta 2,SEM, Bass station...
KV331 audio: Synthmaster one, 2, 3
Surge XT
T Force: Zenith
AIR music: Hybrid 3
Full bucket 
Klanghelm: IVGI2

industrial-1

Minimalistic Piano

https://industrial-1.bandcamp.com/releases

https://www.facebook.com/abstract.industrial.1

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

industrial-1 is following