Maoupa Mazzocchetti p̸͓̥͖͇̋̍̔̐̀͛͌̐ŕ̷̤̲͎̤̲̩̻̦̑̎͐̕͜esents : 
UXY Dosing© Vol. 2 (NineTr̵̙̀ȧ̸͈̩̤̥͝c̷̫̹̻͈̼͕͇͈̀͒ks Unsel̶̛͔͚̬̞̐̒͝e̸̡̘̩͂͊̀̄̕͜cted by Judaah)
BFD̵̼́͗̽̑̀̐̕̚͝͝M̴̧͕̲̰̰̪͐͑͂̽̈́̒͜025B x ╔҉╦҉╗҉╔҉╦҉╗҉

Prȩ̷̛̛͓͙̘̬̤̻̘͍͊̑̽̀̔͊͆̕ö̸̢̗̤̙̞͔̣̟͔́̈͐̈͆̚͜͝r̴̛̮̱̹̀́͝͝der : maoupamazzocchetti.bandcamp.com/
Out : mar̸͍̬͖̦͕̗̘͎͕͈͗͛̽̽̏c̴̺͉̣̭͚̪̬̽̃͋ͅḩ̷̢̢̺͎̜̝̞͗̍̆̏͌ 28t̵̜̤͖͊̇̎̒̾̈̈́̅̊h 2022

UXY Dosing© (UD) is a maximalist g̵̡̢̨̛̞̰̼̣̃͊́̍̓̌̆̚͘enre of electronic music that refers to sound productions that make for a radical succession to the minimalist genre, regardless of style and aesthetic practice though mainly à̸͈̙̤̥̝̽̉̈́̕͝s̷̰͍̣͔̤͂͌̽̍s̵͖̙͈͋͋́̏ǫ̵̰̟̩͔̊͂̊̿̎̆̿̀̑̕ͅc̵̥̖̝̞̞̔̈į̶̛̖̰̯̬̋̆̄̀͛͗̌̈́å̷̢͚͚͐̚t̴̺͖̪͎̞̄͛͑̅͛̇e̸̛͇̥̮͕̹̬̱͚̿͆̉̑͒́̊ͅͅd̷̯͇̦̝̻̝͎̦̭̔̒̈̏̕͝ͅ ̷̺͇͘͘ẇ̷̳̝̙͇̑͠ǐ̵̛̮̘̥̰͙̼͉̱̂̀̑͊̏̚͝͝ṭ̴̡͍͙̰̪̫̊̓́͒͂̾̄̍́h̴̢̢̛̲͙͙̮̤͓͈͗̀͌̏͊̎̿͗̓͜ the field of sound arts. More precisely, it designates that which embraces heterogeneity a̷͎̲͇̰̤͇̤͚̼͍̒̌̊̈́̏͂̚͝͝ņ̵̲̳̞͓͎͎̤̱̇d̸̩̈́̓̈̈́̅̄͐ ̶̞̩̼̀̉̇̉͋̋̐͝ȃ̵͕̺̟̘͇l̶̡̧͉̺͖̱̑̏̈̾̌̀ḽ̴͎̈ö̴̓̍̐͆ͅw̶̖̞̹͗̀͌š̸̲͈͔̥̘̩͙̮͕̌͂̄̈͗͜͝ ̴̡̥͙̝̯̣̙̘͈̦̓͠f̵̟̔̔̔͂͐͘͠ơ̵̢̞̞̘̬̐̃͘ͅr̶̹̳͚̱̥̹̦͗̂͘͜͝ ̵̯̖́̓́c̶̡̳̦̗̉̈́ö̸̮͖͎̯͓͇̹͚̙́͐̉̉́̈̍́̒ḿ̶̻͚̥͐̉̀͐̋͊̕͠p̸̣͙̬̔͊̊̒͆̚͝l̶͔̹̹͐͌̍́ͅė̸̛̫̪͔̫͙̻͙̈͆̐̑̑x̸͔͙͌̐̿systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material. 
However, UD rel̵̛͎̣̾̕į̶̝͎̘́́̈ĕ̴̠̂͆̍̂̇͝s̸̡̨̱̯̭͍̺͇̒͘ ̶̦͖̬̪̆͐̾̋̅̕m̶̪̘̪̮͐̚ȏ̸͎̜́̈̾̓͛͂̏̅̕r̶̬͕̻̈́̃͆́̂̚e̸̢̛̗͓͛̏̆͑̍̄̾͝͝ ̶̛̻̻̝̤̩͕͙̖͇͑̈́̓̊͘o̸̪̓̀͛̒͗́̉n̷̛̛͉͔̮͔̬̹̤̘̣̹͐̐̍̄̚͝ ̶̬̳͐̇̓̀̔̽́̒̏́s̶̲̖̄̍ì̶̫̲̺̻̳͐͂̋͊ṇ̷̟͊̒̐́͐̋͊̓͘̚g̵̼̅̊̋͛͆̓͋ṵ̴͖̜̬̪͚̄l̵͉̦̤̩͈͈̝̼̪͎͆̄͆̒̓̊̋a̵̢̛̝̙̘̜̻͊̂̓r̴̢̰͎̰͉̣͆̂̑̂̊͜͝ ̵̡͉͌̀̀e̵̪̫̣̼̠͒̿̎͒̿́̄͠x̶̜̯̰̝̟̘̖͍̉̅́̆͑̀͋̇͘͠ͅp̸͉̝̱̩̹̳̳̙̓͛̈́͂͛͗̃̉͑͝e̸̛̺͖̳͔͓͈͖̻̗̋͛̈́͛͑̈́̋̚̕r̸̡̧̘̠͔̀͗ȉ̷̹̩͈̫̦̲̪͕̩̈̆̑̑̉͊̂͛͜͠m̶̮̥̗̗͈̘͇̈́͂͊͊͗̎̓̕è̶̢̯̙͕̿͌̈́́̍̑͠͝n̷̲̼͎̈́̚ṯ̶̢̥̙̯͆̄͋̔͑͆̆ą̶̥̫̬̜͛̉̇͊͛̊̔̑͘t̴̜̞̫͆̓́̈̾i̴̝̫͖̠̣̗̽͆o̶͇̍̇̾̓̑̆́͘ņ̵̪͆̽̒̾̀̃̐ ̵̜͕͍̰̻̭̿͘r̸̡̢̃͆̄͑̈́̋̐̏͠͝á̴͙̮̦͍̮̩̯̝͎̂͝t̵̢̧̩͙̜͕̩̬́̋̏̾̚͘͜ḩ̷̳̟͉͈̺̹̯̳̻̔͑́̅́̕ë̴̡̤͍̥̀̊͂͌͛̐͝ṟ̸̹̱͓͈͙̎͂ than the addition of musical characteristics a̸̬̺̓̏̃̒̎̇͑͗͒͝ţ̸̨͔͖̥̭̱̦̌̆́͘͜ţ̶̧̰̦͎͊̅͊a̶̢̡̢̜̮̗͒͆̕c̴̨̨̝̰̝̮͒͐̄̑̽̐̌͘͜͠͝h̴̟͓͌̋ę̸̤͙̞̲̞̼̖̈́͌͝ḍ̴͖̯̜͉̯̝̑̂͂͑́̈́̃͆̏̇ ̶̝͇̻̬̓́̈t̶̯̰̦͓̝͊̌̓̌̔̓̑̾ͅơ̸̬̝̱̼̰̖͖̲ ̸̨̱͓̤͕̻̙̪͙̽̉͛ͅś̵̨̛̰͉͓͖̲pecific genres.  Subsequently, UXY Dosing© gives birth to MDM (Maximal Dance Music) which, beyond a sole m̸̫͕̅̂͛a̴̺̜̪̓̈̋̏̔́̎̉̉͝t̸̨̡̼̹̟̗͙̘̪̑̂t̸͉͍̭͈̣̫̾̈̚͠ͅe̷̙̐̓̊̌͋̍̒͘ṙ̵̢̖̳̭̺̗̾̓̚ ̶̨̡̢̛̘̜̳͓̱̐͆͒̑͝ͅó̷̰̣͚̹̣͕̀̍̑͋͜͠f̴̢̧̰͕̆̉ͅgenre, remains linked to the high cons̷̝̝̠̰̏̀͋͑͑̅͆͐̔͝u̸̡͂̆̃́̔̀͋͐̕m̵͚͐̽͝p̷̧̰̫͖̖̲͖̹̹̮͛̓̑̄̎t̶̳̲̣͐̄͐̏̀́̄ì̷̧̛̞̺̤̘͉̲̊̚͘ǒ̷̦͂͂̌ņ̵͖̹͛̑̈́͂͊͝ ̸̧̛͕͉̗̙̥̖̹̤̼̓̚ơ̴̧̝̭̯̥̣̎̆͗̾f̵̯̝̮͖̰͈̱̻͗̀͐̓́͒̀͗̒͝ ̵̪͊ḏ̷̡̱̙̆̀͆̿e̵̯͆̔̅̏̇́̾͗͒x̵͚̯̜̜̳͙̞̟̀̚͜͠ͅt̶̩̭̰̀͂̌̀͒̅̈́̀r̸̢̟̪͉͋̈́̉ơ̵̯̭̝̊͑̓͂̑̄͊͘s̶̡͚̣̤̜̘̪̻͐̔̆̀͌̀̐ȩ̷̮̲̩̣̤̂ ̸̥̭͇͓͈̭͙̘͈͇̃̑̍̍̇͑̀ą̸̨̘̤̫̐̾̓̐̈́̆̀͝͠ṡ̷̘̞̪͇͉̣̣͗̿͂͋̅͜͜͝s̸̟̻͎̼̤͇̥̜̈́̋ͅo̴̢̡̧̠̳̻͉̱̾̆̒̾͜ç̶̗͚̠̰͕̬͚̭̙̾̋i̵̡̬͉̥̾̓̑̋̆̆͋̍͠a̶̼̯̦͇͑̔͆̄͋̈́̀̒̀͝t̵̛̬̒͆͜ͅȩ̸̯̥̦͎͚̗͐̿͒̀̔̋̽̀͑d̴̡̛̰̬̺͙̦̰̽̈́͊́̏̎͆ͅ ̸̧̤̭̌͛͗̋̌͐̀̾ͅw̶̧̧̻̼͇̤̐̾͂̽̂̍̒͊̒̚i̷͈̩͎̱̗̭̗̯̻̹͐͂́̂̑̒̈́ṭ̶͙̆͒̓̎̌̒ĥ̶̛̼̼͌̋̉̈́̄͐̓̾ ̸̧͎͙͚̠̈́͑̂̀͗̔́̐̕͜͝m̶̺̅̋̀̎̿̋͒͒̚̕i̶̩̙͋̊̾͜l̵̻̗͇̉͠k̴̡̙̻̘̳͉̐͛͋̔̂̚͝͝,̸̦̫̈̽̉̔͑ ̸̻̿̾͋̇͐w̸̛̛̙̙̒̍̿̄̏̌̓͝ḩ̴̡̮͕͚̤̳͔͙̋̈̀̈́̐̎̾͗̚̚ḯ̴̢̢̢͌̓͝ć̶̨̤̞̻̩̝̤h̷̲̦̙̿̋͝ ̴̛̼̬̺̰̲̐͊̈̊͘̚͜d̵͔͖̠̏̈́̇̅͌̑͑̚͜ͅế̸̝̯̼̖̙̒ ̴̼̜́̋̏f̸̲̬́̌ã̵̳̥͗ç̴̧͓͙̼̖͚͎̪̆̽͐͌̾t̵̛̹̪͇̠̬̤̊͒̆̄̊͑̆͠o̶̡̠͉͈̗̙͚̱̭̔̈́̑̈̄̄̊̉̈́̈͜ ̵̢̭̙̎̎́͐̐̏s̶̡̳̭̩̼̮̲͍̮̙͒̽̊h̷͔͙̯̗͙͙̞͎͔́̓̊͝ã̴̛̜̝͓͙͔͆͐͗̔͠ȓ̵̯̺̩̼͓̟͕̲͉͗̇̓͐́̾ͅȩ̸̘̳͔̊̄̓͌̑͘͜s̸͕̜̈̄̉̿͗͗ ̴̯̙̙̥̬͙̼̜̜̙͂̓͆̅̀͌̀̀ţ̶̬͇̝͈̻̩̈̐͑̉̽h̴̦̞̻̫̘̖͆̐̂́ͅȩ̵̢̺̮͚̮̳̥̿̂ ̴̭̃̓̑̋̈́̉̕͜ş̷̖̟͔͇̹̼̀̾͊̎̂̓̾̾͋ͅä̷̙͍̼̭̙́͛̔̀͋̾̄̀̅͘ḿ̶̛̫̭̘̳̘̅̌̉̑̊̉͌̂ͅͅe̷̢̥͕̭̝̣̞̹̿̅̏̀̐̅̀̅̕͠ ̵̡͕̟̳̙̦̦̰̥̽̈́̽ạ̵̡̧̞̩̠̖̄́̆̍͘c̵̯̘͖̭̹̻̫̲͍̍̃̀̿͆̓́̈́̕̕ṟ̶̲̼̬͔͒ͅơ̴̡̲̣̼̦̦̲̿ņ̴̯̬͔̱̃͝ÿ̴̮̻͙́m̴̙̘͗̎͌͛̊͝͝ ̸̡͖̔̿̋̃͗̊̇̕͠ä̵̳̦͚͇͙̹̜͔́̂̑s̶̳͚̙̟̃̄̂́̏̿̎̚ ̷̨̪̺̇͗͗͂͠M̵̜͖̳̦̯͊̓ͅD̶̡͚̥͗͝Ḿ̶̺̻̙͇̞̗̮̱̣͕̍͌ (Maximal Dextrose & Milk). 
R̵͚͍̰̪̬̝̐͆́͒̿̀̍̇͘͘͜e̸̞͖̒̾͋̎̀̽̇͝ạ̵̌́̆͠d̷̡̯̺̠͚̻̘̩͊̈́͐̓͜ : Dextrose, ê̴̡͚͇̗̩͇͍̗̹̆̑̾̃̌̔̈́̓ņ̴̦̼̦̠̬̰͋͆͒́́̿̃͗̀̐e̴͓̭̠̜͋̏́̃̕͜r̴̠̼̫̱̜̦̼̾g̵̗̜̺̰̼̙̬̪̎́̿̈́̇̌̀̊ỉ̴͎̩͂́̂͆͋̇̂͠ś̴̪͘ę̴̰̦̯̤̤̭̲̲͛͐́͆͐͊̄̈́̾̚r̷̙̍͂̽̓͌̄̈ ̴̞̹͓̖̺͚͚̬͍̝̀͗̓̉̏̒ớ̸̛̱̬̭͇̹̐́̾͊̃̇̉ͅr̸͔̣̳̺̫̱̬͂ ̶̧̝̳̞͎͛̅̇͊͒̈́̕̕͝p̶̹̳͚̗̘̯̥̬͖̀̈͝͝ǫ̷̟͔̦̻̝̠̬̃̏̈́̈́̀͊̀͆̕͜͝ison?

True St̸̡̛̛̰͎̤̯͇̩́͒̄̃͐̀̈́or̷̳͙̻͖̘̝̫̱̯͛̑͑̎y Ima̶͈͚͚̤͇̺̩̳͐gined

Blender - Zoë Mc Pherson

At the end, what will remain for them? Nothing, maybe. Violence, anger, debauchery most probably. Fear of others, an endless struggle to survive. No laws nor rules, For what purpose anyway? 
Will we at least be remembered? Worshipped or despised? And so what actually? You won't even be there to see, remember you are being chased.

'Songs for the Doom(ed) Generation' by Garguantuan Grief, to be published soon on Dawn records. More infos here:
https://dawnrecords.bandcamp.com/music

@gargantuang
@dawnrecords

℘ཞɛɱıɛཞɛ ≈ Gargantuan Grief - You Are Being Chased [Dawn Records]

Featured on the compilation From Ukraine, For Ukraine, out now on Standard Deviation.

Standard Deviation

Tarantel

[surf036]

@beatricemasters
@jonnnah

artwork + master @usofusofusofusof

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Beatrice M. ~ Brighton (Jonnnah Remix)

eea (@m-e-s-h) on remix duties as @sadan_rec edge back into familiar realms of abstraction.

Straight from an upcoming Auricular EP, the arch innovator and PAN mainstay gives his own spin on dread-fuelled dystopia. Experimental tendencies in full effect as broken techno template makes way for lurching, beatdown mutation. 

'Auris' is out February 25th on Sadan Records.

Pre-order: auricular-sadan.bandcamp.com/album/auris

Discover More

Premiere: Auricular - Auris Media (eea Remix) [Sadan]

upsammy - Being is a Stone
Label: PAN
Cat.No.: PAN 132S
Release Date: 02 March 2023
Purchase: https://pan.lnk.to/BeingisaStone

upsammy shares ‘Being is a Stone’, the first single from the upcoming full-length album ‘Germ in a Population of Buildings’ out via PAN on May 5th.

Mastered by Rashad Becker
Mixed by James Ginzburg
Artwork by Jonathan Castro Alejos and Tharim Cornelisse

upsammy - Being is a Stone (PAN 132S)

"Dribbling” is Tadleeh’s second Ep, which is now released on NKISI’s label INITIATION.
It’s a four tracks record that involves abstract concepts as well as material fields. The journey begins into a no-where-place in the Universe. Where far drum machine signals meet the sound of a classic guitar. Despite the sweetness of certain points of life, we have to move through different hurdles to generate new spirits. We have to pone our radicalisms into a new point of view. This record runs across sad synths and suffered chants touching familiar tribalism and techno dub beats, converting the initial fear into a club response.

Tracks written and composed by Hazina 
Mix by Hazina
Master by Amir Shoat
Artwork by Hazina
Additional Digital art by Hazina 
Lettering by NKISI
Releasing date: 16th March 2023 
Format: Digital

Tadleeh - Dew Point (INT002)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Dis Fig - Doll Parts [digital only]

Erwan Sene - Tilt
Label: PAN
Cat.No.: PAN 131S
Release Date: 17 March 2023
Purchase: pan.lnk.to/Tilt

Erwan Sene shares 'Tilt', the first single from the upcoming full-length album 'JUnQ' out via PAN on April 14th.

JUnQ, or the Journal of Unsolved Questions, is modeled on a parallel exercise: to sketch music and to score sculptures. Part exhibition, part book and part album release, JUnQ seeks to propose a collaborative language that binds the algorithmic needs of an artificial pop star to the performance of the artist himself. Boundaries between reality and artifice are blurred in a continuous chain of confrontation and sublimation, wherein a romance between analog evolution and digital experimentation is born.

Mixed by James Ginzburg
Mastered by Rashad Becker

Erwan Sene - Tilt (PAN 131S)

Cloak-and-dagger outfit @hedohydr8 opt for caustic texture and widescreen sound design.

The follow-up to 2022’s ‘IDENTITY SAMPLER’ EP, a second instalment in the series finds the Danish duo attempting to reconcile their various sonic interests. Expect furious squashed breaks and hyper-emotional experimentalism, complete with a remix from Miss Jay.

Evoking dystopia, our premiere emerges a poignant exercise in avant-garde hauntology.

'IDENTITY SAMPLER' II is out April 21st.

Pre-order: hedohydr8.bandcamp.com/album/identity-sampler-ii

Tadleeh - Dew Point (INT002)

INITIATION REC.

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