Kattie / Chewlie split EP is OUT now 👾🪩

Featuring a bouncy minimalist funky tune named 'Friend' 🤗💃by Argentinian producer Kattie (@kattiebeats) & the complex heavily-chopped-track 'Flourish in the Ruins' 🌱🏛️ by Switzerland bass-wizard Chewlie (@juicy_chewlie) 

Please also find attached a remix by footwork legend Jana Rush (@jaru-1) from Chicago 🌆 + another one by the infamous occitanian bass-addict duo @stacktracedub & @knurx 🧱

Mastering by @dviance // Knurx&Stacktrace remix mastered by @qqantt
Artwork by Becem Sdiri 🔥
28th april 2025
ISENGARD SPLIT  006  💯 📢`
🌆 🇦🇷🇹🇳 🇧🇪 🇨🇭🇺🇸🇫🇷🏙️ 

SPLIT006

Bandcamp

Chewlie - Flourish In The Ruins (Stacktrace & Knurx STAGE 4 Remix)

NAKANO BLU - BLESSSSED

Leese x B E N N - ▲▲ [YUKU]

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Beton Brut - Lime Bike

IS-3.0.A

Zundoko

@vitaaline
@brodinskiofficial
@terminalrec

PREMIERE : Vitaline - Wild Card (Brodinski Remix)

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

B E N N - Hakka Drums II
self release, 2025
𝓑𝓾𝔂 👉🏾 https://bedoublensound.bandcamp.com/album/hakka-drums-ii

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽a͓̽r͓̽t͓̽i͓̽s͓̽t͓̽̽
https://www.instagram.com/bnnwx7_tw/

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽l͓̽a͓̽b͓̽e͓̽l͓̽
https://soundcloud.com/bedoublensound

#newmusic #electronicmusic #Taiwaness #Experimental #hakka #Beiguan

P̷R̷E̷M̷I̷E̷R̷E̷ 🦛✨ B E N N - 一枝香折 [self release]

Comperi & Locre - Shell Spirit [EPX1]

The collaboration between Comperi & Locre began after both artists released on the same label. Though they never met in person, everything happened online, their visions instantly aligned. What started as a simple connection turned into a deep creative flow driven by shared passion, freedom, and dedication to music. Together, they've made a lot of music, and this release captures the essence of that journey. Blending elements of trance, ambient, and trap, the EP moves between emotional depth and raw energy, a reflection of two artists united by sound, not distance. This EP features remixes from Brodinski, Estoc, and Nonzerosum.

Written + Produced - Léonard Madoulaud Baumann & Ivan Shabanov

Brodinski Remix - Louis Rogé

Estoc Remix - Estoc

Nonzerosum Remix - Dustyn Astbury

Mastering Engineer - Ioannis Nafpliotis

Cover Art - Dustyn Astbury, Léonard Madoulaud Baumann, and AJ Wilson

Origin - EU

Available on all streaming platforms

Estoc Remix only available on Soundcloud, Bandcamp, and Nina Protocol

Connect with Artists
https://soundcloud.com/compericomperi
https://soundcloud.com/locr3
https://soundcloud.com/brodinskiofficial
https://soundcloud.com/splintered
https://soundcloud.com/non0sum


Thug Tear (Estoc Global Intifada Remix)

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

Various - Intimate Club V/A Vol. 2
Intimate Club Records, 2025
𝓑𝓾𝔂 👉🏾 https://intimateclubrecords.bandcamp.com/album/intimate-club-v-a-vol-2

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽a͓̽r͓̽t͓̽i͓̽s͓̽t͓̽̽
https://soundcloud.com/polcartier https://www.instagram.com/polcartierr/

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽l͓̽a͓̽b͓̽e͓̽l͓̽
https://soundcloud.com/intimateclubrecords https://www.instagram.com/intimateclub_records/

#newmusic #electronicmusic #Bass #Club #Multigenre

P̷R̷E̷M̷I̷E̷R̷E̷ 🦛✨ Pol Cartier - EDM [Intimate Club Records]

@dj-w3c

Latvian producer W3C, taking his moniker from the acronym for the World Wide Web Consortium, affords oversight to the totality of the Internet comparable to his namesake standards organization. And where the latter concerns itself with education, outreach and software development, the former is a pastiche and collage savant – using online connectivity and access to wrangle all strains of electronic music and collide their respective particles into an unrecognizable, yet eerily inviting sonic edifices.

Debuting in style, earlier this year, with the vinyl-only “Atmospheric Entry” EP, via Pinch’s Tectonic-side-venture Cold Recordings, W3C now joins the Infinite Machine family with “State Of Absolute Alienation”, on 12” and digital.

Opener “Ascension (Intro)” does what it says on the tin – it stands as an apt overture to the proceedings herein, leaning on harsh, bass-heavy noise bursts before sprinkling in grime decorations and ascendant, reverb-drenched, hollow-synth contrapuntal melody that very much anchors the record into the now, referencing the likes of instrumental grime revivalists such as Dark0, Murlo or Slackk.

“Xenotrack” then shifts gears into what sounds like an inspired take on the psytrance of yesteryear, only slower, steadier… A degraded, alien morphology supporting a nonetheless “club” grammar - making the title, yet again, quite self-explanatory.

…Which rings true a third time for “Bot-o’-War”, a raucous industrial epic which evokes a combat deployment scene in a mecha-centric direct-to-video feature, wherein the subtle naval theming of the title is aurally transcribed into the suffocating, submerged sound design of the latter half.

On the flip, “Short Circuit” (the grimiest of the lot), an unintuitive blend of Mumdance doing his thing, a run-of-the-mill “Ice Rink” homage and a trap lead that could turn heads at a GHE20G0TH1K party, somehow works.

Finally, “Invasion”, replete with sci-fi-blockbuster-trailer aesthetics, sounds like if Two Steps from Hell remixed a mash-up of individually much subtler cuts from Pan Sonic and Gatekeeper, respectively.
Absolute alienation indeed.

Release Date: February 24th.

Artwork by: Jes Somfay

State Of Absolute Alienation

State of Absolute Alienation

PRE-ORDER 12"

W3C - Xenotrak (IM049)

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com