Living Room n°35 ~ @usofusofusofusof

q. pls introduce yourself:
 a. I’m usof/unitedstatesof/João Rochinha and I run some labels, am a part of some collectives and make music

q. is there a story behind the mix? how did it come together? 
a. No particular story, I just wanted to my living room mix to sound like a movie 

q. in your opinion, what would be the ideal circumstances to enjoy your mix? 
a. I think this mix is perfect to listen to surrounded by friends in a inebriated state. It’s made for smiling 

q. describe a favorite object in your living room... 
a. The couch! But these next few weeks me and my roomies will decorate it with a lot of art on the walls ❤

q. are you working on any projects right now (music or not music)?
 a. I’m developing my live performances and going harder on improving my dj expertise. also want to make more visual art and audio mastering jobs.

~~~

Tracklist:
Wish - camping
Palta - Punk Musik
Nick Malkin - View From Two Perspectives
Jake Muir - the dimness of the sealed eye
Echium - Overlapped Fluidity
OCA - Stretching in Water
usof - Sad to Hear
Mistareez - T.A.T.A.N.A.Y.L.T.T.B
Lag OS - Liquid Bells
Pun Collins - Mainframe (feat. Nico Niquo)
lava-u - Surpise Surprise
Laila Sakini - Life Out Here Is Changing
Alley Catss - charge
011668 - ae ii
Broshuda - Pinnacle Soiree
Sam Gendel and Sam Wilkes - Track One
Bin​Goon​Ler黽 - HOPES AND DREAMS feat. MOOLAHOOPER希望と夢
Sophia Lucie - Song 5
Sean Being - You Can Make Me Feel Bad
OCA - Gentle to You When You're Low
Ex Wiish - Irreverant Banshee
ᕦ​(​ò_óˇ​)​ᕤ - Aldis X-Drive
queendyster - Candyrope
Dave Saved - Stanza 2
lostwhere - meet me in the meadow
O Yuki Conjugate - Mansoases
lostwhere - truth index
Pink Fantasia- Ocean Angels

Living Room n°35 ~ usof

https://disquesdelaspirale.bandcamp.com/album/parasite-jazz

Parasite Jazz - π Dub

oozy bass and divine ambience, in equal measure

by @sequentia666

₀₂₅ 𝘀𝗲𝗾𝘂𝗲𝗻𝘁𝗶𝗮

Specific Relation.
Re-Upload. 28th September 2020. PAVEL MILYAKOV W/ INFX.
Original was deleted by host.


JAMES FERRARO
Green Hill Cross

NOZOMU MATSUMOTO
Night/Disco

JAKE MUIR
Green Eyes

THE CARETAKER
Confusion So Thick You Forget Forgetting

ELYSIA CRAMPTON;FANNY CHUQUMIA
Crest

NOZOMU MATSUMOTO
Photocentrism

ONEOTHRIX POINT NEVER
No Good

SDEM
I Couldn’t Shake The Dread

HELM
Don’t Lick The Jacket

ULLA
Stunned Suddenly

JONOTAN LEANDOER96
Evil

EVALA
Scrabble

EVALA
Cracking

MEYERS
Granular Opportunities 2

EXAEL ft. ARAD ACID
Glass In Plastic

METOME
Little Woman

DOUGLAS MCCASLAND
Neo-Lalia

YVANKO
Irradiees

ART CRIME
Darkness is the light that slips away from you

PALMISTRY
In My Heart II

JAAP VINK
En Dehors (1980-1985)

https://www.nts.live/shows/buttechno/episodes/rassvet-records-w-buttechno-28th-september-2020

NTS1. Specific Relation. 18bc - 598f - 4093 - Af9a - 80af52bbc6e9 BkUeRhM

la fin du voyage

One hour of haunting breaks and melting vocals dipped in sticky clubby flows. This episode of Carrie Cassie is taken over by swedish London-based producer, dj and sound-designer aircode, who intricates crafty soundscapes with ever-switching rhythms in her productions. She has released music through Gin &ampamp; Platonic, Alien Jams, Tobago Tracks &ampamp; more.


CARRIE CASSIE w/ aircode (05/11/24)

Nouvelle édition d’Emprise avec Aho Ssan continuant d’explorer les répertoires électroniques contemporains ! On pourra y retrouver des artistes comme Juana Molina, Perila, Nearly God ou Pierre Henry.


Emprise w/ Aho Ssan (19/11/24)

https://soundcloud.com/matildatjader & Julie Falk

https://www.retreatradio.net/scaling

Listen 24/7 at www.retreatradio.net

Scaling #14 w/ Matilda Tjäder & Julie Falk (30/10/24)

interlude (toldmekeepitcomin)

wush_2 (EXTRA SLOWED)

Enner Madness
1: Introducing
2: Shall I?
3: After-Glow
4: Relief
5: Meditation
6: Return

Dates:
28-Sep-2025 (inception), 01-Oct-2025 (finalised), 02-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
watch this space -- upload in progress

Description:
No, I am not going mad! More like an energetic use and interpretation of the Soma Enner instrument.

An orchestration of multiple granular synthesis banks through my custom programmed granular synthesiser, Granie (Release 04, 28-Sep-2025).

For full write-up, see my BandCamp or FaceBook Page.

Enner Madness records audio from external synthesisers or electronic instruments, feeds this into the Soma COSMOS memory station to loop over parts of the performance, giving me a small window to record this into small snippets of audio 30 seconds each, the grains into the Granie. The grains are modulated in time and space, left right audio channel modulations, position modulations, position offsets between grains and small changes in playback frequency amongst the cloud of grains. All of this can be varied by adjusting the rotary encoders of the Push2, not through low frequency oscillators, but through human controls of the rotary encoder knobs and then record those movements as automations to replay. All this is done live. I wanted to keep the performance organic.

The Granie also comes with a dual delay+gain+feedback section, one for the left audio channel and another for the right audio channel. Just as with the granular control, delay times and feedback were controlled dynamically on the Push2 live during the performance.

The Soma COSMOS was put into the Rhythmic Firmware mode, using the #09 Fractal mode and the #6 1/5 dominant mode. So the looping in the COSMOS was not your ordinary looper, rather it embraced improvisation and an ever changing play back.

The album consists of six tracks:

Track 1, Introducing: opens with the Soma Enner as the front end instrument. An energetic use of both the Enner and the granular synthesis of it.

Track 2, Shall I?: develops the ideas presented on track 1, but a bit like, shall I press this button and hear what happens? Again the Enner as the front end, blending this in with granular synthesis grains recorded from the Enner performance.

Track 3, After-Glow: takes the grain banks from track 2 and plays them alone, further exploring what can be done with them.

Track 4, Relief: Puts my electric violin at the front end, an NS Design Wav4. This was feed into the LR Baggs Para Acoustic DI (pre-amp), then feed into the Soma Pipe, then into the Soma COSMS and finally into the Granie. A slow moving, calm violin section was performed and simultaneously some short grains recorded. The grains were then mixed in, providing texture and mystery.

Track 5, Meditation: My (human) voice was sung into the Soma Pipe, through to the Soma Cosmos in fractal mode having fun adjusting live the Blur and Drift settings, with the Granie at the end of the signal chain. As with the other tracks, 30 second grains were recorded, played back whilst adjusting grain parameters, some of which were recorded as automations, leaving my hands free to adjust other grains and so forth. Soma Pipe modes here were alternating between the Harcho (best described as a thick stew soup) and the Filterra (band-pass filter with resonance control).

Track 6, Return: Track 6 returns to a similar style of track 1, playing the Soma Enner to the Soma COSMOS and back to the Granie. The Enner parts used a combination of a drum brush played through the face-plate piezo pickup, finger drum tapping and the touch plate oscillators. Then recording 30 second grains into Granie and experimenting live, with the granular synthesis parameters and feed back controls.


EnnerMadness 06: Return

OP: so that’s how it is going to be
P: sounds good
OP: alright, you’re ready for this?
P: ok
OP: alright, how is gonna work: you just going to breathe normally, stay relaxed, whenever you’re ready put your hands back, ok?
P: ok
OP: keep your head back, stare at the light bar.
you are alright? you are ok? you doing alright?
P: wooow, yeah..
OP: how you feeling?
P: aahh, i feel like i was in some sort of fist fight..
OP: hha, yeah, it look like that, hah. did you win?
P: aahh, i don’t know..