Never stopped listening to this track ever since I discovered it. What a masterpiece, keeps me going every week!!!!

Day 3 of all day repeat I can't stay away from this track

Copy of Related tracks: h&c coverr (domani)

Another FORTH exclusive with the talented Pretoria-based producer @BaitumetseManong  featuring Lia Butler on the vocals.

FORTH STUDIO XCLSV

Pray (feat. Lia Butler)

Mvula (Ubuthongo namaThongo)

I heard this Wonderful Production of work from Noxz and assigned myself to curate it to sound like this. It's been a lovely project and I hope all ears listen with optimism.

Sunshine. [Beat by Noxz]

Ndabuko is based on real events
I normally jot about love or what not but in this case I tried to let you into my life kancane & had contemplate on what I’ve been through empilweni, I share a bit about the hard times we had we the fam.
Most importantly this is dedicated to my rents & is isithembiso sokuthi ubomi buzoshintsha. & Yes these joints are all in isizulu ngisakhathele ukucula ngesngisi
I hope you enjoy, sing a long & relate if you can, thanks for your time & energy ❤️


Composer: Sihle Ndlovu 
Performer: Enocs Mae
Art Cover: @sihlethegoodguy
Mix & Master: Mav Msuks

Ndabuko

WEWAYU

SOBABILI (w/ Sakhile & Sloane Bambizinto Sphepho) prodby. MacKay

1 am w/GQAMI

Ushuni Wothando Olumnene 



Umcwengi : Enocs Mae 
Umbhali: Sihle Nsizwanthin Ndlovu
Mix & Master : Lemar Mzb 
prod : Yogic Beats

Malishona

deserve better(freestyle)

The Saccharine Radio umbrella is ever expanding and I am grateful and honoured to have been granted the opportunity to release new music from two of my favourite artists right now. The music encompasses all of the Saccharine Radio moods and could not be a better representation of the brand. This single is just the beginning. We have more music coming soon so stay tuned. 

- Ayanda Mzaca

in his most boneless approach to composition & arrangement — a barefooted take is brought to life by [kimetsu.] through a loop of string progressions, before the lacing & layered of multiple percussive elements that gain prominence as the song takes shape.

in their nature, these are minimal & one take — with Johnny Wxlf, sculpting the setting, not only with his brilliant writing & vocal delivery but by equally directing the boneless beyond its minimal nature.

- [kimetsu.]

The one thing I always appreciate and love about working with [kimetsu.] is always how organically and easily the songs come up. I remember scrolling through WhatsApp status' and he had posted a sample of this instrumental. I immediately asked him about it and he responded with the instrumental itself. The interesting part is that the initial instrumental was almost 2 mins and I already knew I had alot I wanted to do on it. So going into studio I had to extend it to accommodate the song I had to sing for it. The song itself ‘amadlozi’ is a song I've had since 2018 but never actually got the chance to record it or bring it to life anywhere and this instrumental felt like the perfect canvas for what I wanted to express with this song. Amadlozi is a call to our ancestors to reach out to our generation and guide them back to their African roots. I wrote this song during a period of deep frustration with how westernised African music and life had become.

- Johnny Wxlf

Credits

Production: Written, composed and produced by Itumeleng Leso (@congaspylations on Instagram and Twitter) and Gugulethu Mngoma (@johnnywxlfmusic on Instagram and Twitter)

Vocals: Written, arranged and performed by Gugulethu Mngoma (@johnnywxlfmusic on Instagram and Twitter)

Cover art: Designed and illustrated by Kimberly Mdluli (@kimmy.jones_ on Instagram and @isibusiso_ on Twitter)

Johnny Wxlf — amadlozi w/ [kimetsu.]

IyBozi (prodby. Mackay & Moo Latte)

Girlthewoman - You Know (THE ILLUSTRATXR Remix)

GERMISTON(DEMO) w/ Enocs Mae

khetha sibone

Ocean Deep - Refentše Solo

4EVA (ft OZXY)

the making of ilanga lase'busuku turned out to be one of my most cherished sessions i had with takatso. well before i tell the story filled with smiles and happiness, one question: the naming of a song should be the easiest part in making music right? nope... not with this one. actually... nothing is ever easy with takatso but anyway. i originally made the beat with a straight forward concept in mind, a weird concept when i now think about it but when i was making the beat, it kinda made sense. you probably wondering, what the hack?? but i specifically made the beat for a person who has to catch a taxi to work, school or home. and am not talking about any other taxi, am talking about a white isiyaya driven by umzulu phaqa with a short temper when you miscounted his money. i made it for the ones who give a 110% in everything they do. whether a 9 to 5, university or college, the chasing your dreams grind or the i have to hustle for my family person, i made it with them in mind. i titled the untitled beat "feel good today" with the intention of listeners could bump to it in the morning and whether they predicting a shity day today, i hoped they would play this jem in the morning and feel good for the rest of the day. takatso and i meet way back in high school, i actually liked his freestyles in rap battles we had but that's just a story another day, and when he pulled through to the studio, i played him the beat and he immediately started pulling up hooks and flows from different verses he wrote on his notepad and we started "knitting" different lyrics together. luna: that's was the name i came up with after recording the song. takatso thought i was making reference on what he said on the chorus said "don't worry babe the moon will take me home" nope. luna was actually the name i gave my dog which passed on around that time. she was two months old before she passed on. sad but takatso and sifiso thought i shouldn't take my sob story and make it the center story of this "beautiful" song. it was actually hard for me to change the title cause i wanted something that could remind me of her. ilanga lase'busuku: this title has so many versions of the same story so if i would tell you my version of it, some would be lies in takatso's eyes. but to some it all up, i couldn't illustrate the vibes that occurred on those sessions with the boy. can't forget sifiso with the hums. 

Produced by: scamu.
Composed by: Takatso Mothapo, Mpumelelo Hlophe
Published by: GODSPEED BOYS.
Record Label: eesaiisound.
Cover: Musa Kabini
Sloane appears courtesy of eesaiisound.
Recorded by: chef chenko.
Mixed & Mastered by: Mpumelelo Hlophe
All rights administered by eesaiisound.
22.09.20

ilanga lase'busuku

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vocals,beat tipsℹ️ instrumental infoℹ️ & working with 808mixing & mastering successs📲 #babystep's inc pty ltd.ℹ️

SOBABILI (w/ Sakhile & Sloane Bambizinto Sphepho) prodby. MacKay

INKINGA YOMHLABA

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