Jaax - one of the co-founders of the Art Cue movement. He tips his toes in every artistic endeavor available to him, during the day he’s a student at the Vilnius Academy of Arts, once night comes he’s an event organizer and DJ. His music selection can only be described by: unpredictable, melodic and soothing. Tune in.

#021 DraugaiDraugamsRadio - Jaax

Enregistré le 02 Septembre 2022 lors du NOUS Festival #2
Retrouvez-nous pour la 3ème édition du 1er au 3 Septembre 2023 au Château de Bellocq !

Rodion @ NOUS #2

Saves (You More on More of What You Want!)

You've Simply Changed Your Mind

@khalil-suleman shares his track "Beloved" as part of Unreleased Territory Vol. 4 compilation by Lithuanian label @electric_shapes, in words of  Frederick Sanger
"It is like a voyage of discovery into unknown lands, seeking not for new territory but for new knowledge. It should appeal to those with a good sense of adventure".


Media: 
Electric Shapes
Soundcloud: @electric_shapes
Facebook: www.facebook.com/EleShapes
Instagram: www.instagram.com/electric.shapes/

Unreleased Territory vol. 4

Purchase

Premiere ::: Khalil Suleman - Beloved [Electric Shapes]

Radioblog 
20.03.2023
Uj Pa Gaz

https://soundcloud.com/ujpagaz 
www.facebook.com/pages/Radioblog-…09004032?fref=nf
www.youtube.com/channel/UCe-52-o39S9nHV_fZsvb8oA
https://soundcloud.com/radioblog-2

Artcover by:
oh.

Contact:
radioblogtirana@gmail.com

Uj Pa Gaz

Radioblog 20.03.2023 - Uj Pa Gaz

The closing track for Tanzers Eins compilation.
Out now on Malka Tuti records

https://malkatuti.bandcamp.com/album/tanzers-eins

Untitled One

Yovav - Untitled One

https://soundcloud.com/mijumijumi
Artwork: https://soundcloud.com/greta-motif
🔊 https://youtu.be/X8FFZxrTu6Q

MIJU is a DJ from Belgrade, residing in Vilnius, Lithuania. MIJU is a resident of Opium and Gallery1986 clubs in the capital and has monthly shows on Radio Vilnius. 

MIJU guides her musical direction by seamlessly blending in fractions of breakbeat, electro, house and acid, accompanied by melodic and minimal undertones. What distinguishes her selection is her determination to create the unexpected and eclectic twists and turns which resonate between the boundaries of old and new. In her view, electronic music is expression of freedom and dancing is setting you free. MIJU’s been dedicated dancer and electronic music lover for years, and this grew into a desire to offer her selection to the dancefloor. MIJU's sets are always playful and her main goal is to push for that extra dance step.

MIJU played almost everywhere in Lithuania, in its capital Vilnius and second biggest city Kaunas in Lithuania, including Lizdas club, Ant Bangos festival, Clockwork Orange Halloween Rave, LOTAS Fest, Peronas, Post club, Haxan has tributed her curating skills at the Main stage of Yaga Gathering, and is a member of Burning Man community in Lithuania.

Apart from Lithuania, MIJU played in Amsterdam, Berlin, Brussels, Cyprus, Serbia, Latvia, Montenegro. This year, MIJU has just released her first EP ‘Metatron’ for the Belgrade-based label headroom rec. Within the first month of the EP release - it was already played Berlin's hotspot HÖR, NYC’s favorite Lot radio, Rinse France and Kiosk radio in Brussels. German-based Groove Magazine, pronounced ‘Metatron’ 18th. amongst top 30 winter electronic music releases in 2022 together with producers such as X-coast, Nikki Nair and more. Her showcase at ADE took place in 2022 under the EXIT festival. MIJU had her radio shows at Amsterdam's vinyl shop Mary Go Wild, French Ola radio and Brussels-based Kiosk Radio.

MIJU shared decks with Dixon, Kim Ann Foxman, John Talabot, Daniel Avery, DJ Nobu, Elena Colombi, Identified Patient, mad miran, ISAbella,, Kino Todo, Prins Thomas, Lauer, Manfredas, Perel, DASCO, Kiril Shapovalov and many more.

Apart from being dedicated music selector and dancer, MIJU is a feminist(she/queer) and claims space for female artists and promotes true values of rave on the dancefloor.

Play on YouTube

LAYER #343 | MIJU

The Imaginarium is a unique pearl gleaming within the beautiful galaxy of Lithuanian festivals. Super small in size, yet abundant in beauty of all kinds, the festival is – first and foremost – about the joy of the creation process. This is an essential aspect of human growth that is often overlooked during modern-day events.

Pretty Much tribe nurtures a culture of support, mutual creation, and skill-sharing. With every third person of the collective having learned how to use the DJ decks, it was only natural to take a step forward into music production. This is how five producers were paired with six beginners to go on a unique musical journey together for this compilation of six tracks. Each of them explores the idea of connectedness because the main theme of The Imaginarium VII was about transforming aloneness into oneness.

We believe that genuine and meaningful connections are what every human being truly seeks. The question then is: what if some of the energy put into hyping up people with big names was redirected into fostering co-creation? How much is it possible for a person to open up due to the environment?

To answer this, Pretty Much tribe has built a utopian village that values sharing over commerce. A space where every individual can bask in the sun of imagination by playing an important part in the collective. Gain a glimpse into The Imaginarium VII by immersing yourself in this idealistic compilation.

Produced by: 
@krist-oster and @koneliunas

Echoes of The Imaginarium VII

Intro To The Imaginarium

Oster & Koneliūnas - Intro To The Imaginarium VII

Mutant Rebels-Trash.fm (jE jE Music Recordings)

Berlin Hypnotic House XXVI - Backwards Stop Mix

Not Yet

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5