There's already so much harmony in the intro, if you people complaining had proper audio you'd be fully hearing by now

пока ждал конца интро уже состариться успел

A lot of people in the comments complain about the long intro. If you had at least listened to it instead of skipping it...

поф когда попала в вену и вколола ету песню

ok how the heck did i attract so many lmk fans! this is great!

labyrinth- miracle musical

Lights Out - MSI (I don't support them)

Caravan of Thieves-Eat You

The Mind Electric made by Miracle Musical
Cover made by travis xsdhgif on YT
Track Cover made by izzybnart on TikTok

Miracle Musical - The Mind Electric (Travis Cover)

An anthem for those who never quite move on. Thanks to the Gloom Shroom for bringing her usual awesomeness to the other half of the song. You can find more of her magic stuffs all over the place at https://linktr.ee/gloomdarkheart.

Available online on various music platforms
     Spotify @ https://blake.so/andikillspotify
     Apple Music @ https://blake.so/andikillitunes
     Amazon @ https://blake.so/andikillamazon
     Or grab yourself a flac on bandcamp now @ https://blake.so/andikill
     Find more at https://blake.so/?l5837

Lyrics:
It's been a few years since you left me, and I think I'm coping well. 
I've really picked myself up, and everything is swell. 
But even now, there's moments when I think of me and you. 
Cause when you were still with me, I knew exactly what to do. 
I keep a knife inside my heart to remind me of you. 
And when I'm feeling kinda sad, I take it out and run and shout. 
And I kill, yes, I kill. Let you ride in my pocket to soak up the thrill 
While I kill. Yes, I kill. And you're there with me all the while helping me spill all the blood. 
All the blood, all the blood, all the blood 
Oh, I can't help but kill... without you. 
The nights seem cold and empty. Now that I don't have you near. 
We used to walk at midnight, and was nothing that we feared. 
And here I sit all by myself, thinking what we might have done. 
A body here, a shallow grave, it all seems so long gone. 
I keep a knife inside my heart to remind me of you. 
And when I'm feeling kinda sad, I take it out and run and shout. 
And I kill, yes, I kill. Let you ride in my pocket to soak up the thrill 
While I kill. Yes, I kill. And you're there with me all the while helping me spill all the blood. 
All the blood, all the blood, all the blood 
Oh, I can't help but kill... without you. 
Without you in my life. Oh, I turn into the knife. 
And I can't help but kill... 
Without you.

Listen on Spotify

And I Kill ft. Gloom Darkheart

Eat You - Caravan Of Thieves

Glitched Healer

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



Forrest Day - Sleepwalk

The Real Tuesday Weld - Me and Mr Wolf (from "Songs For The Last Werewolf"))

Vicious Delicious

10. Change the Formality

I have a feeling this song appeals to depressed people.

It's just what I've seen based on these replies and images.
^Now I realize why.....the lyrics (took me about a month to realize and some comments. about being edgy lol

Scissor Sisters - I Cant Decide

Join the INFECTED > https://linktr.ee/infectedmushroom

10. Change the Formality

Infected Mushroom

Recent comments

🎉🫀🎀SugarBlood🎀🫀🎉

chikn_k4waz

Cgmez

Cgmez

Related tracks