String Moments (Original Mix)

Since its inception in 2019, the Sleeplaboratory compilation albums have been dedicated to exploring the interplay between Ambient music and sleep. Each volume gathers a diverse range of artists from around the world, who are invited to craft a piece of music which provides either a sense of calm or a subdued, minimal aesthetic.

Building on its four predecessors, Sleeplaboratory5.0 introduces a range of Ambient styles, from cinematic orchestral tones to hushed drones, delicate guitar passages, fractured piano notes, and deep bass textures. This edition welcomes back label previous label contributors such as Henrik Meierkord, Feeling Flying, The Bird’s Companion, Knivtid, and Calm Pieces. Their work is interwoven with contributions from new names to Whitelabrecs, offering a glimpse of potential future collaborations and releases.

As with all Whitelabrecs releases, the physical edition of Sleeplaboratory5.0 will feature companion artwork where the photographer had the same brief, to create something around the theme of sleep. This time, George Korunov’s evocative visuals adorn the four-panel sleeve, continuing our creative partnership. The deep blue and purple hues of these abstract images are suitably dreamlike, suggestive of clouds, of forest and of hard to place memories. The album is designed for versatile listening experiences, whether played quietly on headphones at night, softly through speakers in a dimly lit room, or as a soothing background companion to your day. The Sleeplaboratory series taps into the restorative qualities of both sleep and Ambient music.

Credits:
Curated by Harry Towell
Executive mastering by James Edward Armstrong
Mastering for tracks 2, 6, 7 arranged by the artists
Artwork by George Korunov
Art and design by Andrew Heath
All rights reserved with the artists

Sleeplaboratory5.0

wlr175 Various Artists - Sleeplaboratory5.0

Calm Pieces is a València-based musician named Rafa Ramos Sania, who has a background in Jazz, Experimental, and Ambient music. He has collaborated with different artists and has previously released music on labels like Cuneiform Records and Archives. Some may recall Rafa’s collaboration with Edu Comelles for the 2022 Whitelabrecs album ‘de camp’ as well as double bass contributions on Edu’s 2020 album Línia Pedra Paisatge Solc. Rafa was a double bass player for the jazz trio Naima and his journey as a musician began in his teens with electric bass, followed by explorations in guitar, piano, and music production. As Calm Pieces, Rafa distils his work into softer, more ambient compositions, creating a sound that is both intimate and enigmatic.

Singles' is Calm Pieces' debut album, characterised by a serene and introspective sound, crafted through a blend of modern and traditional techniques. Rafa recorded acoustic instruments such as double bass, cello, classical guitar, and acoustic slide guitar, blending them with a digital sound palette into dynamic and textural cinematic soundscapes. Each track conveys a sense of calm and expressiveness, with melodies emerging naturally from improvisation. The album marks Rafa’s first solo physical release on a label, and Whitelabrecs is honored to share this evocative, minimalist journey with the world.

Credits:
Written and produced by Calm Pieces
Mastered by James Edward Armstrong
Cover artwork by David Linuesa
Art and design by Andrew Heath
Calm Pieces is a project by Rafa Ramos Sania.
Some of the sounds were created together with Edu Comelles

Singles

wlr176 Calm Pieces - Singles

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR032
artist: kevin paczesny
release title: lost horizons
runtime: 30:30
location: los angeles, usa

credits
written, produced and mastered by kevin paczesny
art and design by harry towell

Lost Horizons

eR032 Kevin Paczesny - Childhood Beach

01 Lauge - Glimpses of Yesterday
02 Infinite Dreamer - Gentle Breeze
03 Warmth - The Darkest Place (Warmth's Scape Version) 
04 Synth4ever - The Journey Within
05 Kevin Paczesny - Childhood Beach
06 Sensitize - Shinrin-Yoku
07 Warmth - Reflector 
08 Anthéne - Caught in the headlights 
09 Kevin Paczesny - Calmness of Cities 
10 Kevin Paczesny - Night Wind 
11 Zakè and City of Dawn - Karpholite
12 Und1fin3d - Try
13 Vidna Obmana - The solitary circle
14 Reversed Fireworks -  falling

Ambient Forms Mix Vol. 1

'Petrichor' is the third studio album from long-time collaborators James Osland and Andrew Heath, and serves as a natural continuation of their creative partnership following the release of Elysian Fields (2024), also on the esteemed Fluid Audio label.

The two artists were initially brought together by a shared admiration for each other’s work within the ambient music community. Andrew Heath is an established figure in the genre, with numerous albums and EPs released on respected imprints such as Disco Gecko, Whitelabrecs, Rusted Tone Recordings, Elm Records, and White Paddy Mountain. James Osland, meanwhile, is both an accomplished artist and the founder of Elm Records, a boutique label known for its thoughtful curation. His personal discography includes releases on Unknown Tone Records, Whitelabrecs, Flaming Pines, and Dewtone Recordings, among others. Osland’s practice explores the intersection of sound, memory, and place, working across both sonic and visual mediums.

Petrichor began to take shape during an exchange of ideas between the two artists in the late winter and early spring of 2024. As Andrew shared loops and sonic sketches, James found himself listening from his studio, watching the unrelenting English rain from the window. These moments of stillness-quiet reflections on the shifting of seasons-informed the mood and direction of the album.

What emerged is a collection of slowly evolving compositions, revealing gentle melodies, nuanced textures, and soft drones-much like the tender unfolding of early spring leaves. The album carefully weaves together field recordings, organic textures, and synthesis to create immersive soundscapes that capture the subtle beauty and contemplative atmosphere of seasonal change.

James Osland & Andrew Heath - Outside The Light Was Starting To Wane

Henrik Meierkord is a Swedish artist based in Stockholm. His main instrument is the cello, although his work often incorporates viola, double bass, guitar and subtle electronic elements too. His sound blends the emotional pull of classical music with the meditative depth of Ambient and Henrik’s intuitive creative process draws inspiration from film scores, minimalist composers like Pärt or Ligeti, and Ambient pioneers such as Popol Vuh and Biosphere.

Italian composer Marco Lucchi from Modena brings plenty of experience to this collaboration, having been active in experimental and Ambient music since the late 1980s. A former music teacher and scholar, Marco's approach is grounded in kosmische music, minimalism and Ambient styles. In this album, he joins Henrik in a continuation of their longstanding creative dialogue. Swedish flautist and producer Pawel Kobak adds a third strand to this project, layering processed flute textures into some of Henrik and Marco’s evolving pieces.

The Book of Dreams explores themes of sleep and dreams. What began as a collaborative piece for the Sleeplaboratory5.0 compilation grew into a fully realised collaboration. Henrik and Marco exchanged ideas from across the borders, building lush, drifting pieces through a process of inspiration and response. Pawel's flute recordings, gently pitched, time-stretched, and transformed, were later woven into the fabric of this album. The result is an album that lives between the conscious and the unconscious, where layered strings, gentle drones, and evolving Ambient passages unfold slowly like distant memories.

Themes of restlessness and retreat run throughout the album, echoing the growing tension many of us can feel in modern life. It acts as both an ode and antidote to sleeplessness, intended not just for passive listening but as a contemplative aid. Whether heard during late-night solitude or the quiet morning hours, The Book of Dreams offers a space to wander, drift, and dissolve into stillness.

The Book Of Dreams

wlr185 Henrik Meierkord, Marco Lucchi & Pawel Kobak - The Book Of Dreams

This album is the culmination of an ongoing exploration of musical and sonic concepts, including mutation, evolution over time, generative patterns, sampling and re-sampling. Several tracks from the album have been performed, presented, and utilized in various formats, such as concerts,
performances, or installations-either in their entirety or specific sections.

The six tracks represent the distilled essence of a creative process that commenced in 2020, characterized by continual iteration, variation, and the transformation of formless clusters of melodies, harmonies, or mere textures into somewhat finished compositions.

Each musical piece has been a companion to me for an unusually extended period (something it rarely happens in my process). Much like features in a landscape, these tracks have shaped a geography of memories, places, and fleeting moments over an exceptionally prolonged time in my life (with some, like Bancal, tracing back to 2014). Consequently, the personal and emotional weight they carry is significant and necessitates being acknowledged to make room for the new and unexpected.

In Valencian, "una geografia temporal" translates to “a temporary geography."

Edu Comelles - Mola

https://soundcloud.com/mattxavier has been a friend of mine for many years now. A fellow music obsessive and trusted voice when it comes to all things ambient, techno, and beyond, we finally managed to meet in person while I lived in Los Angeles, and we stayed connected over music ever since. 

We’ve swapped stories about pressing vinyl and running labels, and he was the reason I first crossed paths with Joel Mull (Damm) at one of his gatherings held at a beautiful Topanga home. It was a serendipitous moment that still echoes today. 

A proponent for the deeper layers found in music, Matt has since become a practician, ambassador, and pioneer for psychedelic soundtracking. Along the way, he shared tracks from ASIP and other labels that were influencing and guiding his private sessions, shaping the grand masterpiece we present to you today. As his practice deepened, we exchanged many texts discussing his ambition to publish a book about his unique experience and include an accompanying mix on ASIP. 

Matt’s new book, ‘The Psychedelic DJ: A Practical Guide to Therapeutic Music Curation and Psilocybin-Assisted Therapy’, (https://a.co/d/5bFxc2h) is a groundbreaking manual for anyone looking to bridge sound and healing. Whether you're a clinician, a DJ, or just someone who knows the power of a well-placed track, Matt’s work will likely reframe how you think about music’s role in inner journeys. 

His isolatedmix is a fully formed and accompanying ‘Protocol’, which is an example of one of his many guided sessions, referred to as “therapeutic DJing.” Psilocybin Therapy Protocol v1.22a, distills his craft and evolution in this practice for us all to dip into at a surface level, providing a peek into what are very personal worlds prepared for his clients. 

Alongside the mix, Matt joins us for a deep-dive interview, discussing his new book, his transition from rave culture to guided sessions, his real-time curatorial method and how music, when chosen with care, can become a tool for transformation.

Manual/Timeline 

Ceremony (–15 to 0 min): Music optional
Medicine Imbibed (0–10 min): Start music & meditation
Stage 1 – Onset / Hike (10–55 min)→ Break (55–60 min): Bathroom & booster [water sounds]
Stage 2 – Ascent / Climb (60–150 min)
Stage 3 – The Summit / Peak (150–180 min)
Stage 4 – Return / Descent (180–240 min)→ [Music Ends]
Stage 5 – Arrival / Landing (240–390 min): Music optional
tage 6 – Closing / Baseline (390–420 min): Music optional

Learn more

isolatedmix 132 - Matt Xavier: Psilocybin Therapy Protocol v1.22a

Fluid Audio presents Giulio Aldinucci & Matteo Uggeri - The Promise of a Threat coming soon on Fluid Audio...

In The Promise of a Threat, two veteran composers of ambient and electroacoustic music - Giulio Aldinucci and Matteo Uggeri - converge on a collaborative terrain that is at once intimate and immense, reflective and unsteady, beautiful and unsettling.

Created between June 2021 and early 2022, and mastered by Aldinucci in 2025, the album stands as a slow-burning document of digital and emotional correspondence. It reflects the language of ambient music not as static wallpaper, but as a deeply expressive form - one that allows silence and signal, memory and disturbance, to coexist within the same fragile space.

A Digital Dialogue Across Distance...

The entire work emerged through remote exchanges between Aldinucci (based in Siena, Italy) and Uggeri (Milan, Italy), unfolding gradually through shared sessions, sketches, and iterations over time. The process was not unlike the movement of tectonic plates - imperceptible at first, yet with weight and intention. Layers of processed field recordings, abstracted rhythms, and spectral textures accumulate into dense yet transparent forms. Every detail is traceable, yet elusive.

Giulio Aldinucci, known for his deeply spatial drones and sensitive treatment of field material, builds immersive sonic beds that seem to hover just above the surface of the Earth - simultaneously grounded in place and untethered from time. Matteo Uggeri, by contrast, applies a more tactile touch: assembling beats, samples, and environmental recordings into patterns that give pulse and tension to the atmosphere.

Together, their styles intersect in subtle and surprising ways - sometimes bleeding into one another, at other times standing apart in contrast. The balance between order and entropy, harmony and noise, creates a dynamic that speaks to the album’s title: The Promise of a Threat. Beauty does not arrive alone. It is always shadowed by its inverse.

Processes of Presence and Absence...

Across the album’s runtime, the listener is drawn through zones of dissolving melody and shadowy rhythm, passing through spaces that feel neither entirely natural nor entirely artificial. A drum sample on Track 2, provided by Andris Brinkmanis, adds a skeletal percussive element - a quiet agitation beneath the calm. The rhythms are not dominant but suggestive, like distant industrial echoes or memories of forgotten structures.

The artists manipulate the digital medium not as a tool of perfection, but of erosion and transformation. Hiss is preserved. Glitches are welcomed. The human ear remains present in every detail. The processing - granular, filtered, stretched - is not ornamental but fundamental, a way of sculpting emotion out of signal. Field recordings are often submerged, embedded beneath layers of drones and rhythms, yet their presence adds a layer of organic residue - a trace of wind, rust, or breath beneath the circuitry.

A Tactile Offering...

True to the ethos of Fluid Audio, the physical release of The Promise of a Threat will be crafted with great care and material sensitivity. Expect a limited, hand-assembled edition that honours the intimacy and intricacy of the music - an object to be held, as much as heard. Full packaging details and release date will follow.

For now, The Promise of a Threat lingers just at the edge of hearing - like the low hum of an incoming storm, or the quiet reassurance of knowing something is coming, even if its shape remains undefined.

www.fluidaudio.co.uk

So Finally I Stared at It All, Still and Satisfied

http://www.myloops.net/products-page/midi-packs/stonevalley-fast-distance-midi-pack-volume-1/

Stonevalley (Olivier Picart) and Fast Distance (Franz Hlusek) are two renowned artists in the trance world whose releases and remixes on labels such as Enhanced Recordings, Armada and Flashover have been played and featured by some of the top DJs in the world including Armin Van Buuren, Above & Beyond, Tiesto.

Olivier and Franz have put together a collection of 25 uplifting MIDI construction kits inspired with their own trademark uplifting style. Each construction kit comes with Lead, Pad and an Audio Demo for previewing the kit. Be prepared for some beautiful chord sequences and energetic riffs that will inspire your upcoming productions. These MIDI kits are royalty free and can be used as inspirational tools or directly in your own productions.

In addition, this product comes with a Demo Project File for your favorite sequencer : Ableton Live, FL Studio and 

Steinberg Cubase. This demo uses Sylenth1 which means the Sylenth1 presets for the sounds you can hear in the MP3 

Demo are also provided.


Features :

    100% royalty free
    Beautiful chord progressions and exciting trance riffs
    50 MIDI files
    Each kit comes with root key and BPM information
    Includes Demo Project for Ableton Live, FL Studio and Cubase

Buy this MIDI pack

Trance MIDI Pack by Stonevalley & Fast Distance (Myloops)

Hi there I would like to thank my fans for supporting me by listening to my music and mixes. I added a optional support me link. This will enable me to have more time to make more music and mixes, so that I can share my passion with my fans . Would love your support! Peace and love always - Kevin

String Moments (Original Mix)

Kevin Paczesny aka Infinite Dreamer