https://glassglassmusic.bandcamp.com/track/cry-klahrk-remix

Enhanced by remixes from artists such as Emma Dj, Katatonic Silentio and Klahrk, French duo @Glass relaunch their debut album ‘crY’ now for the first time in a physical format.

crY [Remixed]

crY (Emma DJ Remix)

Buy crY (Klahrk Remix)

3. Glass - crY (Klahrk Remix)

Listening to Bios Contrast–aka Nilotpal Das’--SSAC42 for the first time might be likened to the experience of watching sunlight shimmering on the surface of a body of water. There is an effortless spontaneity, a mesmerizing ebb and flow. There is a movement which continually reminds us of itself. We are drawn in without needing to understand why. Curiosity takes hold—not a ‘question-driven’ curiosity–but a quiet immersion in the unfolding moment. It feels familiar, but distant; intimate, yet undeniably alien–the more we surrender to it, the more it transforms. We do not give our attention so much as we permit ourselves to drift along. With each passing moment, we are captivated anew, drawn into the throes of unexpected emotion.


The sonic world of SSAC42 seems to pull influence from various forms of electronic music on the fringes. We hear rapid, intricate drum patterns. We feel the warmth of synth textures, the soft glow of ambient pads collapsing gracefully into themselves. The airy vocals of K_anti play a significant role–gliding in over arrangements at unforeseen moments, bringing us closer to something vast and luminous. We never quite arrive, but feel as though we’re always approaching. The tracks are melodic without being grounded in melody. They coalesce, fracture, and reform. A pattern begins, and vanishes, swiftly replaced by something else entirely. Time loses shape; moments of breathtaking stillness recline over fierce drum sequences.

This warping of time is notable in the first track “everyth1ng 1n l1fe”, where soft atmospheric elements churn slowly above chaotic jittering drums. The juxtaposition stirs, generating an ongoing tension that is never resolved. Ethereal, washed out vocals pull us further into weightless expanse. Lush moments build up and transfigure, revealing new forms with each phrase. The second track “EXT10” takes us further into moments of unanticipated wonder. Through the turbulence, shifting elements are not mourned as they pass, but welcomed; we do not question their departure—we move forward with them.

The third composition, “dysph0r1a” opens with a clear vocal presence.  K_anti’s tender delivery occasionally rises above the evolving terrain of synths—fleeting, decipherable, then submerged once again. Later on, the sixth track “ap0calypse 42” carries us through a striking arc: from softness to percussive fury, and back into calm. The transformation is tumultuous, but also cyclical—destructive and restorative in turn.

The shapeshifting quality of the album can feel disorienting. Just as we find comfort and predictability, it dissolves. Familiarity is teased, and withdrawn. Perhaps it is in this instability that the core of SSAC42’s potential lies. As the unending search for meaning in our human lives is consistently upended and reimagined, SSAC42 seems to quietly posit that moments of solace will reveal themselves amid the chaos; wonder and enchantment persist if we are willing to stay open.



PREORDER

Bios Contrast & Nilotpal Das - everyth1ng 1n l1fe (feat. K_anti) (IM120)

【 SWINE PREMIERE 】 Hungarian producer @kin_teal is releasing a "circadian" EP on one of our favorite labels from Budapest - @exiles-electronics

↪ EXILES: “Kin Teal (Bálint Haller) is a Budapest-based producer who makes organic and tactile music that’s rooted in club culture. So far, he has released two EPs (via London-based @tropopauserecords and New York-based @humanpitch respectively), and his latest drop (‘Undercurrent’) was a single on @scuffedrecs. The main aim of his project is to express the contrast and connection between nature and humanity through juxtaposing natural textures with machine-made ones, and this sensibility is ever so evident on ‘circadian’, his latest offering.”

↪ SWINE DAILY: As we can hear on this single “upheaval” [“violent or sudden change or disruption to something”], Kin Teal creates original electronic experiments, and with unusual sounds and creative “story” of the song, the listener doesn’t know what to expect. The “robotic” manipulation of the recorded voice and bursts of percussion and synthesizers creates a mysterious otherworldly atmosphere. It requires listening with care and attention, and we like that.

↪ “The five-track EP is tightly packed with unformalized and unpredictable bass music – as per Kin Teal’s ars poetica, heavily digital sounds are carefully intertwined with natural elements. ‘circadian’ is a polished, if not totally pristine body of work: the playfully raw, broken beats carry artifacts of living organisms. The human voice is a central element here; whether chopped and scattered or looped and ethereal, these vocal samples are what make the material really breathe. ‘circadian’ is peak body clock music condensed into 18-minute cycles,” concludes the Budapest-based label.


[Swine Daily] Kin Teal – upheaval (EXILES)

@yolek - FOR MY ANGELS ON ANGEL DUST (DAWN023)
50 limited copies
CD
Produced by Yolek
Mastered by Lastrack
Artwork & Design by Hajj
Dawn 2025

Yolek - Look Away

Taken from SBKT069: Nahash - Fleurs Mortes
Vinyl + Digital: 15th May 2025

Nahash returns to SVBKVLT with Fleurs Mortes, a striking sophomore album that stands apart from fleeting trends and extravagant sound design. This record is an unfiltered reflection of Nahash's musical education —one shaped by the raw energy of ‘90s rave, hip-hop and dancehall afterparties, and the deep crates of his parents' extensive jazz and Afrobeat collection, taking influence from the anarchic spirit of Spiral Tribe to Dillinja’s legendary remixes of Björk, infused with heavy doses of Wu-Tang, DJ Premier, John Coltrane, and Archie Shepp.

Building on the themes of 2020's 'Flowers of the Revolution', this album envisions a future liberated from dystopia and oppression—a hopeful dream expressed through endless dub delays, ethereal reverbs, rave-infused drum hits, and, unexpectedly, live trumpet.

This record was years in the making, finally taking shape during a whirlwind European tour with SVBKVLT labelmates—late-night conversations, cold drinks, and ice cream fueling its final form.

The flowers may have withered, but a new season is on the horizon—one filled with love, renewal, and the scent of grilled lamb chops.

Photography: Tina Blakeney
Design: Amber Jean
Mastering: Raphael Valensi

Nahash - Santa Maria De Guadalupe

My mom told me to give them credits
original: www.youtube.com/watch?v=ptdLbrIhksI

Bandcamp

BbyMutha - go! (Ooki vs. Derby Atrice Edit)

On the abandoned playground, only the fence neon still flickers. Someone carved 6 / 14 / 161 into the wire. The city doesn’t sleep—it counts: a broken kick like boots in gravel, the snare laying down law on 2/4. Two 303s speak in turn—one low and stubborn, one sharp and toxic—like sirens through steel bays. No nostalgia, only forward drive; a red slash on the ground points one way. At bar 129 the breath stalls, then everything drops back into the dark.

PlayGRND 303

Into bass music? Get a monthly recap of the best news, releases & mixes 
📥 → https://wearestudio.kit.com/470beb7cdf

Want more? Follow our 'Cutting-Edge Bass' playlist on Spotify 
🔊 → https://bit.ly/45CTUgV

----

⚡ Stream / Download 'TeeBee - Level Compete' → https://music.flexoutaudio.com/flxa219

Drum & Bass pioneer Bredren presents his latest album, Cosmic Carnival, on Flexout Audio.

https://soundcloud.com/teebeeflexout
https://instagram.com/djteebee

https://soundcloud.com/flexoutaudio
https://instagram.com/flexoutaudio

----

STUDIO LINKS

Email → info@wearestudio.fr
Website → https://wearestudio.fr
Instagram → https://instagram.com/_wearestudio
YouTube → https://youtube.com/@_wearestudio
Facebook → https://facebook.com/wearestudioofficial
TikTok → https://tiktok.com/@_wearestudio
Bandcamp → https://studiosonics.bandcamp.com

TeeBee - Level Compete [Premiere]

Material 1

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com

Bios Contrast & Nilotpal Das - everyth1ng 1n l1fe (feat. K_anti) (IM120)

Infinite Machine