Remix for the mighty Grave Index in Toronto, they the north.

Grave Index - Underdome (Nobody Likes The Remix That Nahash Plays)

@aeondelit
@diversionprogram
@infinite-monkey-theorem
@xozgk
@persuasionsounds
@sim_mtl
@lacedetail
@viiaan
@chioini
@djsuzmo
@gobekli
@delianleague
@jiovanni-nadal
@quasistate
@disk-wraith
@amselysen
@benedictemusic

Mastered by SIM.
Artwork by Bruno Lauzon Tanzi and Nela Paki in collaboration with artist Marilou Lyonnais Archambault.

VA [CC003]

Previews: VA [CC003]

IM089 - @galtier - Pulchra Es Elementis
Label: Infinite Machine
Release Date: September 24th,2021
Format: 12" / Digital

With 10 years in the ‘biz’ firmly under his belt, Jiah Wells is poised to release the first full-length LP of his Galtier project, Pulchra Es Elementis. Whilst Galtier is arguably one of the originators of the percussive style that would eventually fall under the Hard Drum label, the heightened theatrics of his recent output have seen him channel Blade Runner-styled sonics and move further away from absolute club functionality. Whilst Galtier’s output often seems to soundtrack hypothetical, off-planet words, Pulchra Es Elementis turns the focus inwards: towards Wells’ own emotional constellation, his evolving spirituality and his attempts to tap into planes of existence beyond the tangible. The album’s Latin title translates to ‘Elements are Beautiful’ and encapsulates the artist’s belief that there is grace in all of life’s aspects; pushing past what we deem as good or bad, minuscule or massive.

Pulchra Es Elementis begins with Crystalised Larva, a brooding opener of breathy pad synths and expansive kick drums which reverberate through the mix as if the hits originate from the bottom of a valley. There’s an indistinct sense of tension on this track, in part due to a central melody, which never resolves but only descends lower in pitch. This tension turns to explorative wonder on Wilfull Saviour, where a mirage of musical ideas come in and out of focus. Although the sonic worlds Galtier explores are internal to him, Wilfull Saviour still possesses that sense of a cosmic journey we’ve come to expect from Wells; an ardent fan of dystopian films and literature.

Continuing this emotional odyssey, Bruised, But Not Broken sees the artist push deeper into the psychological undergrowth; its murky tonality juxtaposes crisp, Reggaeton-inspired drum patterns with a heavily compressed one-note synth line that modulates wildly - cutting through the mix like a nagging thought that won’t leave your mind. Next up is U Were, U Are & What U Will Be, one of the more club-ready tracks of the LP, which gets us moving with a snarling bassline and layers upon layers of percussive hits and inflections.

At Pulchra Es Elementis’ mid-point is the LP’s title track, a drumless interlude where blissful, shimmering synths create a patchwork of intensities. Galtier’s approach to songwriting shines through here; ignoring musical pragmatics, he opts to feel his way through his compositions without knowing where they might end up. Following on from that weightless breather, Phantasiai turns up the freneticism with its head-spinning mix of drum programming and a glitched-out synth line that yo-yos up and down octaves. Things get even more furious on the Superficie-featuring Cavernam, a hollow Hard Drum banger inspired by Eskibeat sensibilities and designed to create a sense of self-implosion.

The album’s penultimate track, (U Are) Beautiful, is a tale of two halves: beginning with a moment of serenity as synthesizers swell like an ocean tide before evolving into a marching crescendo of raw energy. Rounding off the album, Shine Forth hurtles through pacey drum work and all manner of strange zaps and klaxons before giving way to a final dose of nebulous ambience.

A musical journey unlike any other ‘club music’ albums, Pulchra Es Elementis is an LP that demands to be consumed in one sitting. Reflecting on his place within the universe and the musical landscape, the album could be viewed as a musical exorcism which sees Galtier working through and shedding huge chunks of his ego that stuck to him out of fear of the unknown. Pulchra Es Elementis begins on an insecure, overwhelming or, even, existential note before rounding off with a related sense of vastness seen with new, more positive eyes. It’s a voyage we hope you will join him on.

Galtier - Bruised, But Not Broken

RA:005 - VA001

laced - Starclip (@lacedetail)

all profits to be donated to www.musichelps.org.nz

Releases on cassette and digital on 19/11/2021

Mastered by Ike Zwanniken
Cover Art by Mas Guerrero
Digital Design by Molly McLennan
Cassette Layout by Grace Verweij

RA:005 - VA001

laced - Starclip

Taken from UnknownSoul (@unknownsoul_playakroy) new EP 4 Formas, out January 18, 2022, via Nodo (@nodolabel)

Read: https://bit.ly/3JZNYlD
Pre-order: https://bit.ly/3zNVyuV

Based in Buenos Aires, UnknownSoul is a 19-year-old producer who delves into experimental music, blending different genres with a personal and somber style, going from Jungle to Trap, House, and beyond.

This release is made up of four mysterious and esoteric tracks that seek to create a dark and danceable atmosphere in order to evade our real environment.

Artwork by 09990s23 & Unknwnboy2002

Mastered by Ivan Nevares

Released by Nodo

Premiere: UnknownSoul - Mental Training [Nodo]

New Release: DEEP GECKO ENERGY by salllvage
Out on May 16th!

DEEP GECKO ENERGY is the first label release for DJ, producer and dancer Rowan Savage. Having cut his teeth in Warrang’s ballroom scenes - as both a dancer, DJ and producer under the name Guy Ruin - Savage’s practice takes its starting point within queer ballroom culture and the celebration of queer Indigeneity. His work has been featured at Soft Centre, Essential Tremors (curated by Angus Andrew of Liars), Carriage Works LiveDreams and Midsumma Festival.

Under a new moniker, salllvage, queer Indigeneity becomes launched into space, and an offering to the burgeoning field of Indigenous futurism is made. Created from field recordings taken on his Country, Kombumerri Country (located in Southeast so-called Queensland), Savage’s music channels his relationship to Country within the esoteric landscape of club music. Sludgey, dubby, bass-y and rhythmic – Deep Gecko Energy is a release that crawls under the skin. Across each of the five tracks - ranging from hard hitting dancefloor bangers to the more subtle rhythms of bass music - the listener is immersed within a constantly shifting field of textures, dynamics, and grit that at once reaches forward into new sonic territories while harnessing a deeply familiar fundamental energy from within.

PREMIERE: Autochthonic Sensory Meridian Response - salllvage

Caution

36th_Project

Artista: @roel-butzen
Sello: @fenix_fire_records

“Saw” abre el EP homónimo de Roel Butzen con un techno de filo seco y tensión sostenida: kick compacto, bajo rugoso y un lead serrado que corta en diagonales sin saturar la mezcla. La progresión es quirúrgica —breaks medidos, respiración breve, vuelta al pulso con más pegada— y está pensada para salas oscuras, blends largos y un momento de control antes del estallido. Funcional, contundente y sin adornos: herramienta de cabina que hace exactamente lo que promete.

El lanzamiento completa su narrativa con “Playground”, una revisión 2025 de “Violent Wake Up” (remix del sello) y una Chain Edit de “Saw” para DJs que prefieren cortes más directos. Publica Dark Distorted Signals el 31.10.2025.

Bandcamp

PREMIERE: Roel Butzen – Saw – Dark Distorted Signals

Cat No: MATERIA07 
Title: Magnetic Field 
Artist: T5UMUT5UMU 
Label: Materia 
Release: 6th September 2019 

1. Magnetic Field	
2. Industrial Ecosystem 
3. Coup 
4. Dominator 
5. C4

Magnetic Field

T5UMUT5UMU - Magnetic Field

Despina's 'Futurecrimes' pits frenetic, nearly-recognizable sampled percussion against a deep, bubbling bassline and walls of psychedelic soundscapes.

More: https://ins-rt.net/audio/despina-futurecrimes

Polychronia

Article

Premiere: Despina - Futurecrimes

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com