Written by B. Dougans, C. Cockbain 1991

Not for sale or download

Completely sample free remade cover version produced by Rich Lane to play at The Evil Acid Barons Weekender in Devon, late May Bank Holiday 2024.

Mental Cube - Q [Rich Lane Acid Barons Cotton Dub]

Kid Simius - Gente De La Noche

In the neon-tinted vastness of 1970s cinema space, the SS Star-Love zipped toward Earth, her portholes gleaming with glittery chrome. Captain Vixen Valhalla, star of the United Federation of Erotic Justice, tightened her silver thigh-high boots and flicked her platinum bangs. Her mission: save Earth from the carnal clutches of the infamous Lustron Invaders.
The Lustron saucers beamed down lust rays, causing Earth’s population to break into spontaneous disco-fueled seductions. The minuscule model city trembled under the weight of passion.
As mayhem reigned, only Vixen’s Cosmic Libido Ray could invert the Lustron energy! She adjusted the settings: "Pleasure," "Ecstasy," "Overload." She pressed "Overload."
The SS Star-Love soared off into the psychedelic cosmos, ready for her next campy, adventure—where love always save the day.
Intended for mature audiences. Viewer discretion (and a sense of humor) advised.

Alex & Sasa  7/2025

Follow The Leader (snippets)

Ichisan - Fantasound (James Rod Remix)

Having safely navigated a change of country, Citizens Of Vice is now fully settled into its new hideout. The mountain ranges of the Jura and Alps are behind us, replaced by the wild beauty of the Yorkshire Moors. But enough about scenery — let’s get back to what we do best: music. And next up...

If you caught Sean Johnston’s recent ALFOS compilation, you’ll already know the name Bal5000, whose stunning track ‘Bleu Infini’ left a lasting impression. Bal5000 has also released on esteemed labels such as Dirt Crew Recordings and Emotional Especial.

We’re now thrilled to announce his latest release, The Lake — a shimmering new cut that dives even deeper into his genre hopping sound. Alongside the title track are ‘Untitled Acid’ and ‘Untitled Electro’. As their names suggest, they explore acid and electro-infused vibes, all within the ever-evolving Citizens Of Vice sonic ethos.

On remix duties, our long-term collaborator — and one of our absolute favourites — Pete Herbert (Music For Swimming Pools) delivers not one but two stellar reworks, each infused with his unmistakable style.

BUY on JUNO

PREMIERE : Bal5000 - The Lake (Pete Herbert Remix)

SOULMEEX sixth label release is finally here, delivering a luminous burst of dancefloor energy with The Velvet Dust EP by Faroese-Copenhagen artist Brynjolfur. Infused with Balearic dream house aesthetics, it unfolds as a three-track euphoric journey. Deeply cinematic yet built for the club.

The EP features Skyline Groove, Solstice Serenade, and Golden Circle, each offering a different facet of Brynjolfur distinctive sound. To complete the package, Portuguese-Italian producer Vhyce delivers a striking remix of Skyline Groove, adding his own personal touch.

The visual identity of the release is completed with artwork by Icelandic photographer Valtýr Daregard, adding an atmospheric layer to the record.

https://brynjolfur.bandcamp.com/album/the-velvet-dust-ep

Brynjolfur - Skyline Groove (Vhyce Remix)

Kim Carnes :: Bette Davis Eyes The Remixes :: DSR001

Kim Carnes - Bette Davis Eyes (Cormac & Chinaski Remix)

Guess who just landed on the label radar? That's right - make some noise for Olivier DB! Beaming in straight from sunny San Diego, this sonic wizard drops a triple-threat EP just in time to sizzle your summer. "Rhythm & Sound" brings the heat: we're talking the no-nonsense Electro punch of "The Sound," the cheeky bounce of "2D Rhythm," and the full-throttle force of "Resist This" (go ahead, try not to. Spoiler: you will). And just when you thought it couldn't get deeper, label bossman Johannes Albert jumps in with a club mix that slaps harder than SPF 50. Plug in, bliss out. Olivier DB's dancefloor magic is officially locked in. Trust us, he's not going anywhere.

The Sound (Johannes Albert Club Mix)

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Cerulean Soundsystem - Halcyon Disco Society LP (Cosmic Rituals Music). Out September 22nd 2025. Buy here : https://ceruleansoundsystem.bandcamp.com/album/halcyon-disco-society-lp

Born during a solar flare and raised on limited-run white labels, this is a musical project conceived somewhere between a broken Roland drum machine, reviving a lost album on a broken 2002 Macbook and a really intense conversation about the meaning of groove.
Our music is for people who’ve quit DJing at least twice but keep coming back because “the scene needs healing.” Think: Balearic lounge for astral projection. Disco, if it were curated by a sentient potted plant. Funk, but made entirely from field recordings of sandals on gravel. We emerged from the mist of a questionable sunrise set in 2009 (or maybe 2031—time is an illusion) with one goal: to make music that feels like a hug from a glitter-covered alien who once dated a member of Kruder & Dorfmeister.
We’ve had aliases. Too many. Some were successful. One was just a Wi-Fi password. This one, though...this is the one. It’s got layers. It’s cosmic. It’s nostalgic. It wears tinted glasses indoors and still buys the incredibly outdated musical format they call vinyl (or vinyls if you really want to piss the purists off). We like music that makes you dance, cry a little, then question your relationship with time. Funk? Essential. Melody? Always. Hand drums played by someone called “Moonrise Mike”? Whenever possible.
We don’t make music for sunrises and sunsets, we make music that thinks it is a sunrise but occasionally has an identity crisis and becomes a fog machine. In conclusion: yes, we take music seriously. But ourselves? Not so much. This is an ongoing experiment in sonic telepathy, ego death, and grooving responsibly. Join us. Or don’t. We’re honestly quite busy communicating with dolphins through MIDI.
Released to align with the Autumnal Equinox and mark the end of summer, but keep that summer feeling alive in you - 22nd September, ready thyselves... 

PREMIERE : Cerulean Soundsystem - C-731 Express (Cosmic Rituals Music)

God Damn Men est DJ et Organisateur, co-créateur de Maison Pourpre et Surya, des concepts hybrides où clubbing, art et sensualité s’entrelacent dans une esthétique sexpo-kinky. Ces expériences lui ont donné une connaissance intime de la nuit et de son organisation, qu’il transpose aujourd’hui dans ses sets.


Résident du Serpent à Plume, il imagine le dancefloor comme un espace de groove, de désir et de libération. Ses sélections, toujours un peu bancales et hypnotiques, visent bas, à la ceinture, pour mieux emporter les hanches. Entre intensité nocturne et éclats solaires, God Damn Men nourrit une énergie organique et sensuelle, taillée pour révéler le corps.

David Shaw And The Beat invite God Damned Men · Octobre 2025

Lord Have Mercy

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5