Cos - Drum Stab

London-based producer, DJ and writer Dome Zero gives us a signal on this rowdy dub anthem, ‘Chewing The Scenery’, who makes his debut on South London’s All Centre label - also his first solo release. The track finishes with an unexpected turn, showcasing Dome Zero’s playfulness and disorienting take on bass-driven productions. 

Dome Zero has previously contributed tracks on labels such as Accidental Meetings, Shubzin, Das Booty and more. He also runs the monthly radio show Tinned Heat on Soho Radio where guests have included Jana Rush, Tim Reaper, Comic Sans Records, Diessa, Angel D’lite and more.

Pre-order here: https://allcentre.bandcamp.com/album/chewing-the-scenery

@dome-zero
@all-centre-504822953

Chewing The Scenery

Premiere: Dome Zero - Chewing The Scenery (All Centre)

Prolific Japanese producer T5UMUT5UMU has built up a reputation in the last few years for his ability not just to recreate club styles but to flip them into almost unrecognizable dancefloor hybrids. "Sea of Trees" follows a blistering run of Bandcamp releases where T5UMUT5UMU has melted together gqom and techno, deconstructed grime and welded dubstep to traditional music from Japan and India. Here, he's operating completely off the grid, pulling raw materials from across the globe and hammering them into confounding shapes and patterns.

On its surface, 'Fireball' sounds like a liquid metal approximation of South African gqom, but move in closer and you can make out dubstep bass squelches, trap hats, and industrial techno jet propulsion filling in the gaps with rubberized mortar. 'Desert' is the EP's most lightheaded cut, a psychedelic percussive spiral that curves micro-tuned mbira clangs around bee sting bass, aerated noise blasts and sub-aqueous kicks. It's a hard track to place, but fits in somewhere between Donato Dozzy, Menzi and 33EMYBW, all shifting rhythms and precision-edited sound design.

'Sea of Trees' retains this momentum, pushing the tempo and interspersing woodblock vibrations with syncopated bass drums and goosebump-inducing synths, while closer 'Bottomless Valley' shifts back into a gqom framework, shuffling the expected pulse with a powerful dembow swing, half step subs and Indian-inspired rattles. "Asyl" is a varied but shockingly coherent statement from an enigmatic producer who refuses to confine himself to a single path, and at a time when "cross-genre" is the norm rather than the exception, it's refreshing to witness a producer who's unafraid to truly make stylistic left-turns, rather than simply mash together top-level aesthetics.

Sea of Trees

Desert

December 23, 2022
JWR046
Brighter Days FM

https://soundcloud.com/jj-verne
https://soundcloud.com/pbnstrawberryjam
https://soundcloud.com/drumhellerrr
https://soundcloud.com/djkuest
https://soundcloud.com/dfgtrax
https://soundcloud.com/gipsytrax
https://soundcloud.com/fffreaky
https://soundcloud.com/sideiiside_x
https://soundcloud.com/personalbrand
https://soundcloud.com/kingdemitri
https://soundcloud.com/dullafteruse
https://soundcloud.com/pepsi_sine
https://soundcloud.com/ravlsncld
https://soundcloud.com/cluboasis
https://soundcloud.com/en_tilde_a

Artwork by Wame

D.F.G. - Class A

“Seven tracks of primitive-futuristic percussive imbued with grotesque noise and whirling voices debut from BHKT.”

"Retaww" refers to BHKT's hunting and gathering era. An album that propels us into a vast land of chaos, brutality, ecstatic and blunt. It's obvious how BHKT pushes the boundaries of structure in his music, challenging the listener to think freely.

Retaww

BHKT - Retaww

JEROME Mixfile #948 - CRRDR

https://soundcloud.com/sncn-txt
https://www.instagram.com/c0rred0r/
https://crrdr.bandcamp.com

JEROME Mixfile #948 - CRRDR

Qeei  - I Am Not Afraid Of

@renslink - !85 EP
Label: Infinite Machine
CAT#: IM103
Format: Digital
Release: May 26th, 2023
Mastered by Fausto Mercier
Artwork by Luis Tomita

UK producer Renslink calls IM103 his first effort focused on the dancefloor, but it belies a lifetime steeped in it. This is prime material for the most advanced of DJs.

The first cut, Static, blends heavy, droning atmospheric sound design with the half-time template of dubstep, complete with jungle vocals. Before reaching the first half, however, it goes into a healthy techno gallop, making the track a perfect set opener if drama is your thing.

From that we go into the three-on-two mindbend of In My Mind, full of beautiful rhythmic trickery and rave culture nods in the sampled female vocals.

Cenotaph feels like a Pinch & Mumdance dub that they kept for themselves around the Control/Strobelight era, all rolling, persistent kick, dubbed-out dready vocals and dystopian hoover.

In Touching The Void we find a moment of drama and relative tenderness, as cinematic strings and choir soar over a busy rolling breakbeat. Occasionally, the proceedings are punctuated by a reese bass and bleeps fill that keep it fresh (an you on your toes).

Closer Silence is a mutant dembow wobbler with alien vocals by Nivalis, like dancehall for after the nuclear apocalypse, when we’ll have all the extra limbs we’ll need to dance to music like this.

Renslink - Touching The Void

Di chiara brothers-cracking all the time (unreleased)

only recently discovered Shygirl but big fan of her tracks and thought this worked really well as a garage edit

let me know what you think!

Shygirl - 4eva (Dantum Edit)

007 Licence to Kill (Original Dub)

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com