[UNDER CONSTRUCTION]

Mellow Sets series no. 29

started it: "one month ago" (ref: 2022/03/26)

I'll be back.

... enjoy these sets in the meantime.

Hugs & kisses

HK_Mellow_Sets_29

Bellasol ** RO*  deep minds- hellsmusic

Live recording at La Cinetika, Barcelona 2022.
 → https://bit.ly/3sl7Hnv
www.diffusereality.net

Teorema Live: Absis

@kristyna_coufal

The queen of the most eclectic dj set, always guided by her intuition, feelings and emotions. Her sets accommodate a blend of different genres and flavors🍧

GUESTMIX - KTVA

More: http://www.movement.radio/show/New-Moon-02032022
@olenxxa

Image credit: https://www.instagram.com/01ambience/

Stoicheion • New Moon w/ Carina Obukhova (02.03.2022)

Recorded live at Lusophonica web radio, with music by Andrew Chalk, Wendy Lavone, Nikolaienko, Wojciech Rusin, Bezbog, Game Show, imberbe, Andrey Kostyukov, Priori, DJ Python, ccctyyy, Caroline Lethô, gem-K, uon duh, Joe McBride, Kayak, SUPPERMINER, Fine Place, Neel, ϙue, Aardvarck, Jack Lever and Hidden Horse.

Café com Limão 01.03.22

Chorume Sonoro - Le Frit (Mars 2022)

Markham Road Records is an electronic music label exploring both the established and experimental sides of percussive music. For this episode, Westdale brings a wide selection of bass and techno courtesy of some surprisingly productive internet scrolling.

Markham Road w/ Westdale @ Kiosk Radio 06.09.2025

Paris-based artist Subsism (Guillaume Arnaud) delivers Drums Don’t Burn, a genre-blurring debut EP landing on Czech label Markham Road Records. The title track, a heavy, emotional centerpiece, gets reimagined here by Warzou (Aurélien Arnaud), whose remix twists the original into a darker, more warped form. A fitting close to the record, and a standout cut from a powerful first release.

Subsism
@subsism
www.instagram.com/subsism_/

Warzou
@warzouk
www.instagram.com/warzou_bigscience/

Marham Road Records
@markhamroad
www.instagram.com/markhamroadrec/

Drums Don't Burn

Drums Don't Burn (Warzou Remix)

Premiere: Subsism -  Drums Don't Burn (Warzou Remix) | Markham Road Records

https://soundcloud.com/subsism https://soundcloud.com/markhamroad
🛒 https://markhamroad.bandcamp.com/album/drums-dont-burn-mr009

Drums Don’t Burn is a contemplative statement piece from Paris-based Subsism (Guillaume Arnaud) that remains acutely aware of the artist’s past production while embracing a more natural state of flow. This duality is repeatedly demonstrated in a hybrid of spell-casting, acoustic rock, dub, and metal. A coming of age for both the artist and the label, Drums Don’t Burn is both our first full-length EP and the first project to be released on both digital and analog formats (yes, we made a tape).

The EP grew out of a year of assembly across central, eastern, and southern France, translating various influences into six original tracks. A final climactic effort came together in a little studio lost in the hills of Morvan, where Guillaume and Arthur Kern wrangled a 3-day mix session, with results being described as nothing other than heavy. Simultaneously, Warzou (Aurélien Arnaud… although surprisingly not Guillaume’s brother) and Ronja Kappl were forming the remix and artwork, respectively.

The EP begins with a series of introductory statements. This varying ambience of opening textures and vocal effects is greeted by the first taste of drum patterns found further along the road. It goes without saying that the graphics pulled a lot of inspiration from both Susana and Radiant Recess, the lead-out tracks on the project.

Falling straight to track number three, Shawskank sits in Subsism’s ever-hybrid jungle aesthetic. With a pulsing heart flashing remnants of past trance productions, Shawskank continues to guide listeners into the universe of Drums Don’t Burn. Following up, Loom Vigi is a standalone dubstep track that commands the attention of the project’s mid-section. ‘Dubby Club’ that ebbs and weaves before ultimately making way for the ever-personal, ever-enrobing Velvet Ache.

When we first met with Guillaume, there was mention of vocals in the project. Having no past references to go by, I don’t think anyone expected that they would materialize as the most stirring/warming/powerful part of the album. Of course, this is just our opinion, and we always prefer that you come to your own, but Velvet Ache remains the centrepiece of our breaky-achy hearts.

And finally, Drums Don’t Burn is both the title track and the axis of the album. It was the first track sketched for the project, and ultimately the choice for the remix. This special positioning in the creative process means that it has informed almost every output in this little universe. Followed by the Warzou remix, both versions make up either side of an asymmetrical pairing, fielding a full circle of approaches. 

Tracklist:

1. Susana 
2. Radiant Recess 
3. Shawskank 
4. Loom Vigi  
5. Velvet Ache  
6. Drums Don't Burn  
7. Drums Don't Burn (Warzou Remix)

PREMIERE: Subsism - Loom Vigi [Markham Road Records]

@subsism

Drums Don’t Burn is a contemplative statement piece from Paris-based Subsism (Guillaume Arnaud) that remains acutely aware of the artist’s past production while embracing a more natural state of flow. This duality is repeatedly demonstrated in a hybrid of spell-casting, acoustic rock, dub, and metal. A coming of age for both the artist and the label, Drums Don’t Burn is both our first full-length EP and the first project to be released on both digital and analog formats (yes, we made a tape).

The EP grew out of a year of assembly across central, eastern, and southern France, translating various influences into six original tracks. A final climactic effort came together in a little studio lost in the hills of Morvan, where Guillaume and Arthur Kern wrangled a 3-day mix session, with results being described as nothing other than heavy. Simultaneously, Warzou (Aurélien Arnaud… although surprisingly not Guillaume’s brother) and Ronja Kappl were forming the remix and artwork, respectively.

The EP begins with a series of introductory statements. This varying ambience of opening textures and vocal effects is greeted by the first taste of drum patterns found further along the road. It goes without saying that the graphics pulled a lot of inspiration from both Susana and Radiant Recess, the lead-out tracks on the project.

Falling straight to track number three, Shawskank sits in Subsism’s ever-hybrid jungle aesthetic. With a pulsing heart flashing remnants of past trance productions, Shawskank continues to guide listeners into the universe of Drums Don’t Burn. Following up, Loom Vigi is a standalone dubstep track that commands the attention of the project’s mid-section. ‘Dubby Club’ that ebbs and weaves before ultimately making way for the ever-personal, ever-enrobing Velvet Ache.

When we first met with Guillaume, there was mention of vocals in the project. Having no past references to go by, I don’t think anyone expected that they would materialize as the most stirring/warming/powerful part of the album. Of course, this is just our opinion, and we always prefer that you come to your own, but Velvet Ache remains the centrepiece of our breaky-achy hearts.

And finally, Drums Don’t Burn is both the title track and the axis of the album. It was the first track sketched for the project, and ultimately the choice for the remix. This special positioning in the creative process means that it has informed almost every output in this little universe. Followed by the Warzou remix, both versions make up either side of an asymmetrical pairing, fielding a full circle of approaches.

www.instagram.com/markhamroadrec/

BANDCAMP

Subsism - Susana

Subsism - Shawskank

Subsism - Velvet Ache

Subsism - Drums Don't Burn

@norecall

MR010 spins what we’ve perceived as noRecall’s continued electronic ode to grime and hip hop. Islay begins with a truly blended lead-out piece called Grid Failure. The track evolves around punchy grime drums and sonic swing, creating an environment where function meets form and form meets function. The project moves forward with Inhalation’s commanding choral intro, a rather fitting lead that both juxtaposes and highlights sub-smashing frequencies. Inhalation’s stepping patterns take us through multiple switch-ups and variations, a common denominator for this ever-morphing EP.

Moving to the third track, listeners are met with hybrid dancehall that is somehow (and rather spectacularly) entangled with nostalgic 8-bit crush. Islay’s (this time the track, not the EP) introduction serves as a crowd breather before the ensuing onslaught of patterning and low-end weight. It’s clear how much time went into its composition… a labor of love that offers many class ear catching elements.

And now, to guess which direction the remix would take would’ve been futile! All we knew was that whatever came next was at the mercy of Maude Vôs… and wowie, what a delivery. Maude Vos’ remix depicts something expertly large and immersive, something that requires much more than the dBs produced by my little Renault Clio. This track feels like an audio depiction of the rain cycle, with sonics heated into the atmosphere only to fall back over your head. A fitting curtain call for this project.

www.instagram.com/markhamroadrec/


noRecall - Inhalation

Old friends and hapless mavericks Ivan Smagghe and Nathan Gregory Wilkins present a fortnightly window into their ramshackle musical world. A show with absolutely no rules (as they'd only break them). We love the unmixable, old & new. We are oddballs and we love you. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/channeling/episodes/channeling-21st-october-2025

Channeling w/ Ivan Smagghe & Nathan Gregory Wilkins 211025

@gaia-formella

yepppp, we're back! Guided by a seriously heavy selection of tracks, Formella spins in for the next installment of the Markham mix series. After a memorable evening of music in Ostrava (of all places), we were lucky enough to reunite with the Berlin-based producer and selector for this masterclass of a mix. And yes, we do appreciate you choosing (potentially) the most Czech-sounding artist to open the mix: Jan Jelinek. Catch tracks from Gent1e $oul, Dubrunner x Yushh, Pugilist, and many more :))

MARKHAM 14 w/ Formella

INFAME RADIO
@markhamroad

a community radio platform based in brno, cz -
mix inquires can be sent via the link below
all other inquiries for the radio can be sent to hello@infameradio.com
infame radio is in residency at vitamin, brno

.
International Vermin Conspiracy
.
.
The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is eternal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
.
As I understand it a conspiracy is supposed to be secret so please don't tell anyone.

Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

GUESTMIX - KTVA

INFAME RADIO

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