Darwin Jiménez, also known as DJ DarJim, is a Dominican electronic music DJ whose work is defined by a strong musical foundation, refined harmonic sensibility, and a deep commitment to underground electronic culture.

DarJim’s musical path began early through piano training, which shaped his understanding of melody, harmony, structure, and musical progression. This classical foundation continues to inform his approach to electronic music, where phrasing, tonal balance, and long-form musical narrative are central elements of his sets.

Guided by a lifelong curiosity for sound, DarJim developed into an avid explorer of new musical expressions, with a particular appreciation for creativity in harmonic construction and the exploration of texture across multiple musical spectrums. His approach transcends rigid genre boundaries, focusing instead on atmosphere, groove, and emotional continuity.

His artistic identity has been shaped by influential figures in the global electronic music movement, including Deep Dish, Richie Hawtin, Satoshi Tomiie, Sasha & John Digweed, Chris Liebing, Marco Carola, Seb Fontaine, Sven Väth, Danny Howells, and Mistress Barbara. These influences are reflected not through imitation, but through a shared emphasis on journey-driven sets, technical precision, and respect for the listener’s experience.

During the late 2000s and early 2010s, DarJim became an active presence in the Dominican Republic’s emerging electronic music scene. His first significant residency took place at Bamboo House, followed by his most memorable and defining residency at Encuentro Artesanal Bar in Santo Domingo’s historic Zona Colonial, a venue recognized for its artistic and cultural relevance within the underground scene.

In addition to his residencies, DarJim participated in several notable radio showcases, contributing curated mixes that reflected both his musical range and his commitment to sound exploration during a formative period for electronic music in the Dominican Republic.

While rooted in the traditions of underground electronic music, DarJim remains closely engaged with the genre’s ongoing evolution. His current listening and inspiration include Maaya Nidan and the new Romanian deep and minimal-tech scene, with particular appreciation for artists such as Raresh, Rhadoo, Petre Inspirescu, Priku, Cristi Cons, Arapu, and Vlad Caia, as well as the aesthetic and sonic direction cultivated by influential labels including a:rpia:r, UVAR, Pressure Traxx, and Dubøka. He is also drawn to the work of Masomenos, the Paris-based project formed by DJ Joan Costes and Adrien de Maublanc, whose emphasis on subtle groove, spatial depth, and hypnotic progression strongly aligns with his long-standing appreciation for harmonic refinement and sonic experimentation.

After some time away in the United States, which led him to step back from club culture for a period, DarJim now returns with renewed focus and perspective. He often reflects on what he values most from those earlier years: the DJ’s ability to play extended four- to six-hour sets, where true storytelling unfolds and emotions are patiently shaped throughout the night. Reconnecting with the pursuit he values most, he is committed to sharing his musical journey with the world, bringing together experience, patience, and an enduring passion for sound.

Known for a DJ-centered approach, DarJim favors extended, immersive sets, refined transitions, and thoughtful progression over commercial exposure.

DarJim’s legacy, and ongoing path, is rooted in sound, space, and musical curiosity, representing a generation of DJs who helped shape the foundations of contemporary electronic culture in the Dominican Republic through integrity, exploration, and respect for the craft.

Hailing from NY Manny Marx is a musician/producer based in Japan.

With a vested interest to create music not bound to certain genres, he hopes to discover new grounds with exploration and experimentation.

Galbert O’Neil aka Mr. O’Neil, is a multifaceted DJ, producer & curator. From his DJ sets to his own productions, his music taste spans a wide range of genres. Mr. O'Neil, who has been in the game for over 20 years, was an influential part of the development of the Dominican Republic's electronic music scene through his weekly radio show Visionario On Radio, as well as his various residencies in New York, where he lived for over 17 years. 

He has been working on his own music label Labour Of Love, where he has released his music productions and most personal music adventures, as well as his Twitch show Moods, Soundscapes & Grooves, which is a reflection of his music taste over the years.

From private events to festivals, corporate and fit life‍
alike, radio and of course nightlife. Dj FX ‍‍has been the median from which
music finds its way out and creating the atmosphere that is
The Life of the Party!

#NeverNotDJing
Add on all Social Media for Live Sessions and content @DjFXny

Follow us on Ig @InsertHere_




Facebook.com/insertherelive

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

INSERT HERE is following