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Kelela - Take It All Back Enemy (DJ E edit)

𝘈𝘯 𝘰𝘱𝘦𝘯 𝘸𝘰𝘳𝘭𝘥 𝘦𝘮𝘦𝘳𝘨𝘦𝘴 𝘧𝘳𝘰𝘮 𝘪𝘵𝘴 𝘥𝘦𝘵𝘢𝘪𝘭𝘴. 𝘑𝘰𝘪𝘯 𝘶𝘴 𝘪𝘯 𝘦𝘯𝘫𝘰𝘺𝘪𝘯𝘨 𝘵𝘩𝘦 𝘭𝘪𝘵𝘵𝘭𝘦 𝘵𝘩𝘪𝘯𝘨𝘴.


@powerdynamics

Quiet

secret getii 

Gather

secret getii 🍃 exotic chase

Feiertag - Family

I pull at the drawer and it resists me for a moment, the way things do when they've settled into themselves over time. There is that particular sound—wood sliding against wood—and then suddenly it gives way, revealing its contents with a quiet rattle. Morning light streams over each object; items that have rested in darkness since the last time I visited, their colors now vivid and startling. It is as if the drawer itself has been safeguarding small treasures meant only for me.


Mastering by Inner Most

Album artwork by Salka Rosinkranz
https://www.salkarosinkranz.com/

@serpuline @preciousmoment @powerdynamics @wardizemoth @land_scap3 @rotabega @still-life-doves @montanhadeluz @user-492249249 @yyyafffeee @dj_spur @elfani8 @philgeraldi

（ミ￣ー￣ミ）
https://freesound.org/people/inner_most_garden/packs/43520/

Drawerful

secret getii 🍃 squeak (slug heaven)

we are excited to present a debut compilation album by soak music label, an international community focused on contemporary sound as a means of emotional liberation & self-inquiry

the outcome is 24 tracks by beloved artists, featuring various kinds of music, ranging from lamebient & downtempo to quirky sound-design, raw sonic intimacy & processed emo. Whatever that is, it’s something we are proud to share, aiming at fostering a sense of unity, artistic freedom & love 💗

all proceeds will be donated to Dara Charity in Kazakhstan.
credits
released January 24, 2025

@powerdynamics

Mastered by yeyo
Artwork by Arsenii Iy
Curated by a b & marat koshkin

secret getii - pretty world extinction

I.

𝘣𝘢𝘥 𝘭𝘴𝘥 𝘵𝘳𝘪𝘱𝘴 is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On 𝘶𝘭𝘵𝘳𝘢𝘧𝘦𝘴𝘵, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On 𝘶𝘭𝘵𝘳𝘢𝘧𝘦𝘴𝘵 (this album) something different occurs. The space and events are built around you as you move through the record.

.... [please see https://enmossed.bandcamp.com/album/ultrafest for full description]

- Nick Klein, February 10, 2025

all songs recorded and arranged between Miami and New York by doris dana and domingo castillo flores in 2023
audio finalized by Glyn Maier
artwork by Dominique Saiegh
short story by Natalia Zuluaga
design by Joe Bastardo
silkscreening by Mark Rice
all proceeds to Palestine Children's Relief Fund

ultrafest

bad lsd trips - aventura sonidera (ENMB-17)

bad lsd trips - ultrafest (ENMB-17)
Excerpts below from the extended album description by Nick Klein, written February 10, 2025.

I. 

𝘣𝘢𝘥 𝘭𝘴𝘥 𝘵𝘳𝘪𝘱𝘴 is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On 𝘶𝘭𝘵𝘳𝘢𝘧𝘦𝘴𝘵, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On 𝘶𝘭𝘵𝘳𝘢𝘧𝘦𝘴𝘵 (this album) something different occurs. The space and events are built around you as you move through the record.

IV.

𝘶𝘭𝘵𝘳𝘢𝘧𝘦𝘴𝘵 mirrors the balance of the temporal interiority and exteriority of the previously referenced chemical compounds when applied to the body for recreational psychedelic experiences. The jubilation of the slack jawed festival attendee, the gallop of the horse upon the earthen ground, the stagnation of humidity on the body, the sprawl of unkempt concrete through Florida cities, the aroma of bleach in a bar bathroom. On this album, the band illustrates the territories when you almost have your grounding; the moment when you are on the pivot between the real and the intoxicated, or even the really intoxicated. These spaces are the softening and hardening of light on your eyes, they are the gripping of a porcelain sink between moments staring in the bathroom mirror.

In an era where so much tremendous creative energy is put into a softer, safer space through ambient music to respond (negligently) or (worse?) take shelter from the hellish global condition of late capitalism; 𝘣𝘢𝘥 𝘭𝘴𝘥 𝘵𝘳𝘪𝘱𝘴 takes your hand into the murkier moments of reflection awarded to the listener in the genre. The resolution is not carved out for you, and what truly sits suspended in the ambiance of the now is an unfiltered view of where the world has come to through centuries of civilization. It’s a brutal landscape with an ill-determined end result. Where other practitioners of the sonic gesture of ambient are sheltering within a glistening plasticene blanket of clicks and rustlings with low pass filters of melancholic chord structures, this album burrows itself comfortably in the formless chaos of true psychedelia and reminds me 𝘵𝘩𝘢𝘵 is truly what our unfortunate ambiance is today. The album reflects joy and terror, and it longs and leans towards finding something in the midst of sonic exploration. Passivity nullified, ambient beyond indulgence and evasion.

releases February 25, 2025

all songs recorded and arranged between Miami and New York by doris dana and domingo castillo flores in 2023
audio finalized by Glyn Maier for PLEN Audio
artwork by Dominique Saiegh
short story by Natalia Zuluaga
design by Joe Bastardo
silkscreening by Mark Rice

https://soundcloud.com/enmossed
https://soundcloud.com/dorisdana
https://soundcloud.com/nick-klein


Digi still available

Premiere: bad lsd trips - steaming mescaline (extended mix) [enmossed]

New York City / Berlin — Appendix.files presents xochicuicatl, a 5-track collection of raw ambient excavations and subversive emotional fragments from secret getii. Recorded in NYC in the spring of 2023, the EP wanders through dream-smeared cityscapes and back again, channeling the hazy comedown of overstimulation into abstract, cathartic form.

Buy: https://appendixfiles.bandcamp.com/album/appx-17-xochicuicatl

Artist @powerdynamics
Label: @appendixfiles

PREMIERE: secret getii - the longest party [appendix.files]

Buy on iTunes

03 Scappa

[GNM012] 7038634357 – Love Unbound out on 21 February 2019

Music by Neo Petal @neo_petal
Mastering by Jesse Osborne-Lanthier at H Studios @jesseosbornelanthier
Cover image by Ausup https://www.furaffinity.net/user/ausup/

"A new world is not only possible, she is on her way. On a quiet day, I can hear her breathing.”  -Arundathi Roy

http://www.ive-been-waiting-all-my.life/love-unbound/

7038634357 is the musical alias of Neo Petal. Neo currently lives in New York City.
Love Unbound is their second release with Genome 6.66 Mbp, following 2018’s XPETAL.

Love Unbound

7038634357 – A Ribbon For Red Lana

GIL - Storm Salon [YGK008]

Video out via AQNB
https://www.aqnb.com/2020/02/21/gils-halo1-reinterprets-the-romance-of-an-oscar-wilde-fairy-tale-through-the-playful-melancholy-of-its-classical-composition

Youtube: https://www.youtube.com/watch?v=vwtdRpjmcXA&feature=youtu.be

1. Halo1
2. Leveret Suite
3. After Us

Format: Digital/EP
Release Date: 26 Feb, 2020
Cover: Clemens Stumpf

All music written by Gil Schneider
Performed by Gil Schneider (piano), Yukari Aotani (violin) and Marie-Claire Schlameus (cello)

Recorded and Mixed by Robin Hunt at Atlas Studio Berlin
Mastered by Simon Lancelot

GIL - Halo1 [YGK008]

Artist: OHYUNG
Album: PROTECTOR
Format: Cassette / Digital
Cat.No: CHI019
Master: Jason Goz at Transition Studios
Release Date: 08th April 2020

Oh my god! Experimental rap artist OHYUNG follows his first project Untitled (Chinese Man with Flame) with his new album PROTECTOR, an 11-song cross-genre collision course through distorted 808s, pitch-shifted rapping, frenetic pop energy and ambient loops.

Peppered with jacked-up late-night DJ laser beams and explosions, PROTECTOR shifts into new grounds with every song. The album begins with experimental noise gamelan, and moves into pitch-shifted rap to screaming distorted punk. Anime theme song and Korean pop melds with Soundcloud jungle beats; layers sampled from Italian opera and Taiwanese movies turn into hazy self-loathing incantations (“I hate myself”) and lullaby meditations on the afterlife: “Now that I close my eyes... the world I see is so beautiful.”

PROTECTOR is an often a disparaging and self-critical internal conversation. “Oh my god, you are a fraud,” repeats over a brooding trap beat, and samples anxiously repeat into infinity. But it’s also filled with self-discovery and connection with others. “Shenme Gui” is a demented Chinese New Year riot song in collaboration with Space Meow Doll (who raps in Chinese) and Qing Liberty (“Dyke boot to the neck!”) where they cathartically dance-rage at the world. "Ga ga Ee,” sung by artist and filmmaker Hye Yun Park, is a soaring K-Pop/Jungle hybrid about diasporic longing and dreaming of a home.

Touching on themes of beauty, gender, body image, and diaspora, OHYUNG has produced an album that is at once riotous, gentle, anti-nostalgic, and fully charged.

About OHYUNG
OHYUNG, born Robert Ouyang Rusli, is an experimental rap artist and film composer based in Brooklyn, New York. He has been featured in PAPER magazine, Tiny Mix Tapes, and other publications. In 2018, OHYUNG released his debut album Untitled (Chinese Man with Flame), synthesizing noise, trap, elements of traditional hip hop, as well as experimental ambient music, pop music, and tape loops. He aims to explore alternative and subversive Asian-American modalities through his art.

Produced and Mixed by OHYUNG
Featuring Charlie Sheena, Space Meow Doll, Qing LIberty, & Hye Yun Park
Additional production on ga ga ee by Elevation

ohyung.fun

PROTECTOR

now i close my eyes the world i see is so beautiful

Buy Tape/Digital

OHYUNG - now i close my eyes the world i see is so beautiful

https://andreeburelli.bandcamp.com/album/de-sidera (album out 10.16.20)

"De Sidera" shows Andrée Burelli channeling the slowly lapping tides of Sardinia's crystal clear water - its gentle rhythm evokes the wonder in rest, the simple acts of breathing deeply and closing eyes. It is one of two songs on De Sidera featuring Burelli's vocalizations, meditative singing influenced by Greek, Turkish, and Hindustani Classical Music.