eerie w/ zazitech

Slacker's You Don't Care gets a spin courtesy of Europe’s other mega metropolis. Paris-based De Grandi morphs You Don’t Care into a step-friendly basstech track in his latest remixing endeavor. In this remix, two heavy driving sections are laced together by a rather introverted bridge to allow dancers to regain their footing. As per the rest of the project, the remix maintains elements of the original vocal chop while introducing new percussive and rhythmical accoutrement.

Follow
https://soundcloud.com/sam-black747
https://soundcloud.com/de_grandi
https://soundcloud.com/markhamroad

Buy
https://markhamroad.bandcamp.com/album/got-me-down-mr008

BANDCAMP

NEW HIT: Slacker - You Don't Care (De Grandi Remix) [Markham Road Records]

https://soundcloud.com/sam-black747 https://soundcloud.com/markhamroad
🛒 https://markhamroad.bandcamp.com/album/got-me-down-mr008

London-based producer Slacker lands on Markham Road Records with an exercise in both sample juggling and unrelenting pressure. Got Me Down's trio of waveforms spin the same vocal chop to produce some heavy, club-ready sounds. These three tracks lie on the pacier side of the BPM range, instructing a late-night application of their rhythms.

Leading out with the title track Got Me Down, Slacker pounds the subs harder than a Nona making pesto. Fitting somewhere between hard tech and dubstep, Got Me Down is a roller coaster of ups and downs (but mostly ups) that aims to leave dancers rather eager to stay on the floor.

The EP continues with a call and repeat called You Don’t Care. Developing over various percussive lines and bass swells, the track showcases Slacker’s expertise in sorting, pacing, and delivering THE drums. Just like Pooh Beatz, "He Like The HI Hat God Kinda."

The track also gets a spin courtesy of Europe’s other mega metropolis. Paris-based De Grandi morphs You Don’t Care into a step-friendly bass tech track in his latest remixing endeavor. In this remix, two heavy driving sections are laced together by a rather introverted bridge to allow dancers to regain their footing. As per the rest of the project, the remix maintains elements of the original vocal chop while introducing new percussive and rhythmical accoutrement.

Tracklist:

1. Got Me Down
2. You Don't Care
3. You Don't Care (De Grandi Remix)

PREMIERE: Slacker - Got Me Down [Markham Road Records]

Pre-order now on Markham Road Records : https://markhamroad.bandcamp.com/album/drums-dont-burn-mr009

To be released on 1 October 2025.

@markhamroad

Pre-order

Subsism - Radiant Recess (Out now on Markham Road Records)

Markham Road Records is an electronic music label exploring both the established and experimental sides of percussive music. For this episode, Westdale brings a wide selection of bass and techno courtesy of some surprisingly productive internet scrolling.

Markham Road w/ Westdale @ Kiosk Radio 06.09.2025

Paris-based artist Subsism (Guillaume Arnaud) delivers Drums Don’t Burn, a genre-blurring debut EP landing on Czech label Markham Road Records. The title track, a heavy, emotional centerpiece, gets reimagined here by Warzou (Aurélien Arnaud), whose remix twists the original into a darker, more warped form. A fitting close to the record, and a standout cut from a powerful first release.

Subsism
@subsism
www.instagram.com/subsism_/

Warzou
@warzouk
www.instagram.com/warzou_bigscience/

Marham Road Records
@markhamroad
www.instagram.com/markhamroadrec/

Drums Don't Burn

Drums Don't Burn (Warzou Remix)

Premiere: Subsism -  Drums Don't Burn (Warzou Remix) | Markham Road Records

https://soundcloud.com/subsism https://soundcloud.com/markhamroad
🛒 https://markhamroad.bandcamp.com/album/drums-dont-burn-mr009

Drums Don’t Burn is a contemplative statement piece from Paris-based Subsism (Guillaume Arnaud) that remains acutely aware of the artist’s past production while embracing a more natural state of flow. This duality is repeatedly demonstrated in a hybrid of spell-casting, acoustic rock, dub, and metal. A coming of age for both the artist and the label, Drums Don’t Burn is both our first full-length EP and the first project to be released on both digital and analog formats (yes, we made a tape).

The EP grew out of a year of assembly across central, eastern, and southern France, translating various influences into six original tracks. A final climactic effort came together in a little studio lost in the hills of Morvan, where Guillaume and Arthur Kern wrangled a 3-day mix session, with results being described as nothing other than heavy. Simultaneously, Warzou (Aurélien Arnaud… although surprisingly not Guillaume’s brother) and Ronja Kappl were forming the remix and artwork, respectively.

The EP begins with a series of introductory statements. This varying ambience of opening textures and vocal effects is greeted by the first taste of drum patterns found further along the road. It goes without saying that the graphics pulled a lot of inspiration from both Susana and Radiant Recess, the lead-out tracks on the project.

Falling straight to track number three, Shawskank sits in Subsism’s ever-hybrid jungle aesthetic. With a pulsing heart flashing remnants of past trance productions, Shawskank continues to guide listeners into the universe of Drums Don’t Burn. Following up, Loom Vigi is a standalone dubstep track that commands the attention of the project’s mid-section. ‘Dubby Club’ that ebbs and weaves before ultimately making way for the ever-personal, ever-enrobing Velvet Ache.

When we first met with Guillaume, there was mention of vocals in the project. Having no past references to go by, I don’t think anyone expected that they would materialize as the most stirring/warming/powerful part of the album. Of course, this is just our opinion, and we always prefer that you come to your own, but Velvet Ache remains the centrepiece of our breaky-achy hearts.

And finally, Drums Don’t Burn is both the title track and the axis of the album. It was the first track sketched for the project, and ultimately the choice for the remix. This special positioning in the creative process means that it has informed almost every output in this little universe. Followed by the Warzou remix, both versions make up either side of an asymmetrical pairing, fielding a full circle of approaches. 

Tracklist:

1. Susana 
2. Radiant Recess 
3. Shawskank 
4. Loom Vigi  
5. Velvet Ache  
6. Drums Don't Burn  
7. Drums Don't Burn (Warzou Remix)

PREMIERE: Subsism - Loom Vigi [Markham Road Records]

@subsism

Drums Don’t Burn is a contemplative statement piece from Paris-based Subsism (Guillaume Arnaud) that remains acutely aware of the artist’s past production while embracing a more natural state of flow. This duality is repeatedly demonstrated in a hybrid of spell-casting, acoustic rock, dub, and metal. A coming of age for both the artist and the label, Drums Don’t Burn is both our first full-length EP and the first project to be released on both digital and analog formats (yes, we made a tape).

The EP grew out of a year of assembly across central, eastern, and southern France, translating various influences into six original tracks. A final climactic effort came together in a little studio lost in the hills of Morvan, where Guillaume and Arthur Kern wrangled a 3-day mix session, with results being described as nothing other than heavy. Simultaneously, Warzou (Aurélien Arnaud… although surprisingly not Guillaume’s brother) and Ronja Kappl were forming the remix and artwork, respectively.

The EP begins with a series of introductory statements. This varying ambience of opening textures and vocal effects is greeted by the first taste of drum patterns found further along the road. It goes without saying that the graphics pulled a lot of inspiration from both Susana and Radiant Recess, the lead-out tracks on the project.

Falling straight to track number three, Shawskank sits in Subsism’s ever-hybrid jungle aesthetic. With a pulsing heart flashing remnants of past trance productions, Shawskank continues to guide listeners into the universe of Drums Don’t Burn. Following up, Loom Vigi is a standalone dubstep track that commands the attention of the project’s mid-section. ‘Dubby Club’ that ebbs and weaves before ultimately making way for the ever-personal, ever-enrobing Velvet Ache.

When we first met with Guillaume, there was mention of vocals in the project. Having no past references to go by, I don’t think anyone expected that they would materialize as the most stirring/warming/powerful part of the album. Of course, this is just our opinion, and we always prefer that you come to your own, but Velvet Ache remains the centrepiece of our breaky-achy hearts.

And finally, Drums Don’t Burn is both the title track and the axis of the album. It was the first track sketched for the project, and ultimately the choice for the remix. This special positioning in the creative process means that it has informed almost every output in this little universe. Followed by the Warzou remix, both versions make up either side of an asymmetrical pairing, fielding a full circle of approaches.

www.instagram.com/markhamroadrec/

Subsism - Susana

Subsism - Shawskank

Subsism - Velvet Ache

Subsism - Drums Don't Burn

INFAME RADIO
@markhamroad

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