The Swedish duo Harlem, composed of Martin Thomasson and Johan Skugge, is a project with more than two decades of history, though its trajectory has been marked by pauses and significant sonic transformations. In its early days, the group explored the realms of techno and electro, crafting a dynamic and avant-garde sound within the electronic music scene. However, after a period of inactivity, Harlem resurfaced in 2021 with Bait, an album released through the Italian label Veyl that marked a turning point in their musical evolution.

Rather than returning to their original identity, the duo emerged from dormancy with a darker, more abrasive approach, leaning toward EBM, new beat, and industrial electronics. This stylistic shift allowed them to connect with a new audience and fit perfectly within Veyl's sonic universe, a label known for its shadowy aesthetic and penchant for raw, atmospheric sounds.

Since then, Harlem has continued refining this new direction, delving into dense, tension-filled soundscapes where hypnotic rhythms and industrial textures intertwine, creating a sound that is as energetic as it is unsettling. And although four years have passed since their last appearance on Veyl, and they have even evolved their name to Harlem Electronics, the essence of standout works like Bait, as well as their subsequent releases on labels such as Body Musick, remains alive in Cage. With this new eight-track LP, they reaffirm their identity once again, pushing even deeper into their signature dystopian electronic sound, blending abrasive textures, oppressive rhythms, and an atmosphere that is both hypnotic and menacing.

With a vast trajectory spanning diverse genres such as dub and minimal techno, Harlem has developed a sonic identity that defies categorization. In this project, Martin Thomasson and Johan Skugge fuse elements of electro, no wave, post-punk, disco, proto-body, dub, hip-hop, and grime, shaping a mutant sound in constant evolution. Their new LP, Cage, is a work that moves between chaos and structure, darkness and hedonism, abstraction and physicality.

Release date: February 7th, 2025.


Premiere: Harlem Electronics - Dummy Up [Veyl]

I'm musician from Poland. My musical inspirations are wide: from classic electronic (K. Schulze, J. M. Jarre), through the synth-pop and electro-pop (Depeche Mode, Ultravox, Camouflage, OMD, VNV Nation, Clan of Xymox, And One, Covenant), and finaly harsh-electro and electro-industrial (Hocico, NIN, Haujobb).
My gears are Korg TR, Korg MS2000BR, Korg Volca Nubass, Quasimidi Rave-O-Lution 309, E-MU Procussion, E-MU ESI 4000, DSI Tetra and Analog Solutions Telemark v2.

Bass-Colour by "Samonas", Dj "2CL", Crew-Member by "schwarts"

A genderless, voiceless creature of unknown origin.

Weekly mix-tapes can be found here:  https://soundcloud.com/duct-ape/sets

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Subversion through music.
Weekly 19 song playlists of music I like: https://soundcloud.com/duct-ape/sets 


Also, I am:

Promos & info: info@industrialcomplexx.com


Independent media oriented to experimental electronics, industrial music and elaborate techno. You can send us your proposals, but we will value according to our criteria if it follows our line, since we only publish about everything that we find really interesting.

Premiere: Harlem Electronics - Dummy Up [Veyl]

Industrial Complexx