The Infra Mix Series moves forward with its twenty-fourth edition, featuring a dark and textural session from Brandon De Carlo. A figure whose journey through techno spans decades, Brandon brings the weight of experience rooted in New York's legendary 90s scene, filtered through years spent shaping sounds under open skies and underground basements alike.
Drawing from deep rhythmic heritage—and a musical bloodline tracing back to Puerto Rican icon Tito Rodriguez—Brandon's sound is heavy with legacy and intention. This mix embraces a grainy, hypnotic aesthetic, where shadowy textures and relentless grooves intertwine. Known for classic releases on KMS Records and his own Downside Up imprint, Brandon De Carlo delivers a set that blurs eras and dimensions, pulling listeners into a space where movement becomes meditation.


INFRA MIX 024 - BRANDON DE CARLO

<< For event or podcast bookings please send me a DM. I mix Techno because I love the sound, and I certainly would share that with anyone interested. I've been doing this for 33 years now simply so that I could always be as hands-on with the Techno I love, experiment with it, and enjoy it in as many ways as possible. >>


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Techno, Art, and Technology. 


I've been involved in Techno since early 1993, and spent a lot of time between 92' and 01' driving from Boston to NYC (and back) chasing a specific sound, and as it turned out was able to be a part of some pretty memorable Techno events. Many warehouse parties hosted by Sonic Groove, Mental Unity / Electronik Underground, and others throughout those decades. 


After 2001 the Techno scene pretty much collapsed for a few years in NYC, due to issues related to the Sept 11th attacks, such as artists having issues obtaining a US visas, the world economy, pointless wars, and a collectively paranoid government. Boston (my home) never really had a well established Techno scene before 2012 or so. 


My first, honest introduction to underground Techno began in 1993, Manchester N.H. Thanks to N.E.A.U. ("New England Acid Underground", circa 1993-95) which then became N.E.W. ("New England Works", circa 1995-2001) which focused on pure, underground Techno sound & experience by hosting many epic, outlaw warehouse parties, and formed a solid base for a diverse group of people, from various backgrounds, many of which I had grown close to in those years. 


This collectively represented what I felt was my "home base" at the time, fulfilling my strict preferences within electronic music, and of course the quality of the people, & the Techno experience. A good link with the Sonic Groove crew down in NYC between 1993 and 2000 had been forged through great events rooted in a "music & human experience first" approach and purpose. I learned a lot about music, DJing & the beauty of pure Techno's hands-on approach, adaptability, & re-usablity. 


Pure Techno is a powerful, "language agnostic" form of communication and connection via a shared emotional journey that's tethered to the art of sound. Without any single person needing to say a word, a true collective experience is often realized. 


I'll never forget that early Manchester, NH scene, or all of the people involved that helped to establish it each in their own way, nor will I forget all of the amazing people in New York City who welcomed us, shared with us some unbelievable sounds, hosted some of the most memorable events, and hosted such a dizzying array of talented artists from around the globe. 


I'm still plugged into Techno today, of course, & it's health is better than ever. But established collectives are harder to come by in Boston, & many from NYC have moved on to Europe where they can make a living and thrive in it's long-established Techno scenes. 


Thankfully one of the most active and Techno focused groups has been doing great things in the Boston area over the last six or seven years or so (INFRA Boston), and doing more than I can recall being done in the last 30 years for sure. It is good to know that after so many decades, Techno is still breaking new ground in places like Boston.


I've been quite active in releasing recorded sets of my own, of online live-streams, home mixes, mixes inspired by friends, by shared experiences over three-plus decades. 


I started DJing thirty two years ago because I feel in love with pure Techno. That motivation is as strong toda. y

gran aficionado y amante de la música electrónica,y del tecno más oscuro y mental .

Perpetually and unconditionally cultivating 
the underground experience in Boston