track 'Boogie Beams' taken from mini-album by Ilan Volkov and Ohad Fishof published in CDr red series. 

Ilan Volkov — conductor and musician. Served as principal conductor of the Scottish BBC Orchestra and the Iceland Symphony Orchestra. Founder and artistic director of the Tectonics Festival, a world-renowned platform for new and experimental music that takes place every year in Glasgow, Athens and Tel Aviv and has previously also taken place in Reykjavik, New York and Melbourne.

Ohad Fishof – An artist who works in the fields of sound, dance, performance and visual art. Began his artistic path in the 1980s with the band נושאי המגבעת and has since developed a unique body of work of time-based idiosyncratic art, in a sequence that includes stabilizers, musical works, video works, place-dependent performances and dance works.

Recorded by Daniel Meir at Levontin 7, December 2020. Mastered by Jacques Beloeil.

Ohad Fishof/Ilan Volkov (Duo):
http://www.tzlilmeudcanfestival.com/about-fishof-volkov/


available for order from stellage.store

Boogie Beams

Ilan Volkov and Ohad Fishof — Boogie Beams (Stellage, 2021)

Album instrumental mélant Rock celtique et musique néo-classique

Sur mon chemin

In 2022, T.S. Eliot’s poem "The Waste Land" celebrated its 100th anniversary. Its central themes—solitude, estrangement and a wounded world with an alarmingly uncertain future—are even more pressing today than they were 100 years ago. Boris Rogowski’s soundscapes embody the mood perfectly: The fear and darkness as much as the faint, yet stubborn hope for the light of a new day. 

Irina Borissova
2nd Violin

Anna Krimm
Viola

David Menke
Solo Piano, Musical Direction

Roland Münchow
Flute, Tenor Saxophone

Michael Preuss
Cello

Boris Rogowski
Piano, Harmonium, Electric Guitars, Mandolin, Programming, Vocals

Alexander Sachs
1st Violin

Claus Schulte
Drums 

Buy on Bandcamp

The Salon - The Sylvan Scene

feel a lot is a diary of moments, written on a journey and translated into sound. The shape lives from memories, new realities, movements, places, the present and the space which connects them all. An ode to a life in hyper sensitivity and a big ocean. The analog source for all tracks comes from an Irmler piano.

Red dust

from the album 'epithymía' available 3/24

Epithymía

anjou 'soucouyant'

Shimmering Moods @ Red Light Radio 23.4.2018

1. Stas Ostrikov - Pushkinskaya-Kathmandu (Forthcoming Shimmering Moods)
2. Ross Alexander - Boda Got No Radio (Discrepant)
3. Pontiac Streator - Endorphin (Lillerne Tapes)
4. Niskogradba - Hospital Visit, October 2013 (Forthcoming Shimmering Moods)
5. Pontiac Streator - Keeping it sexy while the kids are asleep (Lillerne Tapes)
6. Slow Riffs - Gong Bath (Mood Hut)
7. Post Global Trio - Part IV (Shimmering Moods)
8. Dave Summer - Lecture (I Low You Records)
9. De Leon - B3 (Mana Records)
10. Pender Street Steppers - Golden Garden (Mood Hut)
11. Olli Aarni - Untitled (Avant Archive)
12. The Caretaker - Stage 4 Temporary Bliss State(History Always Favours The Winners)
13. Ultrafog - Touch (Spoil) (angoisse)
14. Nils Quak - Good Bye (Ana Ott)
15. Ulla Straus - Outside (Lillerne Tapes)
16. Mt Accord - II (czaszka (rec.)
17. Line Spectrum - Dislocation (Forthcoming Shimmering Moods)
18. Depatterning - 48th Annual Ukrainian Festival Flood (Forthcoming Analogue Chat)
19. Machinefabriek - Dwaal (Nicola Ratti version) (Moving Furniture Records)
20. Consulado de Mauritania - [extracto] (Centro de Acopio Sonoro)
21. Rian Treanor - UOI-10-120 (Opal Tapes)
22. Skeamo - Lights Talker (Unreleased)
23. Neck - Puzzle Factory (JASS)
24. Isla - A1 (Self Released - Band Camp)
25. The Seaman & The Tattered Sail - In Light Of The Mercurial (Facture)
26. Names for Sounds - The Find (Self Released - Band Camp)
27. Luton - Night Avalanche (Lost Tribe Sound)

Shimmering Moods

Shimmering Moods @ Red Light Radio 23.4.2018

Release date: 21th February 2020

1. The Sunroom (30:15)
2. Look At the Cypress In the Courtyard (39:27)

Limited Edition CD / DL

Copyright © 2020 ROHS! RECORDS, All Rights Reserved

- - 

Nicholas Maloney is a sound artist, multi-instrumentalist, performer, and recording engineer from Jackson, Mississippi. He earned his bachelor's degree in Recording Industry Production from the University of Southern Mississippi in 2017.  Working primarily in the areas of drone, ambient, musique concrète, and electroacoustic improvisation, Nicholas creates recordings that he feels can provoke emotion, while at the same time offering a pallet of sound that can be used to practice the rewarding act of deep listening. He looks to challenge the listeners’ focus and perception of sound. Much of his work explores the textural nature of sound within a framework of progressing and evolving compositions. He is interested in the interaction among texture, sound, and space.​ 

https://www.nicholasmaloney.com
https://blanketswimming.bandcamp.com

Info release

previews. Blanket Swimming - The Sunroom (Album) | Lᴏɴᴛᴀɴᴏ Series

On today’s program, Brussels-based Sylvain Chauveau stops by to share his favorite records with the listeners and followers of Headphone Commute. This is an eclectic selection, ranging from acoustic songs to classical and to traditional Japanese music. It’s an hour full of surprises, like a personal mixtape, made lovingly just for you. Chauveau has recently re-issued a 2012 album on FatCat titled Simple featuring music taken from his film scores, collecting atmospheric vignettes in 18 beautiful, lyrical works. But back to the mixtape! Read more directly on http://headphonecommute.com, with Sylvain’s brief overview of his selections…

And as always, please enjoy responsibly and support the featured artists!

The Light That Is Felt

Sylvain Chauveau - The Light That Is Felt

Olta Karawane show continues with Part 2: Marc Ribot, Arto Lindsay, John Zorn, Steve Beresford and other hungry friends of John are waiting for him on the shore.

Marc Ribot, Arto Lindsay, John Zorn, Steve Beresford And Others.....[Olta Karawane]

A longingly beautiful mini-album Out of Time by London-based composer Mike Lazarev...Constructed as a soundtrack to an imaginary film, it is his first for the label and a standout work in his own high grade canon.

Opening with swells of strings and plaintive piano chords, lead single “Out of Time” sets a profoundly expressive tone. Each reverberating note is carefully, gently placed on a canvas awash with purity and stillness, finally building into a rushing river of breathtaking prettiness that culminates in a hanging, dead-stop ending. Later on the record, “Time Becomes” progresses like a Harold Budd piece or a Ryuichi Sakamoto soundtrack work, melting away the ice with dulcet chord changes as single string notes float on a rarefied air. “Outerlude” changes the mood again, its subtly Eastern European melodies and natural piano noises - the chatter of keys and shuffle of pedals - transport us to a haunted, deserted ballroom where a lone ghost pianist laments the weight of a tremendous grief.

“The protagonists of this imaginary film are constantly fighting against the fleeting moments on this plane. But it is less about death than it is about living. And most of all, it is all about time,” Lazarev writes. He is right: Out of Time is elegiac - heartbreakingly sad, even - but behind the melancholy themes lies a powerful affirmation of life, warmth, and the human spirit.

Out Of Time

from 'The Composite Moods Collection Vol.2: Point Blank Range' [2xLP|DIGITAL]
Denovali Records · den356
available on all formats at http://denovali.com/dalhous

Dalhous end the 5-year silence with the long awaited follow up to 2016's House Number 44, presenting the second volume of The Composite Moods Collection. "Point Blank Range" reinterprets the established narrative with an inverse look at the proceedings. Taking the “point of view of the disease", the perspective is now turned inside out, revealing an alternate account from the eyes of the photographed subject of House Number 44. If Vol.1 was a documented presentation of another person's condition, Vol.2 takes the listener behind the facade.

From the outset, the album offers a narratively uncooperative stance, weaving together layers of anxiety and painful specificity that often overtly manifests the psychotic protagonist's stormy interior state. A clearly subjective assault, which is made evident right from opening track 'Transceivers' through to the imploding nature of 'Intramuscular Administration’, to the vulnerable, psychedelic mania of 'Open As A Glade Unfolding'. Continuing to work within the framework of a soundtrack-like structure, Dalhous ramps things up to provide the aural equivalent of sound and picture, manifesting an almost quasi-visual experience.

The entire record can be listened to as a continuous piece, each track seamlessly linked together as though part of an interconnecting nervous system. Where House Number 44 offered airy, widescreen soundscapes of detached detail, Point Blank Range presents an altogether different form. Creating airtight vacuums of agitated twitching feeling, tracks are pulled to the forefront of the stereo field, continually mutating their densely painted neurochemical hallucinations with a breadth of sound previously unheard on previous releases.

Listeners will be able to decipher nods to long standing soundtrack influences from composers such as Fabio Frizzi, with his use of strikingly bold and haunting melodies, to Tangerine Dream’s distinctively foggy atmospheres of The Keep. There are moments that evoke the nihilistic drones of Brian Gascoigne’s soundtrack to Phase IV, and the more horrific passages of metal clanging ambience from the likes of Chu Ishikawa with his scores for Shinya Tsukamoto.

After their former record label Blackest Ever Black disbanded, Dalhous found themselves out on a limb. It took 5 years to find a new home with Denovali. Given the unusually extended period between records, Dalhous had the time to dive deeper into the material, rendering a level of experimentation previously unavailable to them. Over 4 hours of material was created, a total of 1TB of data. Countless revisions to the track listing ensued with some of the unused material being reutilised in the making of the final chapter in the trilogy to form a direct companion piece.

The Composite Moods Collection Vol.2: Point Blank Range arrives in Spring 2021 on double-vinyl and digital formats.

The Composite Moods Collection Vol.2: Point Blank Range

Dalhous - Open As A Glade Unfolding

An independent avant-ambient and experimental electronic label from London & Istanbul. Home to music from Hinako Omori, KMRU, Pétra, C. Diab, Steve Gibbs, Heinali, Matt Emery, Snowdrops, LTO, Tegh & Adel Poursamadi and Sinemis. 

We are unable to accept any demos at the moment, thank you for your understanding.

Out Of Time

Injazero Records

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