[6/7]

Blame The Mono (@blame-the-mono) representing Shlømo's (@shl-mo) Taapion Records (@taapionrecords) for the ADE 2020 related October Series.

October = music month

I N T E R C E L L
Website - https://intercell.events
Facebook - https://www.facebook.com/IntercellAmsterdam/
Instagram - https://www.instagram.com/intercell_events/?hl=en
Resident Advisor - https://www.residentadvisor.net/promoter.aspx?id=56298
Spotify - https://open.spotify.com/user/hieq5x39judz58fuz3257fhqi?si=wMzTQpSCRByosipgsI1WaQ

Artwork by Ilse Kind

Blame The Mono - Taapion | Intercell October Series 2020

Curating & broadcasting transcendent electronic music to the world, based in Amsterdam.

Intercell was established in 2015 and emerged from an illegal rave on the outskirts of Amsterdam. It critically balances audiovisual elements with club intimacy while taking a diverse approach to the new era of electronic music – introducing new talent to renowned artists, focusing on fresh collaborations and (co)curations, and pushing the scope of local scenes by broadcasting worldwide.

Stay tuned for new mixes and podcasts regularly.

...just interested in the world of electronic music preferring Techno, Synthwave, Italo Body and Trance!

Stil:
                                 - < ⫷ <⫷ ( Techno ) ⫸> ⫸ > -

Una argentina perdida en Madrid...
Rompiendo las bolas since: 1986.-

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).