TOMO - Mushin [IUFO001]

Mastered by Vincent Villius at Ultimae studio
Artwork by Pianeti Sintetici
Release by Intelligence UFO from Lyon, France


TOMO
Soundcloud: https://on.soundcloud.com/fSryJ

Instagram: https://www.instagram.com/tomo_sound

Bandcamp: https://derioflorence.bandcamp.com/

Intelligence UFO
Soundcloud: https://soundcloud.com/intelligenceufo

Instagram: https://www.instagram.com/intelligenceufo/

Bandcamp: https://intelligenceufo.bandcamp.com/



TOMO-Mushin [IUFO001]

Sci-fi, psy and technologic electronic music label - Based in Lyon
© Nicolas Rifo

"THE WORLD GONE MAD"
     CHAOTIC☆SYSTEM
                    🐎🌪

Co-founder of DE RIO @derioflorence

Bookings: booking@cairn-agency.com

𖣠 organic, hybrid styled, spontaneous music running for new innerscapes through the magical of music 𖣠 

                              🀜☾ 𝐒𝐨𝐫𝐜𝐞𝐫𝐲𖤓🀙

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∆ Side project ∆ ~> mei-k (with Alkemia)

https://on.soundcloud.com/rkz3G9UtScApsQAh6
 
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   ∆CONTACT∆ : jugulaire.music@gmail.com
           ≈≈> For artwork organic creations,  photograph designing DM or email.

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• DJ and producer for Fictiv Records label, Jugulaire constantly improvises her sets, composing unique soundscapes like one would explore an inner forest: instinctively, without map, guided by the invisible shapes of the living world. For her, music is a visual and tangible art, a raw material she sculpts live, unprepared, as close to the present emotions as possible.

Keen to show that neurodivergence and invisibles handicaps rejected by society shouldn’t be a shame but also seen as a gift to carried and tamed. She turns it into a vital force, a creative engine, what she feels, she transforms it into textures, tensions, vibrations. Her sense of the world is sharp, saturated, full of details others might miss. She plays as she is: with an overflow of intensity, a way of perceiving reality differently, making it audible, visceral, and disorienting.

Raised on dub culture, Jugulaire draws from that heritage the power of collective vibration, and making a lot with a few. She holds onto the importance of the bass that grounds and connects, and the uncompromising freedom of expression. She refuses to conform to musical codes and instead cultivates a singular, non-conformist vision.

Her approach is incantatory, almost ritualistic: she summons organic and insectoid textures, makes telluric basslines vibrate, and unleashes percussive rhythms that both disturb and ground. She navigates between tempos, intensities, and states, blending sharp hits, rhythmic complexities, and mental dives. Without aiming to please but rather to strike the mind, she turns every set into a space of rupture, a liberation from the cliché of perfection. •

