1 1 1 2 2 3 Nu Neoclowns.
Mixtape Single 001 : @m1rtt

You all voted for this as the 1st single, so we're obliging. But you should all be warned....... There are some rumours. Supernatural rumours. Fatal rumors. Even. Word of mouth intones this disk was derived from a beached ammonite. Huge: 4 foot diametre. Pungent, evil aura. Every grabber someone tried to snatch it w/ exploded, so scrapers did it old fashioned. Tied ropes around it and dragged it off the beach. People are saying the track is a direct data result of scanning that ammonite - && that the people who scanned it all disappeared within 3 days. Or never existed to begin with. We managed to get a copy via PRIVATE MEANS and passsed it around the house. All the hardware we play it on melts into vile mush and emits nightmare-inducing narcotic fumes. Exonet whispers say fume overexposure is making people drop dead, black tar leaking out their nostrils. Dunno if I believe, but it's 1000% sinister. Anyway we played it on everything and melted all our shit and now I'm writing the update on a fucking Calculator. I have as long to write as it takes for someone to figure out how you can play the track on this too. GOOD SONG.

(you can also stream it on Mirtt's Spotify! https://open.spotify.com/album/4ueDNlr9ZwVGW1Lrv6dGiR?si=30nNd9MvTRyz3Mi8AgEW7w)

Project Staff:
@razmiel
@fe-n
@bazzabazzabaz
https://www.instagram.com/shevvys_pictures

Tidal Posers

Thalassic Specimen

Mirtt - Thalassic Specimen

https://s280f.bandcamp.com/album/--4
https://s280f.bandcamp.com/album/--4
https://s280f.bandcamp.com/album/--4
https://s280f.bandcamp.com/album/--4
https://s280f.bandcamp.com/album/--4 
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COVER BY COLLIN FLETCHER  

ٳٰٰٰٰٰٰ  

ٳٰٰٰٰٰٰ  ٳٰٰٰٰٰٰ  ٳٰٰٰٰٰٰ  ٳٰٰٰٰٰٰ  ٳٰٰٰٰٰٰ  ٳٰٰٰٰٰٰ  HIGH CUP BEARER  / LIGHT

Bios Contrast & Nilotpal Das - SSAC42
Label: Infinite Machine
CAT#: IM120
Format: Digital
Release Date: June 27th, 2025

Tracklist: 

1. everyth1ng 1n l1fe (feat. K_anti)
2. EXT10 (feat. K_anti)
3. dysph0r1a (feat. K_anti)
4. XSCX
5. N0R
6. ap0calypse 42
7. espress0
8. Blue Box Recovery

Listening to Bios Contrast–aka Nilotpal Das’--SSAC42 for the first time might be likened to the experience of watching sunlight shimmering on the surface of a body of water. There is an effortless spontaneity, a mesmerizing ebb and flow. There is a movement which continually reminds us of itself. We are drawn in without needing to understand why. Curiosity takes hold—not a ‘question-driven’ curiosity–but a quiet immersion in the unfolding moment. It feels familiar, but distant; intimate, yet undeniably alien–the more we surrender to it, the more it transforms. We do not give our attention so much as we permit ourselves to drift along. With each passing moment, we are captivated anew, drawn into the throes of unexpected emotion.

The sonic world of SSAC42 seems to pull influence from various forms of electronic music on the fringes. We hear rapid, intricate drum patterns. We feel the warmth of synth textures, the soft glow of ambient pads collapsing gracefully into themselves. The airy vocals of K_anti play a significant role–gliding in over arrangements at unforeseen moments, bringing us closer to something vast and luminous. We never quite arrive, but feel as though we’re always approaching. The tracks are melodic without being grounded in melody. They coalesce, fracture, and reform. A pattern begins, and vanishes, swiftly replaced by something else entirely. Time loses shape; moments of breathtaking stillness recline over fierce drum sequences.

This warping of time is notable in the first track “everyth1ng 1n l1fe”, where soft atmospheric elements churn slowly above chaotic jittering drums. The juxtaposition stirs, generating an ongoing tension that is never resolved. Ethereal, washed out vocals pull us further into weightless expanse. Lush moments build up and transfigure, revealing new forms with each phrase. The second track “EXT10” takes us further into moments of unanticipated wonder. Through the turbulence, shifting elements are not mourned as they pass, but welcomed; we do not question their departure—we move forward with them.

The third composition, “dysph0r1a” opens with a clear vocal presence.  K_anti’s tender delivery occasionally rises above the evolving terrain of synths—fleeting, decipherable, then submerged once again. Later on, the sixth track “ap0calypse 42” carries us through a striking arc: from softness to percussive fury, and back into calm. The transformation is tumultuous, but also cyclical—destructive and restorative in turn.

The shapeshifting quality of the album can feel disorienting. Just as we find comfort and predictability, it dissolves. Familiarity is teased, and withdrawn. Perhaps it is in this instability that the core of SSAC42’s potential lies. As the unending search for meaning in our human lives is consistently upended and reimagined, SSAC42 seems to quietly posit that moments of solace will reveal themselves amid the chaos; wonder and enchantment persist if we are willing to stay open.

Words by M. Elijah Sueuga



Bios Contrast & Nilotpal Das - XSCX

Bios Contrast & Nilotpal Das - N0R

KAVARI - I WANT YOU TO BREATHE (ASYPHYXIATION MIX)

I WANT YOU (BREATHING MADE EASY MIX)

BLACK KORE

‘Attese’ is the new EP from Berlin-based Italian producer Giorgio Labate. ‘Attese’ is an ambivalent Italian term meaning both ‘Expectations’ and ‘Waiting times’.

The EP is a study on the evolution of Euphoria within a track - ranging from moments where it is marginalized and enclosed within brick walls, to dysfunctional waves that build up one after another, chasing an emotional catharsis that is never fully achieved.

Euphoria’s exploration unfolds using a strictly limited set of sounds through intricate melodic lines, musical counterpoint, and juxtaposition via (quasi) silent harmonic content and unexpected sonic elements. The interactions of sound objects are shaped by a dual tension: they converge and diverge, playing with the rules of attraction and repulsion.
The EP’s sound palette emerges from entirely original synthesized audio material.

(JPN)
『Attese』は、ベルリンを拠点に活動するイタリアのプロデューサー Giorgio Labate による最新EP。
「Attese」とはイタリア語で、「期待」と「待ち時間」という二重の意味を持つ言葉である。

本作は、楽曲の中で〈高揚感〉がどのように展開・変化していくのかをテーマにしている。ときにそれは壁の中に閉じ込められ、周縁化され、ときに不安定な波として幾重にも積み重なりながら、ついには完全には到達できない感情のカタルシスが描かれている。

限られた音素材だけをもとに、精密な旋律線や対位法、ほとんど無音に近い和声的要素や予期せぬサウンドによって、独自の音の世界が展開されていく。そこにある音の断片同士は「引力」と「反発」という二重の緊張にかたちづくられ、その間を揺れ動く。
EPに収められた音はすべて、独自に合成され生み出された。

Produced by Giorgio Labate
soundcloud.com/forever-emotivo
instagram.com/giorg1boy

Mastered by Tim Roth
soundcloud.com/sinmaldita
instagram.com/sinmaldita

Artwork design by Giorgio Labate

Artwork by Eva Novelli
instagram.com/evaaaasion

Martino Cassanelli
instagram.com/martinoedenn

Mizuha 罔象
soundcloud.com/mizuha-cc
instagram.com/mizuha.cc
https://mizuhamizuha.bandcamp.com




Giorgio Labate - Make me Believe [Mizuha 罔象] ✦ Marmint Premiere

<進入這道門的人, 放棄一切希望> PURPLEHAZE

Epidemic (Dialective Remix)

Not today, man (finished this in an hour) :p

Not Today (⟲∞⟿⟴∞⟲ mix)

I want to dance to your bass

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