Reaching For You

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Kris Code- Finding yourself/ winter Odessa 2024

@mimbrasas - Somewhere in the East

Having recently recorded Fellow of Neringa podcast for us, Matas just created and released a fantastic, ground-breaking track - Somewhere in the East! We really liked his new track - it will definitely be ON our weekend party playlist, but now this piece of electronics is for your review!

PREMIERE: ImbrasasM - Somewhere in the East

Dani Diaz - Eucaristía Moderna

Kim&Buran-The Girl and the Dolphin music theme cover(composer E.Artemyev)

This time the Fellow of Neringa - one of the first blind DJs in Lithuania - AurRam! Aurimas Ramonas short story about his journey as a music lover:
"I came up with the idea of learning how to mix spontaneously, six years ago. I wrote this wish of mine in a Facebook music group and singer Paulina Simutytė from the group Lazy diamonds underground tagged DJ Ridas Fominas in my post, who professionally teaches the subtleties of DJing. I wrote to him, mentioned that I can't see, asked, would it be possible for a blind person to learn how to mix. I got the answer that he was already teaching a couple of blind people at that time, so soon I started too. Pretty quickly I learned to match the tempos of the tracks, I started recording house, progressive, indie dance mixes, I started offering them to radio stations' dance music shows , that's almost everywhere, where possible, my mixes have been played at least once in Lithuania, so it's nice to debut on Neringa FM too!:)
Later I started playing on terraces, in clubs, at the Šiauliai Nights Festival last year I had to play for an audience of thousands:) I also had to participate in three DJ contests, so I managed to be in all three positions. In other words, when I discovered DJing, it became the driving force of my life, because before DJing I had to test myself widely in music: I played flute, clarinet, later singing in a choir, ensemble, folklore, tried a little classical vocals, dancing. But I was particularly attracted to DJing, so I've been doing it for five and a half years now:) I spend a lot of time searching for my favorite tracks and when the time comes, I just listen to how the tracks sound, what fits better harmoniously, etc. And I mix, of course, by ear, without any auxiliary buttons:)"
Strain your ears, dear listeners, and immerse yourself in the music waves of Neringa FM, together with Aurram music!

Be sure to listen to our radio, that broadcasts wonderful electronic music, too :) Here are the links how to do it:
Neringa FM iOS APP: apple.co/3QxVPw1
Neringa FM Android: bit.ly/NeringaFM-AndroidAPP
Neringa FM on PC: bit.ly/NeringaFMweb

Fellow of Neringa - Aurram

Empire

Endless Revisions LP [LN010] will be out October, 27th 2017 (12inch double gatefold & Digital). Order now - https://lumierenoire.lnk.to/EndlessRevisions

Photo By Noémie Goudal - http://noemiegoudal.com/
Artwork by Hello Dune Lunel - http://www.dunelunel.com/

After twenty years at the center of the electronic scene, the enigma that is Chloé still stands. While Chloé has long transcended her image as the “DJette” behind legendary club night Pulp, headlining the Rex as well as clubs and festivals throughout Europe, Endless Revisions represents yet another deviation from rigid genre classification, deepening the often-linear perspectives on current music. A rich and multi-faceted work, the artist’s captivating third album drifts from one mystery to the other, harkening back to philosopher Theodor W. Adorno’s maxim: “the task of art today is to bring chaos into order.”
Seven long years in the making, the follow-up to One in Other is only the third full-length by the artist, whose high standards translate into scarcity: “I did wait a while to make this album,” she confirms, “because I prefer not to impose deadlines on the full-lengths. To do so would stifle my creativity. Over the past few years, people have come up to me with interesting collaborations. I composed the score for Lidia Terki’s feature Paris La Blanche, worked with the Ircam for a live interactive installation, reinterpreted Steve Reich with percussionist Vassilena Serafimova... These opportunities forced me to leave my studio and encounter other people’s universes, which allowed me to grow. So today, I feel like I have new things to express.”
The time felt right for the producer to come up with a new opus: “the label was born out of a desire for emancipation, for self-assertion. Lumière Noire was the push to finish this new full length.” This third LP serves up Chloé’s music in its finest form – music that eschews the well-trodden paths of delight and seduction in favour of an experimental sensibility that puts motion before emotion. The title, Endless Revisions, refers to the constant work that goes into the gestation of the artist’s inner landscapes before they can be displayed for the audience. This sensory experience also serves as a mirror that she hangs for herself, each resulting track providing another step toward emotional equilibrium.
The idea with this new label, this new album, is to look towards the future.  This album represents who I am now, as I’m opening up to new horizons.”

Follow Chloé on socials - http://www.listentochloe.com/
FB - https://www.facebook.com/listentochloe
TWITTER - https://twitter.com/ChloeDjProducer
INSTAGRAM - https://www.instagram.com/listentochloe/

Follow Lumiere Noire on Socials :
FB - https://www.facebook.com/lumierenoirerecords/
BD - https://lumierenoirerecords.bandcamp.com/
RA - https://www.residentadvisor.net/record-label.aspx?id=14831
INSTAGRAM - https://www.instagram.com/lumierenoirerecords/

endless revisions LP

Chloé - The Dawn (Original Mix)

ROCCO 013 - ALIEN ALIEN - BELLA L'ESTATE(NADUVE REMIX)

www.facebook.com/kasperbjorke
https://www.facebook.com/TobyErnest/
https://www.facebook.com/christian.dor.3
https://www.facebook.com/tomashoeffding
https://www.facebook.com/justin.strauss.39
www.hfn-music.com
www.facebook.com/hfnmusic
youtube.com/user/hfnmusicTV

After a 3 year absence, Kasper Bjørke returns to hfn music with his sublime new project Nothing Gold Can Stay. Having followed a deeply personal musical path that led to the development of the “Kasper Bjørke Quartet: The Fifty Eleven Project” on Kompakt Records, (named 5th Best Contemporary Album 2018 in The Guardian), Kasper returns to the outsider pop music that made his name. 
Part A of Nothing Gold Can Stay contains four collaborations with four friends. The first one, Toby Ernest, resulted in “Water”, a beautiful opener to the EP that revives the partnership that was last seen in 2014’s After Forever album. Toby also provides the vocals on the inspired cover version of the Alessi Brothers’ Seabird - a track that came about through Kasper’s friendship and musical synergy with DJ and vinyl digger Christian d’Or. The version is respectful to the original but adds a distinct freshness that will see it win over an entirely new set of admirers. 
Next up, Du Du Du features bassist Tomas Høffding (of WhoMadeWho and Bon Homme), who also delivers the exotic Danish vocals on this future disco anthem. His strong vocals bring out references to classic Danish disco pop time-warped from a different era, playfully enhanced by the synth wizardry of Kasper. 
The fourth part of the EP features New York legend Justin Strauss reciting Robert Frost’s 1923 poem (the inspiration for the project) over a short instrumental piece - a beautiful and thoughtful way to round off the release.

Nothing Gold Can Stay (Part A)

Du Du Du (feat. Bon Homme)

Kasper Bjørke - Du Du Du (feat. Bon Homme) [CLIP]

Ένας από τους πιο ρηξικέλευθους Ελληνικούς δίσκους της δεκαετίας του 90, το “Fairy Tales From A Big City” των The Groove Machine, κυκλοφορεί για πρώτη φορά σε βινύλιο από την Inner Ear (είχε κυκλοφορήσει αρχικά το 1997 σε cd από την Fifth Dimension), με καινούργιο artwork και νέο mastering.

Οι The Groove Machine διάνυσαν την μετεωρική τους πορεία για μια δεκαετία, αυτήν του '90. Η μουσική τους ήταν ένα μείγμα από ετερόκλητους ήχους, που συνδύαζε το post punk, το indie και τους ηλεκτρονικούς ρυθμούς του rave, αναπόσπαστου στοιχείου της αντικουλτούρας που το γκρουπ ένιωθε ότι ήταν μέρος αλλά και δημιουργικός της πομπός. Οι ζωντανές τους εμφανίσεις αποτελούσαν εκρηκτικά συμβάντα δημιουργικής έκφρασης και ενέργειας, με τους ψυχεδελικούς φωτισμούς, τις προβολές και τις αυτοσχεδιαστικές εκρήξεις να διακόπτονται από ποιητικά μανιφέστα και ριζοσπαστικές πολιτικές διακηρύξεις για την αυτό οργάνωση, την επίθεση ενάντια στους νέους Ολοκληρωτισμούς και τα οράματα ενός κόσμου πέρα από τον έλεγχο και την κυριαρχία. Η παρουσία τους ήταν διαρκής σε κατειλημμένους χώρους και Ελευθεριακά φεστιβάλ σε ολόκληρη την Ελλάδα.

Το “Fairy Tales From A Big City” ήταν η δεύτερη ολοκληρωμένη μουσική δημιουργία του συγκροτήματος. Ένας δίσκος που το cyberpunk συναντούσε την Ελευθεριακή αγκιτάτσια, τον σκοτεινό Ρομαντισμό, την ηλεκτρονική ψυχεδέλεια και την παράνοια, σηματοδοτώντας ένα concept συνολικής τέχνης. Ένα πρωτοποριακό άλμπουμ για την εποχή που πρωτοεκδόθηκε, έμελλε να είναι η τελευταία κοινή ηχογράφηση του γκρουπ ως σήμερα, μια και η χαοτική, συνεχώς- στα- όρια, πορεία των μελών της κολεκτίβας αλλά και το τέλος της τόσο ιδιαίτερης και ανήσυχης καλλιτεχνικά και σε επίπεδο κουλτούρας περιόδου 1989-2001, θα οδηγούσαν στην αδρανοποίηση του συγκροτήματος.
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One of the most groundbreaking Greek records of the 1990s, “Fairy Tales From A Big City” by The Groove Machine (originally released in 1997 on cd by Fifth Dimension) is released on vinyl for the first time via Inner Ear, remastered and with new artwork.

The Groove Machine went through its meteoric course during the '90s. Their music was a mixture of varied sounds, combining post punk, indie and rave electronic rhythms, an integral part of the counterculture that the group felt was part of, but also its creative transmitter. Their live performances were explosive events of creative expression and energy, with psychedelic lighting, projections and improvised explosions interrupted by poetic manifestos and radical political declarations about the self-organization, the attack on the new Totalitarianism and the visions of a world beyond control and domination. Their presence was constant in occupied spaces and Libertarian Festivals throughout Greece.

An innovate album for its time, it was meant to be the last recording of the band to date, as the chaotic – constantly extreme – paths followed by the members of the collective, combined with the end of a special era (1989-2001) of artistic effervescence, would lead to the disbandment of The Groove Machine.

Fairy Tales From A Big City

The Groove Machine - Room 204

Inner Ear is an independent record label, that was established in 2007. It is located in Patras, Greece. 
Throughout these years, Inner Ear has released a wide array of albums by local independent forward-thinking bands and artists. 
For more information about the artists and releases, please visit our website.

The Groove Machine - Room 204

Inner Ear Records

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