C1_UZI - REVENGE
C2_MELLY - IT'S A PHASER
D1_SPK - MALDISCHIENA
D2_SIMOK - OVUNQUE E COMUNQUE PUNTO

MASTERING BY 1NC1N

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MEMATRIK 03 DOUBLE EP //ECLIPSE // [PROMOMIX SIDE C - D]

CHAOTEKK SOUND CREW 
KLUBY NECHTE DĚTEM, TEKNO HEJBE SVĚTEM

@neroeffecta´s wifey 🖤💍


From the heart of the underground – I bring fast & heavy sound to move your body and mess with your mind. Proudly part of Nero Effecta. 💯⤵️


  ✖️FOLLOW NERO EFFECTA  ON SOUNDCLOUD for heavy tracks 🎵🎶

The point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against. 

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 -I focus on-
oldschool Tekno, Hardtek, Tribe, sometimes drum&bass, little bit acid 303, melancholic / melodic Techno eaven UndergroundTechno. all that with industrial touch

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I started enjoy freepartys 2005. 
Since then I hardly want anything else. its the Tekno family.
The first Tekno artists/systems/labels my brain picked up: 
wako, sp23, ifp, lego, nw23, circus alien, teknambul, 69db, wakuum, mem pamal, heretik, dsp, crystal distortion, metek, teamtrash, matu, fky, msd, okupe, 9mm, banditos, micropoint, turbotek, ben tetrips, x-tech, adam vandal, suburbass, utopeak, desert storm, co2, capsule corp, asystematik, lsdf, infrabass, arobass, foxtanz, aristocrad, hocus-pocus, zone33, alchymist, triphaze, uniko, Acid Anonymous,  jeff23, vinka, hujer maslo, R4G3, labo14....
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.....https://www.youtube.com/watch?v=HWSEIwoSeLI.....
.........short lucky successful scratch demo..........
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..............\.............\... SysteM
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genre: 	Tekno, Free Tekno, Teknival
scene: 	Techno  (born in Detroit)
Tekno - 	early 90s

Hardtechno is the official music genre of rave culture. about raves - real raves 

The raves in the UK in the early 90s were free, renegade, seasonal, and run by ontological anarchists armed with the philosophical weapons of Hakim Bey and Robert Anton Wilson. In the winter months they broke into empty warehouses and occupied them for the night (rave culture loves recessions -- it means more unused urban spaces). In the summer they organized roaming flash mobs to crash police barricades and set up in farmer's fields. They rarely asked permission. What they were doing was illegal so they had to keep moving, and what developed from this radical hedonism was the concept of the mobile soundsystem.

Often situated on the back of flatbed trucks (what the Brits would call lorries) and caravans, the mobile soundsystem became the key to the rave experience. If the rave got busted or shut down by the cops or an angry farmer with a gun, the soundsystem packed up, moved over to the next field, and unloaded the party again. Repeat all night (or week) as necessary or until the drugs wear off. ^^  There were no cell phones or Internet back then so people were kept in the know via pirate radio stations and secret info-lines (ie: recorded messages on telephone answering machines).

These soundsystems had names like the rave promoters of yore -- Spiral Tribe, Bedlam, DiY, Circus Warp, Adrenaline, Rough Crew -- and it was these soundsystems that became famous in their own right. The people would locate where their favorite soundsystem was playing on a given weekend and then track it down like rock groupies. It's probably a weird concept to fanboys of certain DJs or producers (or even labels or promoters, you corporate whore), but the point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against.

The organizers and owners of the soundsystems aimed to reclaim public space and occupy them as Pirate Utopias. Being more political-minded and radicalized, they looked nothing like their friendly Acid House forebears: Skinheads wearing jackboots, camo pants and combat fatigues. They had to look scary -- they were the promoters, owners, drug dealers, DJs, and security of their own parties. Just because these are free parties doesn't mean you are free to do anything.

And the music? The music was mostly produced live on the fly, like jam bands at Grateful Dead festivals. It was cheap, simple, disposable, looping thumping Techno music that went on for hours with no break; (today its different cause many analogue homestudios existing) blistering fast with an abrasive industrial edge, squealing 303s, a sample or two, and terrible sound mixing/mastering. This lo-fi grungy filthy Techno was the punk rock of electronic music. It was never called Hard Techno until years later, before Hardcore got its act together.

The free rave scene finally reached critical mass at the infamous Castlemorton festival from May 22-29, 1992. A rave that lasted seven days with an estimated 100,000 people in attendance. All aforementioned soundsystems were there. It was the rave to end all raves, a worse-organized, more anarchic catastrophic Woodstock. And like Woodstock many old Brit DJs and producers today will tell you that they were there when they probably weren't (and if they were, they're not supposed to remember anything anyway). Even still, everyone who went insists that it was wicked.


Castlemorton (allegedly)
The Authorities had had enough. Thirteen members of Spiral Tribe were arrested and after a long show trial the UK government passed the Criminal Justice Act of 1994, outlawing all raves (or what it called "any party that plays music with repetitive beats") and beefing up law enforcement to take the problem seriously.

Essentially the bill singled out and outlawed certain lifestyles -- specifically the "techno traveler" kind. The leftover members of Spiral Tribe and other soundsystems fled the country in voluntary exile, and they are still around today as the Free Tekno scene, a traveling circus that backpacks around Europe throwing free parties or Teknivals.


What a Teknival might look like. That smoke in the distance might possibly be tear gas. Teknivals get raided a lot. You're not a real participant in this scene until your party gets busted by the Police and you have to outrun the dogs.
Back in the UK the rave scene decided if it wanted to survive it had to go legit and comply with the laws. 1994 is a pivotal year: Everything after this year is safe, boring, and club-friendly, making shitty Eurotrance music for grandmothers and 8-year-olds, the edges completely smoothed out of what was not just a vibrant and revolutionary form of music but a lifestyle and culture.

Finding music of the very early free party scene is actually quite tricky because not a lot of it was recorded or pressed to wax (or, that is, not a lot compared to how much was made live in dozens of raves every weekend for years). And what music I do have was released well after the rave scene was crushed. And it's kind of hard to catalogue music that has no name, no label, no artist, no identification. It is Temporary Autonomous Zone music -- it exists only where it is needed, which is at a free rave. Not a music guide.
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TEK TODAY MAYDAY
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know how it works
but don't understand it
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origin unknown
not recognized
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stand for something
don't know for whom
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the genuine underground
never recorded as a copy
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° Rave music producer and dj since 2013;
° Founder Electrotype Crew;
° Software production: FL Studio 2024;
° Based in Cantù, Italy;
I want to express the chaos inside me with this music.
Enjoy the Underground Music !
I wish you a good listening!

Vanacrisis Spotify: https://open.spotify.com/intl-it/artist/0bkoQ77JsEbtgfMry5shJS?si=1Re9te3NTweTOxb2g6EkjA
Vanacrisis Instagram: https://www.instagram.com/vanacrisis_music/
Vanacrisis Facebook:
https://www.facebook.com/cristian.vana.7
Electrotype Crew Instagram:
https://instagram.com/electrotypecrew
Electrotype Crew Facebook:
https://www.facebook.com/profile
Electrotype Events :
https://www.facebook.com/Electrotypecrew

Depuis 1994 cote d azur/ italie/2010 grand est /   M.N.M.T  /DOCK23* 6tm a nos jour ici tu trouveras ton bonheur love tek d ou je viens je ne sais pas  peut etre tombé dans la bassine quand j" etait petit,

DEEJAY PRODUCER.
IN THE EARLY 90'S HE LEARNS THE ART MIXING VINYL OF VARIOUS GENRES SUCH AS:
JUNGLE, DRUM'N BASS, ELECTRO, TECHNO...
IN 1997 HE DISCOVERED TEKNO MUSIC.
GETS PASSIONATE IMMEDIATELY AND BEGINS TO PRODUCE IT WITH DRUM MACHINES AND SYNTHESIZERS.
HE THEN REALIZE HIS PRODUCTS/LIVE SET ON DAW STATION.
OVER THE YEARS HE HAS COLLABORATED WITH GREAT ARTISTS KNOW AS:
TEKNAMBUL, XTECH, R. STORM, LITTLEGUY, LING LING, SLOOGY, MAYDAY SOUNDSYSTEM AND MORE.
MANY HIS PRODUCTS ARE PRESSED ON VINYL FROM VARIOUS LABELS SUCH AS:
OKUPE, NAZDAR BAZAR, PSYCHOQUAKE, NOTSELL, KOSTIK, PEUR BLEUE ECC
IN 2019 HE FOUNDED THE TWO LABELS, FAT FURY AND MEMATRIK RECORDS.
HIS LIVE PERFORMANCE TURN EUROPE AND ONE OF THE NEW IS AFFIRMED TALENTS OF THE TEKNO/TRIBE SCENE.

LABEL VINYL RELEASE

🔊OKUPE 15
🔊OKUPE 16
🔊OKUPE 18
🔊FAT FURY 01
🔊FAT FURY 02
🔊FAT FURY 03
🔊FAT FURY 04
🔊FAT FURY 05
🔊FAT FURY 06
🔊FAT FURY 07
🔊MEMATRIK 01
🔊MEMATRIK 02
🔊MEMATRIK 03
🔊MEMATRIK 04
🔊MEMATRIK 05
🔊KICK'N CHIPS 01
🔊KICK'N CHIPS 02
🔊KICK'N CHIPS 03 
🔊KICK'N CHIPS 04 
🔊ILLEGAL SOUND 01
🔊ILLEGAL SOUND 02
🔊ILLEGAL SOUND 03
🔊INSOMNIAKE 03
🔊KUMITE' 01
🔊NOTSELL 11
🔊NOTSELL 2020
🔊NAZDAR BAZAR 07
🔊NAZDAR BAZAR 08
🔊NAZDAR BAZAR 09
🔊NAZDAR BAZAR 11
🔊PEUR BLEUE 2020
🔊PSYCHOQUAKE 10
🔊PSYCHOQUAKE 11
🔊FUNK REBELS 05
🔊REPARTEE 01
🔊FTSK 13
🔊PEUR BLUE 2020
🔊KOSTIK 01
🔊KOSTIK 03
🔊TETRABASS 04
🔊TETRABASS 05
🔊TRIBE FAMILY 01
🔊TRIBE FACTORY 01
🔊OKUMA PUMP 02
🔊PUMP UP THE TRIBE 05
🔊PUMP UP THE TRIBE 06
🔊CARAPACE ALPHA
🔊TEKNO 4 BREAKFAST 01
🔊TURBULENCE 01
🔊TIKAL 04


NEXT VINYL LABEL 

🔊FAT FURY 08 (2024)
🔊SUM 02 (2024)
🔊KUMITE' 02 (2025)
🔊NOTSELL 33 (2024)
🔊KICK'N CHIPS 05 (2025)
🔊TURBULENCE 03 (2024)
🔊MEMATRIK 06 (2025)
🔊FAT FURY 09 (2025)
🔊ILLEGAL SOUND 04 (2025)


MEMATRIK 03 DOUBLE EP //ECLIPSE // [PROMOMIX SIDE C - D]

InSaNe TekNoLogY