Hello thread. Pieces that don't fit. My depression was just fixed. It's a knot in my head that I've had since junior high, and might go back further. I had found all the ways into the knot, and then, in a flash of clarity, just now, it simply unraveled and I'm left with an urge to post on SomethingAwful.com.

When I was young there came a time when other children started to form into groups and I felt it was wrong to exclude others, to behave differently towards one person than another. It seemed so basic. I was taught and nurtured to believe that one should treat others as they themselves would like to be treated - the Golden Rule. But then, in my early teens, my peers started to seek the attention of others. They were desperate for an identity, something that is them, something to build on, and the only way one can form is in the minds of those who are familiar. Groups started to form around me. But I didn't want to be in a group, I wanted to do unto others as you would have them do unto you. In my mind we were all part of a whole.

I started to wear the same bland style of clothes every day. I did not cut my hair into a popular shape. And the easiest way to be true was to not engage at all. I kept to myself and viewed relationships as exclusionary. Senior year, with the idea that college was near, I decided to try socializing. You see, I didn't have the clarity that I have now. I thought I was broken, that I did not fit in, and I couldn't understand how such a person could succeed in the more social world I expected to find. This is where my life went off the rails. I was trying to play a game others had set up years ago.

I dropped out of high school with a 3.85 GPA. There wasn't a social face to show others, a true identity, the type they would expect, with familiar support. Just bits scraped from TV, me, and depression. What a huge waste of time. I am now 51.

Pieces That Don't Fit

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

“Hello, everyone, welcome to MM1Music, your destination for a unique and captivating musical journey. Here, the boundaries between genres blur to create a sound that fuses electronic, house, classical, and global music elements. Each track is an exploration, a voyage through sound textures and rhythms that will captivate your mind and get your heart dancing. Join me on this musical adventure and delve into the universe of MM1Music. Turn up the volume and let the music speak.”

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
--------------------------------------------------------------------
Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
--------------------------------------------------------------------
If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
---------------------------------------------------------------------
I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
----------------------------------------------------------------------
War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

HUMAN PLACES Single Out Now -
https://open.spotify.com/album/3IkjAJ5etvk8jHiX4cqlq1?si=n0yFgkhNS2eoC0Ga7evUMA


Bookings/contact: worldsmuseum.mgmt@gmail.com

They're only little " rock 'n roll " songs. Hope you like them 🙏

Your Underground Electronic Music Collection is a digital collection of independent music. (Official Site).

Playlist and reposts of the participants of the collection.

Email: 

yourmusiccollection2021@gmail.com

Collection volumes:

https://youtube.com/playlist?list=PLMJj4CDFwNH0GLutmTGlTobMiNWN_LYjb&si=1MgWu49JXYOetHwQ

Collection Facebook page: 

https://www.facebook.com/profile.php?id=100093658337234

Collection Telegram group:

https://t.me/GUCTG

Hacking sound and music to explore and express something of the human condition and the unknown.

All tracks can be downloaded for free from Soundcloud (... More -> Download file) as .wav files in their original quality.

"no uchū" is a small online boutique, where you can buy unique items associated with me and support me directly. European Union only, sorry.

https://nouchu.wordpress.com/

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

Pieces That Don't Fit

Integral Carp