Back after a little summer break, Jakob Mäder returns with a new EP on his own label Constant Change. 
Four tracks directly for the dancefloor with an uplifting vibe through the whole EP. 
"Sun Will Rise“ got what peaktime needs: acid lines, DX7 chords and - what else would you expect in 2021 - a powerful arp bass! All DJs sometimes need the right stomper track, so
"Empower“ is here for you. The second half of the Some Time EP focuses on sunny disco vibes. 
"City Lights“ is your soundtrack for a long summer night, while "Phase“ sets the mood for a slowly disappearing sun at your favorite open air spot.

Jakob Maeder - Sun Will Rise <Gouranga Premiere>

Part Of: It Was The Summer
Release Date: 10.03.23
Buy Link: https://razor-n-tape.fanlink.to/BurningBridges

Phenomenal Handclap Band
SoundCloud | https://soundcloud.com/phenomenal-handclap-band

Prins Thomas 
SoundCloud | https://soundcloud.com/prinsthomas

Razor-N-Tape
SoundCloud | https://soundcloud.com/razor-n-tape
Bandcamp | https://razor-n-tape.bandcamp.com

Release Text:
NYC leftfield disco darlings Phenomenal Handclap Band made their first appearance on RNT by way of a collab with JKriv in 2022, and now they return for an offering all their own, the Burning Bridges EP.

The title track is a groundbreaking hypnotic post-disco pop gem, and Prins Thomas turns the tempo knob up a few clicks and launches into an extended interstellar excursion with his remix.

On the B side the cinematic slow burner ‘It Was The Summer’ begins sparse and hazy and builds to a driving peak of backbeat rhythm and an insistent vocal soliloquy. Each Other (Justin Strauss & Max Pask) then take the tune straight to the rave with arpeggiated and acidic synths, recasting the haunting vocals as a modern New Wave anthem.

-------------------------------------------------------------------------------------------------------------------------------------

Berlin House Music
Submit Your Music | https://berlinhousemusic.com/submission
Store | https://berlinhousemusic.com/shop
Instagram | https://www.instagram.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
Facebook | https://www.facebook.com/berlinhousemusic
SoundCloud | https://soundcloud.com/berlinhousemusic

PREMIERE: Phenomenal Handclap Band - Burning Bridges (Prins Thomas Diskomiks) [Razor-N-Tape]

Viscardi & Il Duo Magnetico is a project coming from the italo-swiss DJ/singer Pascal Viscardi and members of the Swiss band L’Éclair, Yavor Lilov and Alain Sandri. Together, they’ve curated a unique fusion of italo-pop, drawing inspiration from new-wave, balearic, boogie, disco, and world music. 
Following the release of their first 7” single in the summer of 2023, their debut album "Elka Mare" is set for release on Ed Longo’s excellent Cosmic Romance imprint in January of 2024.

Music is My Sanctuary is proud to present an exclusive from the LP, the anthemic cut “Macchina Furiosa”.

Elka Mare

BUY HERE

Exclusive Premiere: Viscardi & Il Duo Magnetico "Macchina Furiosa" (Forthcoming on Cosmic Romance)

DC Promo Tracks #1314: "Seen Dancing" by Funboys is part of the release "Seen Dancing" on Air Signs Music @airsignsmusic  

Buy Now: https://www.junodownload.com/products/funboys-seen-dancing/6466259-02/?ref=dc 

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Funboys "Seen Dancing"

Col Lawton, Discosteps, Glass Slipper - Let Me In Your Heart  
House Salad Music
Cat: HSMD094 
Buy: https://housesaladmusic.bandcamp.com/album/let-me-in-your-heart

HSMD094 Col Lawton, Discosteps, Glass Slipper - Let Me In Your Heart  [House Salad Music]

Full version on codekrecords.bandcamp.com/track/is-there-nothing-i-can-say-in-flagranti-edit

Every Saturday night we take a ride down memory lane and fill up our tanks with some great edits that we’ll always love. So here’s a In Flagranti edit that came out on Mindless Boogie a couple of years ago. Killer.

Is There Nothing I Can Say (In Flagranti Edit) The Olson Tinglers snippet

What do you get when one of the UK's finest music makers goes into the studio with one of Norway's fastest-rising producers? Listen to Offshore Sunsets and find out. That's exactly what happened when Fila Brazilia's Steve Cobby & Third Attempt hooked up to create some stunning sounds for their new EP.

B Human kicks things off with the first of two collaborations, and it's all kinds of rolling, hypnotic, spaced-out, Balearic business. Floating minor keys, walking bass and a gorgeous chugging guitar make it sun-blessed.

Language Of The Heart is the solo offering by Third Attempt, and is a tripped out smoker's delight. Soul II Soul, Crazy P and Nightmares on Wax can all be felt, perfect for those early evening or 'back-to-mine' sessions.

Finally, Feeling Seen sees the chaps working their collaborative magic again on a hazy, jazzy, broken beat, doozy of a track that is deep, stripped back and funky as all hell.

Offshore Sunsets

Feeling Seen

Buy/Stream

Feeling Seen (Original Mix)

Fine digger and versatile DJ, Rob R marks his debut as a producer in style with "Inner Synthesis". The dream house tune hits right where you want it to. Party's starting !

Support : https://wisebird.bandcamp.com/album/dancing-birds-vol-2

Inner Synthesis

Trip Hop was made for the thinkers, the wanderers, the ones who write poetry at midnight but never post it.

This is your soundtrack, lo-fi textures, urban mood, and a rhythm that hits without needing to bang.

Best for story-led Reels, moody dance clips, and experimental cuts.

🎙️ Use it when silence needs a soundtrack.

Trip Hop

BUY LINK

Sunset BLVD (Vicks Ext Boogie Mix)

Hypnotic stuff from Chewy Rubs - one of our favourite chunky edit cats :)

Full EP out on Spa In Disco!





http://www.gourangamusic.com
https://soundcloud.com/gouranga
https://www.facebook.com/ilovegouranga/
https://www.instagram.com/gouranga_music/
https://www.youtube.com/gourangamusic
https://open.spotify.com/user/gtlufkiq5e8d5m6ehr1fprorr?si=jgePJTWiSeqdUqpT7WWRSA

PREMIERE: Chewy Rubs - Lush (Deep Disco Dub) [Spa In Disco]

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5