this is perhaps what intestines sound like in utero. very nice.

INDEFINITE PITCH | PREMIERE 163

Adhémar - The Name Of Clouds (Inhmost Cloudy Day Dub Mix)
The Name Of Things [HNL009 | Huinali Recordings]

Produced by Clément Davout aka Adhémar
Additional Production by Simon Huxtable aka Inhmost
Mastered by Mattias Fridell
Artwork by Off T

Released by Huinali Recordings from Jeju Island, South Korea
Release Date: June 28 2021

The Name of Things,

The act of naming natural elements and human creations through music allows us to go beyond words and return to sensations, pulsations, undulations. This album proposes a rhythmic journey that offers a new look, a new listening on the things of life. The arrangement of the tracks reminds us of a parable: an aerial entrance and exit, and at the depth of its curve percussions give resonance to a primary, primitive relationship to the earth. The three interpretations prolong the sound designations. Adhémar's musical language captures the deep and poetic song of nature and the city, of the inhabitants and the living.

Adhémar
@adhemarmusic
https://adhemar.bandcamp.com
https://formaviva.com/adhemar
https://www.facebook.com/adhemarmusic

Inhmost
@inhmost
www.facebook.com/Inhmost-1700392193609567
www.instagram.com/s.huxtablemusic

Huinali Recordings
@huinalidub
https://formaviva.com/huinali-recordings
https://www.huinalidub.bandcamp.com
https://www.facebook.com/huinalidub
https://www.instagram.com/huinalidub

Indefinite Pitch | Yantai
@indefinite-pitch
https://www.indefinitepitch.com
https://bandcamp.com/indefinite_pitch
https://www.facebook.com/indefinitepitch.premieres
https://www.instagram.com/indefinitepitch.premieres
https://twitter.com/IndefinitePitch
https://www.youtube.com/channel/UCEj6KO2QxQMEtiEqGjx91zA
https://vk.com/indefinitepitch
https://www.discogs.com/user/Indefinite.Pitch

The Name Of Things

The Name Of Clouds (Inhmost Cloudy Day Dub Mix)

Buy & Support

PREMIERE: Adhémar - The Name Of Clouds (Inhmost Cloudy Day Dub Mix) [Huinali Recordings]

From Endurance's Long-Term Memory, available for pre-order now:https://muzaneditions.bandcamp.com/album/long-term-memory

Endurance - Synapse

In his book 𝑇ℎ𝑒 𝑊𝑒𝑖𝑟𝑑 𝑎𝑛𝑑 𝑡ℎ𝑒 𝐸𝑒𝑟𝑖𝑒, Mark Fisher wrote about the two notions: While the weird is something present where it doesn’t belong—something from outside found on the inside—the eerie has to do specifically with outside space. Something is eerie when there are unanswered questions about agency: Who or what is responsible for the abandonment of this zone? Who or what is crying out in the distance?

Katharina Schmidt’s 𝑇𝑒𝑛𝑛𝑖𝑠 𝐶𝑜𝑢𝑟𝑡𝑠 𝑖𝑛 𝑡ℎ𝑒 𝐻𝑎𝑙𝑓 𝐿𝑖𝑔ℎ𝑡, a single, longform track stretching to a near half hour, deftly captures this spatial sense of the eerie. The evolving drone is like coming upon a ruin, circling it, and being drawn inside. There are no surprises, no sudden horrors, just the strange pull of oscillating waveforms that paint a bleak yet soothing landscape.

In certain kinds of listeners, empty, abandoned spaces produce a pleasurable dejection. Maybe this is because spaces where human life is evacuated represent the end result of capital. (It seems to have withered away, but is in fact off to find another shell for its home.) What we’re left with is something new to inhabit, a new infrastructure for freedom. The subtle changes in Schmidt’s recording have less to do with melody and rhythm, more to do with accumulating color and texture of space. And so the half hour can feel like five minutes, or an eternity—time and scale exist differently here.

---

After years of playing drums and piano in various bands, Katharina Schmidt's solo work is influenced by indie, experimental, and improvised music. Exploring interests in storytelling, sonic topographies, and generative techniques, her music uses electronics, field recordings, and self-built interfaces alongside acoustic instruments. From sonifications to lullabies, her work is poised between formal experimentation and narratives cued by literature and pop culture, and can be heard in installations, film music, and radiophonic pieces, as well as releases on labels such as Flag Day Recordings, Slaapwel Records, and Focused Silence.

Katharina holds a master’s degree in Sound Studies from the Berlin University of the Arts and hosts resident shows at Cashmere Radio and SVS Radio.

katharina-schmidt.net
katharinaschmidt.bandcamp.com  

artwork by Stefan Lingg
audio finalized by Glyn Maier

all proceeds to The Homeless Period Project (Greenville, SC, US) - www.homelessperiodproject.org

Tennis Courts in the Half Light

Katharina Schmidt - Tennis Courts In The Half Light [Excerpt] (ENMD03)

ff/im - Alles Is Gut

Fae is Fae is a mystical creature that wields great power in magic and elementals and can change physical forms at will. 

Fae are often said to be spirits of nature or a trickster who would play tricks on humans. Fae can be violent, and they do not tend to see ‘good’ or ‘evil.’

Analogues to these beings in varying forms appear in both written and oral literature, from the Sanskrit gandharva (semidivine celestial musicians) to the nymphs of Greek mythology and Homer, the jinni of Arabic mythology, and similar folk characters of the Samoans, of the Arctic peoples, and of other indigenous Americans.


MATTHIAS PUECH, Mt. Hadamard National Park, LP

Release date: 31 January 2023
Catalogue nr. - HG2302
Format: Vinyl / digital
Hallow Ground

hallowground.bandcamp.com

Tracklist:
1. Mt. Hadamard National Park     (22:48)
2. Suspension     (3:57)
3. Imperceptible Life     (14:57)

Credits:
Composed, recorded and mixed by Matthias Puech
Mastered by Giuseppe Ielasi
Photo by Caroline Schöbi
Drawings by Matthias Puech
Artwork by Laurin Huber
Thanks to Gustave Evrard

///

“Mt. Hadamard National Park” is the Hallow Ground debut by composer, programmer, and instrument designer Matthias Puech. Informed by mathematical and artistic approaches that aim to both contemplate on and control complexity, the eponymous five-part composition explores natural and mystical forces through what he calls “audio-naturalist noise”. The composition is complemented by two further pieces: “Suspension” emulates the chemical phenomenon of the same name, while “Imperceptible Life” hinges on the musical possibilities of stridulation. Over the course of the entire album, Puech’s singular take on electro-acoustic and electronic music creates unique sonic spaces as much as it pays its dues to the unpredictability of the world that we inhabit.

Jacques Hadamard was a pioneer among physicists and mathematicians who, in the early 20th century, were puzzled by processes that are deterministic but hard to predict. While researching the history of Chaos theory, Puech also felt drawn to an artistic movement from the mid-19th century, the so-called Hudson River school of painting, whose rise coincided with the gradual taming of the sites of Northern American wilderness it chose as its source of inspiration and subject. Fascinated by both attempts to contemplate on and control complexity, Puech wondered what would happen if those were to meet. “Mt. Hadamard National Park” offers thus in Puech’s words “an audio-naturalist noise meandering through an invented space that is subject to the arbitrariness of natural and mystical forces.” The sounds, arranged in sweeping and tense dynamics, serve as multiple agents within a complex system. The synthetic flora and fauna feels uncannily familiar or even disturbingly hostile at times. “Mt. Hadamard National Park” is an artistic expression of natural phenomena, but also a meditation on the imprint those leave on the psyche of the people who encounter them.

The short piece “Suspension” picks up on a similar idea. “In chemistry, a suspension is a mixture of small solid particles inside a liquid,” Puech explains. This process is mirrored in aquatic yet tangible sounds as well as dynamics that slowly converge towards density before the composition ends on a quiet note. The 14-minute-long “Imperceptible Life” is based on a live performance first conceived as a full-scale test drive of some new electronic equipment Puech was designing at that time. It explores the musical potential of stridulation, the act of creating sounds by rubbing together certain body parts—in the insect world, a common means of communication. Again, Puech’s approach is neither purely naturalistic nor only mimetic. Rather, “Imperceptible Life” offers yet another artistic reflection on the theme of chaos and order, and how human perception and emotion relate to it.

As a whole, “Mt. Hadamard National Park” thus not merely mirrors natural phenomena but transforms them in ways that are emotionally evocative: the complexity and apparent arbitrariness of Puech’s compositions reveal an underlying beauty that is equal parts haunting and comforting.

MATTHIAS PUECH – Mt. Hadamard National Park (Part 1) (HG2302)

https://radiopunctum.cz/shows/tentacity
@idaelastix

Tracklist:
Smerz - Gitarriff
Fatboi Sharif x NoFace - Fentanyl Firing Squad
ACA - Camión a Phinaya - El palteado 2018 - Quelccaya 1 - Olas de Verano - Quleccaya 2 - Cumbia Samba - Niños y profesores practicando en Phinaya
Maja - Contraluz (El Plvybxy Remix)
Fatboi Sharif x NoFace - 1999 Hacker Worldwide
Sam Gendel - Nakamura kōshi
Martin. Pdf & Syntrovert - 234 g
Ariel Zetina a Cae Manae - Have You Ever
Sam Gendel - Kagome (籠目, Woven Bamboo)
GHOULA - Jougar
Zazim Soundsystem - Ayé
Gorducci GanG - Y No Hubo Rosas
GENG PTP - biscuit + i'll never fall in love again (johnnie ray)
GENG PTP - dub money (horace andy)

Tentacity 12/22 by Ida Elastix

The first 11 minutes of a truly enchanting live set from rising star Radio Hito (https://soundcloud.com/radiohito)........... Just keys a voice and some magic dust.

All you need really.

Also appearing on the night were million dollar babies Toulouse Low Trax & mega producer and curator of the evening SoFa Elsewhere...

xxx

Radio Hito LIVE @ Sameheads 12052023

CD available directly from Imprec.com

Highly recommended to fans of Alessandro Cortini, Caterina
Barbieri, Shasta Cults

"A slow building beauty of electronic soundscapes." The Vinyl District

Alina Kalancea is a sonic alchemist who can warp and weave electronic
signals into complex tapestries of synthesized analog timbre. These
transportive environments were recorded using the artist's personal
collection of historic Buchla electronic music instruments including
Allen Strange's expanded Music Easel.
Letters Never Sent, Alina Kalancea's second full length for Imprec
follows 2021's double LP titled Impedance and is being released at the
same time as a new cassette titled Alchemy.
Kalancea's music has the ability to evoke both emotion and image;
feeling and landscape; passion and place. She described recording
Letters Never Sent as being like collecting images that are born in
your mind. Shades of sound, tone, color and feeling shape the
experience of listening to Kalancea's work.
Kalancea's work is made of malleable sonic material that never looks
or sounds the same way twice. Part of the magic of the music, and her
work is similar to ELEH in this way, is that her work leaves room for
the conscious and unconscious emotions of the listener. How you react
is partially a result of how you feel at the time.
Alchemy, Alina Kalancea's subsequent cassette being released
simultaneously, is a limited edition appendix to the album Letters
Never Sent.

Alina Kalancea - Letters Never Sent - Album Mix - CD June 23, 2023

:zoviet*france: - Montag

Recorded live at Wave Gotik Treffen, Volkspalast Kantine, Leipzig, 29 May 2023

zf20230705aif

Released as a free download (AIFF 16/44.1) 5 July 2023

© 2023 copyright control

Yannick Dauby - 蛙界蒙薰 - wā jiè méng xūn - sideB excerpt

ini.itu

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