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https://dezwilliams-woodwork.bandcamp.com/album/hexentrik

01 – Hexentrik
02 – Screenshot
03 – Formit
04 – Nowtt
05 – Ohaguro
06 – Entangled Data Banks

Dez Williams' second Woodwork outing further frames his imaginative productions within a wide conceptual space encompassing several styles of deep electronic underground music. Expressive noisy synth riffs and soaked stabs lace their way through a series of jams which pull equally from modern and vintage varieties of techno, acid, house and electro. The resulting sound and feeling averts description or definition, yet there remains an absolute sense of lineage and vague familiarity in the midst of this set of explorative works. 

From the quirky acid bass and melodic bleeps of the title track, 'hexentrik', through dub meditations invoked by 'screenshot', with the raw machine sound of 'formit' and enlightened pattern play central to 'nowtt', the EP winds its way toward the eastern pentatonic 'ohaguro' and the dramatic interstellar acid, electro-techno afterburner 'entangled data banks'. This collection offers up several mix-ready individual flavours that also serve an engaging chronicle heard start to finish.


Woodwork Recordings: https://www.woodworkrecordings.com
Facebook: https://www.facebook.com/woodworkrecordings
Soundcloud: https://soundcloud.com/woodworkrecordings

Dez Williams: https://dezwilliams-woodwork.bandcamp.com
Facebook: https://www.facebook.com/dezwilliamsmusic
Soundcloud: https://soundcloud.com/dez-williams
Elektronik Religion: https://dezwilliams.bandcamp.com

Dez Williams - Hexentrik (wood087 Preview)

Track: Nwh Hood
Artist(s): H4
Catalog: [H4001]
Release Date: 19.12.2025
Format: Digital
Genre: Electronic
Style: Techno
Mastering: Max Tebbert
Artwork: Luca Hessenthaler

Artist links: 
Soundcloud: https://on.soundcloud.com/dsJcvCqQHG7oWI9O9c
Bandcamp: https://h4music2.bandcamp.com/music
Instagram: https://www.instagram.com/hfourr


Pre-Order Link: https://h4music2.bandcamp.com/album/shift-soul-ep

GTG Premiere | H4 - Nwh Hood [H4001]

Heatscore - End Of The World (Extended Mix)[LAZULI BLACK]

Clash - Arthur (FDL 003)

A1 Mehanizm Snippet

ARKHE TYPOS is a 1 hr journey into the realm of synthesizer shamanism, exploring ambi-trance, textural drone, uplifting acidic, cosmic cradle lullaby`s with added tribal machine rhythms. 
Take the whole tripp over at https://snorremagnarsolberg.bandcamp.com

released on CDR accompanied by a self-published artist publication with 44 pages of drawings & abstract prints, printed & hand assembled by Solberg during a risograph residency at Pamflett, Bergen march & april 2020. 200 numbered unique copies.

ARKHE TYPOS (PT.2, Excerpt from full album)

ANNA Z is not only a talented graphic designer and architect but also a cofounder of berlin based WERK Music and one of the Spandau20 artists. She is well known for her outstanding dj live sets, video projects and modular synth live performances. With a unique mixture of electro, breaktbeat, grime and IDM she creates a unique listening experience for the 18th episode of our podcast. 

Follow ANNA Z:
@annazwerk
@werkmusicberlin
@spandau20

Follow us:
@allerendeanfang
facebook.com/allerendeanfang
instagram.com/allerendeanfang

AEA Podcast 018 ⋮ ANNA Z

☻ 𝙄𝙉𝙏𝙀𝙍𝙑𝙄𝙀𝙒 𝘽𝙀𝙇𝙊𝙒 / 𝙀𝙉𝙏𝙍𝙀𝙑𝙐𝙀 𝘾𝙄-𝘿𝙀𝙎𝙎𝙊𝙐𝙎 ☻

Inner Circle are proud to present our new project CIRCLECAST. 

CIRCLECAST is a series of recordings from friends, artists, DJs, and performers from our surrounding community, intended to inspire connection and memories for the raves that we were able to host and attend regularly before this year. Our plan is to have a mix series, guest interviews, livestreams, and more.  

For our first instalment to welcome in the 2021 new year, we bring you this slammin' techno journey from Montreal DJ-producer s.talbot (@d_nrgy).

Like our live events, which seek to represent the diversity happening in today's underground dance music, our mix series is separated by the names of the events we would host pre-covid, with different genres and styles represented in each one. This mix falls under RIFT, our more techno / industrial-focused offering. 

We'll be posting mixes once to twice a month, usually with a mini interview (French, English, Bilingual) exploring the creative mind of the featured artist. Big thank you to s.talbot for letting us into his world -- have a look below!

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𝗪𝗵𝗮𝘁 𝗮𝗿𝘁 𝗳𝗼𝗿𝗺(𝘀) 𝗱𝗼 𝘆𝗼𝘂 𝗲𝗻𝗷𝗼𝘆 𝗮𝘀𝗶𝗱𝗲 𝗳𝗿𝗼𝗺 𝗺𝘂𝘀𝗶𝗰?

Birdsong! 

𝗛𝗼𝗿𝗺𝗶𝘀 𝗹𝗮 𝗺𝘂𝘀𝗶𝗾𝘂𝗲 𝗽𝗼𝘂𝗿 𝗱𝗮𝗻𝘀𝗲𝗿, 𝘃𝗲𝗿𝘀 𝗾𝘂𝗲𝗹𝘀 𝗮𝗹𝗯𝘂𝗺𝘀, 𝗮𝗿𝘁𝗶𝘀𝘁𝗲𝘀 𝗼𝘂 𝘀𝘁𝘆𝗹𝗲𝘀 𝗴𝗿𝗮𝘃𝗶𝘁𝗲𝘀-𝘁𝘂 ?

J’ai eu la chance de découvrir la techno et l’ambient au cours de raves – ce qui m’a vraiment inculqué que les deux styles, ambient et techno, existent sur 2 faces distinctes d’une même dimension. L’intensité de leurs énergies sont extrêmement rapprochées, et partagent des destinations semblables, pour moi. 

Dans ce sens, je suis extrêmement attiré par la discographie de zoviet-france, groupe proto- ambient des années 80/90. Une musique faite maison, non-linéaire, qui représente l’expérience d’un moment - difficilement descriptible. 

(Shouting at the Ground; Mohnomishe; Vienna 1990) 

𝗜𝘀 𝘁𝗵𝗲𝗿𝗲 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝗶𝗻 𝗽𝗮𝗿𝘁𝗶𝗰𝘂𝗹𝗮𝗿 𝘁𝗵𝗮𝘁 𝘆𝗼𝘂 𝘁𝗿𝘆 𝘁𝗼 𝗰𝗼𝗺𝗺𝘂𝗻𝗶𝗰𝗮𝘁𝗲 𝘁𝗼 𝘆𝗼𝘂𝗿 𝗮𝘂𝗱𝗶𝗲𝗻𝗰𝗲 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝘆𝗼𝘂𝗿 𝗺𝘂𝘀𝗶𝗰 𝗮𝗻𝗱/𝗼𝗿 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲𝘀?

Most of the dance tracks I play, I have listened to over and over again alone - which often has the effect of transporting my mind to a strobe flashing, time deprived space of uninterrupted dance. And when I get that feeling, it’s usually a good sign that it’s the kind of track I’ll want to share. This feeling usually revolves around perceptions of freedom and connection with the people around me.

𝗗é𝗰𝗿𝗶𝘀-𝗻𝗼𝘂𝘀 𝗹𝗲 𝗗𝗝 𝗯𝗼𝗼𝘁𝗵 𝗼𝘂 𝗹𝗲 𝘀𝗰é𝗻𝗮𝗿𝗶𝗼 𝗱'𝘂𝗻𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗶𝗱é𝗮𝗹𝗲 𝘀𝗲𝗹𝗼𝗻 𝘁𝗼𝗶.

Je pense que la disposition idéale se situe dans le retrait de la présence visuelle de la personne performante (sauf si cette présence est artistiquement requise). Un arrangement qui permet une meilleure concentration (ou une absence de déconcentration) relative à la source physique du son. Ça, je pense, c’est une manière de tirer le maximum de l’expérience. Je le perçois d’une manière similaire à éteindre un écran pour écouter une production. En enlevant le support visuel, on active des capacités auditives sur lesquelles on ne peut pas se concentrer lorsque nos yeux sont occupés à surveiller la source superficielle du son. Sans cette déconcentration, l’esprit est plus libre pour comprendre, cerner, aller plus loin dans ce qui est audible. On se perd moins dans des détails qui ne comptent pas, ultimement. 

𝗪𝗵𝗮𝘁 𝘁𝗿𝗮𝗰𝗸 𝗮𝗿𝗲 𝘆𝗼𝘂 𝗺𝗼𝘀𝘁 𝗲𝘅𝗰𝗶𝘁𝗲𝗱 𝘁𝗼 𝗽𝗹𝗮𝘆 𝗶𝗻 𝘆𝗼𝘂𝗿 𝗳𝗶𝗿𝘀𝘁 𝗽𝗼𝘀𝘁-𝗰𝗼𝗿𝗼𝗻𝗮 𝗹𝗶𝘃𝗲 𝗴𝗶𝗴?

Holy Ghost – Hand of God (Live in Amsterdam).
https://www.youtube.com/watch?v=yTEGDlJEm_k

CIRCLECAST 001 ≁ s.talbot

This week, a momentous deep techno traversal from engimatic Ottawa DJ/producer/live performer @ruthgrader. He's also the funder of @mixedsignals-cc, a great platform covering key happenings in the underground electronic music community. 

This set debuts our 'side effects' sub-series, for more cerebral, deep, and downtempo-oriented sounds.

********************************

𝐖𝐡𝐚𝐭 𝐚𝐫𝐭 𝐟𝐨𝐫𝐦(𝐬) 𝐝𝐨 𝐲𝐨𝐮 𝐞𝐧𝐣𝐨𝐲 𝐚𝐬𝐢𝐝𝐞 𝐟𝐫𝐨𝐦 𝐦𝐮𝐬𝐢𝐜?

I'm really into photography, either analog and digital and really enjoy exploring empty spaces, outdoors and architecture and document my own moments from weird angles, shapes and textures. I have a professional background in Web Development and Design, so I always found myself seeking for ideas for projects and photography was always one of those ways to find creative forms of expression within myself, and also to get me outside. 

I also have a professional background in Artisan Baking and cooking, with that passion I always found that I was able to express a creative side of myself through food and the art of making it. I find it super important to always find any sort of creative output that will contribute to put our minds in trance and get something out of the box from it. 

What’s your favorite album, artist, or music to listen to that isn’t dance music?

When I was an early teenager, in the late 90s, I got heavily involved in the Punk and Hardcore community in South America (where I'm from) and played in many bands, touring toured all over until I moved to Canada in 2009. I'm still a punk and but that was my world basically, so there are some bands and albums that I still carry with me and listen every day, some older than others. Here's one from Spain:

Ictus - Impervm 12"
https://open.spotify.com/album/3UsbhfBCykXDVDIfUBcFya?si=eYVmY2TMTZC-DkO8cyeLnA

I also got really involved in Hip-hop in the late 90s, specifically in more creative and political related content based artists from South America. There are many but one in specific that really shaped me, I think that you should listen to her:

Anita Tjoux - 1977
https://open.spotify.com/album/3ZhTbUZNobDXuzcYWGzxA3?si=mlKNN5ywQ8iUGbczdpS3yQ

And something I'm listening while writing this, good for zipping coffee on a cold -20 Saturday morning:

Karate - Unsolved LP
https://www.youtube.com/watch?v=IowOtKr4g-s

𝐈𝐬 𝐭𝐡𝐞𝐫𝐞 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠 𝐢𝐧 𝐩𝐚𝐫𝐭𝐢𝐜𝐮𝐥𝐚𝐫 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮 𝐭𝐫𝐲 𝐭𝐨 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐜𝐚𝐭𝐞 𝐭𝐨 𝐲𝐨𝐮𝐫 𝐚𝐮𝐝𝐢𝐞𝐧𝐜𝐞 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐲𝐨𝐮𝐫 𝐦𝐮𝐬𝐢𝐜 𝐚𝐧𝐝/𝐨𝐫 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞𝐬?

Inhale, exhale, close your eyes and enjoy your journey because it will never happen again the same way.

𝐃𝐞𝐬𝐜𝐫𝐢𝐛𝐞 𝐲𝐨𝐮𝐫 𝐩𝐞𝐫𝐟𝐞𝐜𝐭 𝐃𝐉 𝐛𝐨𝐨𝐭𝐡 (𝐨𝐫 𝐨𝐭𝐡𝐞𝐫 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐬𝐞𝐭 𝐮𝐩), 𝐢𝐧 𝐭𝐞𝐫𝐦𝐬 𝐨𝐟 𝐛𝐨𝐭𝐡 𝐭𝐡𝐞 𝐠𝐞𝐚𝐫 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭.

When I started, I was doing live sets using hardware only, either playing shows at bars, DIY spaces or clubs. The settings for those live sets were always different and unexpected because when you do live sets like that, you usually don't have much control of where are you going to set your gear and where exactly are you going to play, sometimes behind the DJ booth, sometimes besides, in the front or even on top of the CDjs. It was until recently that I started DJing and found myself in the DJ booth. Both experiences are different and equality interesting and each night is different from the next one. 

I personally enjoy playing small dark spaces with a couple of probe lights and sweaty walls, at floor level. Not into the big DJ booth on top of the dancers because I should not be the focus, they are. 

𝐖𝐡𝐚𝐭 𝐭𝐫𝐚𝐜𝐤 𝐚𝐫𝐞 𝐲𝐨𝐮 𝐦𝐨𝐬𝐭 𝐞𝐱𝐜𝐢𝐭𝐞𝐝 𝐭𝐨 𝐩𝐥𝐚𝐲 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐟𝐢𝐫𝐬𝐭 𝐩𝐨𝐬𝐭-𝐜𝐨𝐫𝐨𝐧𝐚 𝐥𝐢𝐯𝐞 𝐠𝐢𝐠?

Anders Hellberg - Episodes Of The Observed Mind (Knay Remix) (NFEREE)
Jana Sleep - Eco (Hypnus)

Both tracks included in this mix. Support both labels.

CIRCLECAST 004 ≁ Ruth Grader

Podcast no. 142 for @oramicspl platform by @deirdre-direktor
www.oramics.pl

Born in the USA but based in South Holland, Deirdre Direktor has merged the sounds of her diverse influences in her mixes, from the Florida electro-bass of her youth to Detroit techno/electro, NY leftfield cheekiness, UK Bass and West Coast Holland electro/techno.  But, the motive is always a musical journey.  And, her cross-genre sets and moody soundscapes have put her on line-ups alongside Solid Blake, Sync24, The Horrorist, Egyptian Lover, JASSS, etc. Tune in!

ORAMICS 142: Deirdre Direktor

Inner Circle is a Montreal-based underground dance music collective founded in 2017.

Our values: Community-focus - Movement & Liberation - Artistic diversity - Old school love 

We are:
Diego @diego_111
Max Mira @maxmira / @ossifer
J.P. Métis @jpmetis
Pabloc @pablo-cabezas
Leëf @leefmusique


[Past Events 2020]

Feb 21 - Somatic Spirit w/ Aso Ani & Marc Myst

Jan 10 - Inner Circle x Homegrown Harvest present Martyn & more

[ Past Events 2018/2019 ] 

November 1 - Mainframe - Ciel, Jump Source, anabasine, Lis Dalton, G L O W Z I

Sept 27 - Exposé Noir w/ Paula Temple

Sept 20 - Inner Circle presents: LSDXOXO

September 1 - Exposé Noir w/ Rebekah

Jun 29 - Inner Circle x Mirage present: Florian Kupfer

May 24 - Exposé Noir w/ Function, DJ Nobu, and Dr. Rubinstein

Apr 27 - Rift-02 w. Jack George b2b Luminescu, D. Blavatsky, and Alex Borzych

Apr 12 - Vol. X 000001: Aurora Halal

Mar 23 - Inner Circle presents Jesse Futerman & Lis Dalton

Feb 16 - Reflection w/ Stephanie Sykes Pre-Party

Feb 14 - Graphite Publications: The Lonely Hearts Club

Feb 9 - Aucun Signal w/ Claire 

Dec 1 - Fracture w/ MMSI (Mateo Murphy/Stereo_IMG), Anabasine, Mikael, Mishel Cazes

Nov 17 - Expose Noir 24 hours w/ Slam, Anetha

Oct 13 - Spirale w/ Debbie Doe (Live)