DC Promo Tracks #1700: "Peace Silk" by Memphis Glass is part of the release "Compact" on Image Research @image-research  

Buy from: https://memphisglass.bandcamp.com/album/compact

Memphis Glass returns to Image Research to continue his streak of scorching, hazy, reflective house anthems. 

Picking up where 'We Don’t Need Much' left off, 'Compact' takes us further into the Memphis Glass world of daydream emotions and late-night mystery. Elegant melodies sit on top of classic 4/4 rhythms, while pillowy pads and chords flicker like streetlights in the fog. Steady and consistent with a pensive edge, the Memphis Glass sound continues to distill into some of the best lo-fi house in the game.

Throw in a grooving, break-driven Remix from French legend DJ Psychiatre, and we have ourselves a classic EP in the making. - HPT

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DC Promo Tracks: Memphis Glass "Peace Silk"

Energy Fields is Gus Paterson’s vinyl debut. One of the brains behind Bokhari Records, this four tracker melts disco, italo and house into a creamy funk fondue. Staggered bleeps and crisp percussion introduce the title piece, samples echo as a squelching thick bassline drops. Countering the fudgey strings are sparkling synthlines, bold brassy analogue bursts tethering the track to the floor. Although tempos drop for “Emotive Feel,” the energy remains high. Robust keys are further fortified by blasts from vintage machines, a free flowing groove lifted into astral jazz. Sharp beats open the flip for “Cyborg Dateline.” Soon, Paterson’s melodic skill takes over. Layers of inspiration are held together by ambling notes. Echoes of cosmic and disco are adopted, a contemporary twist delivered through the complex intertwining of elements. Paterson takes us into the stratosphere for the finale. “Jetpack Joyride” maintains the rhythm of its predecessor, pouring on the funk through daring piano lines and rich strings of double bass. A trip into the beyond from this debutant.

Digital: https://bordelloaparigi.bandcamp.com/album/energy-fields
Vinyl: https://bordelloaparigi.com/shop/vinyl/gus-paterson-energy-fields-ep/

Gus Paterson - Emotive Feels

In the neon-tinted vastness of 1970s cinema space, the SS Star-Love zipped toward Earth, her portholes gleaming with glittery chrome. Captain Vixen Valhalla, star of the United Federation of Erotic Justice, tightened her silver thigh-high boots and flicked her platinum bangs. Her mission: save Earth from the carnal clutches of the infamous Lustron Invaders.
The Lustron saucers beamed down lust rays, causing Earth’s population to break into spontaneous disco-fueled seductions. The minuscule model city trembled under the weight of passion.
As mayhem reigned, only Vixen’s Cosmic Libido Ray could invert the Lustron energy! She adjusted the settings: "Pleasure," "Ecstasy," "Overload." She pressed "Overload."
The SS Star-Love soared off into the psychedelic cosmos, ready for her next campy, adventure—where love always save the day.
Intended for mature audiences. Viewer discretion (and a sense of humor) advised.

Alex & Sasa  7/2025

Follow The Leader (snippets)

Record Sounds Like: This EP pulses with the future of House while paying respect to its roots—featuring remixes from legends like Ron Carroll and more.

Bootleg Contraband surfaces with Dead In The Water (Section Eight Music, SEM059), a forward-driving EP set for release on August 15. Fusing the raw pulse of classic House with a future-minded edge, the project features standout remixes from Chicago legend Ron Carroll, Miguel Ante, and the electrifying Shaun J. Wright. Bootleg Contraband also deliver two of their own reworks—including a gritty, genre-bending breaks remix—pushing the sonic boundaries even further. Dead In The Water isn’t just a nod to the past; it’s a bold rewrite of what’s next.

Artist Quote - "“Having a true legend like Ron Carroll remix Dead In The Water is an incredible honor. Alongside talented artists Miguel Ante, Randall Dean, Shaun J. Wright, and the twisted remix from R34L, each version brings a fresh, exciting take on our track. We’re proud to share this project with people we admire and inspired by how they push the sound forward.” - Bootleg Contraband"

Artist Social Links:

https://www.instagram.com/bootlegcontraband

BUY on BANDCAMP

PREMIERE : Bootleg Contraband - Dead In The Water (Ron Carroll's Up All Night Vibe)

James Rod B2B Aleito @ DUNA 10.08.25

High Principles

A Vision Of Panorama - Say My Name feat. Meora (Dub Mix)

Having safely navigated a change of country, Citizens Of Vice is now fully settled into its new hideout. The mountain ranges of the Jura and Alps are behind us, replaced by the wild beauty of the Yorkshire Moors. But enough about scenery — let’s get back to what we do best: music. And next up...

If you caught Sean Johnston’s recent ALFOS compilation, you’ll already know the name Bal5000, whose stunning track ‘Bleu Infini’ left a lasting impression. Bal5000 has also released on esteemed labels such as Dirt Crew Recordings and Emotional Especial.

We’re now thrilled to announce his latest release, The Lake — a shimmering new cut that dives even deeper into his genre hopping sound. Alongside the title track are ‘Untitled Acid’ and ‘Untitled Electro’. As their names suggest, they explore acid and electro-infused vibes, all within the ever-evolving Citizens Of Vice sonic ethos.

On remix duties, our long-term collaborator — and one of our absolute favourites — Pete Herbert (Music For Swimming Pools) delivers not one but two stellar reworks, each infused with his unmistakable style.

BUY on JUNO

PREMIERE : Bal5000 - The Lake (Pete Herbert Remix)

DC Promo Tracks #1724: "Half Moon" by Humble B Flat is part of the release "Blessings of the Sun" on Pond Life Records  

Buy Now: https://humblebflat.bandcamp.com/album/blessings-of-the-sun 

Blessings of Sun double disk, coming out on Pond Life Records is a sonic spiritual voyage and document of the artist's last three years, overcoming grief and challenges - while deepening a sense of gratitude for the teachings and learnings along the way.


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DC Promo Tracks #1724: Humble B Flat "Half Moon"

R.A.F - Make

CODESTRASHH

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5