Unknown Artist - B2 STAUB 005 (Instrumental)

Intergalactic Research Institute for Sound Releases

“Probably my first attempt to create a different sound, something that would eventually lead to tracks like "Utopia Planitia" and "Zero Meridian". Named after a scene in the movie "Cloverfield".

Heretofore EP

Buy at Bandcamp

A1 Hammer Down Protocol

@lasha-chkhaidze-648696435

As the legend says, Agartha is a lost kingdom, located in the earth’s core.
Only the bravest found courage to go to the journey to find it.
As you go deeper, the road gets darker, scarier… The journey to Agartha symbolizes the journey to the untraveled parts of human consciousness, which often frightens us, but as we observe and heal our dark parts we no longer need to compress and hide them. Facing our main fears will make our road mor adventurous, and one day the whole journey will become a tale. Tale of a man who found the lost kingdom of Agartha.

The Institute is happy to present a newcomer in its ranks: Lasha Chkhaidze, one of the 13 members of collective "If Strangers." Georgia is home to melancholia and many exciting musicians, something we have shown in many of our previous releases. Lasha’s first album is part of this theme.

These six tracks gently pull you into a subtle and immersive journey. Listen and soon you find yourself pulled into the beauty of sadness - surrounded by these carefully crafted soundscapes which offer a perfect opportunity for a moment of introspection. The young Georgian delivers ambient and piano at its finest on this first LP.

Agartha

Lasha Chkhaidze - Agartha LP

@Banusound - TransSoundScapes LP

South-east Turkey born DJ, sound artist and producer Banu uses music as a political tool. For her, the strong message carried through sound is a vehicle to express emotions as well as a means of fighting against oppression. Using participation, social design, ecology, feminist and queer theory to create multimedia installations with sound as a main element, Banu‘s practice is closer to contemporary art and activist spaces than the club realm.

Banu‘s debut album TransSoundScapes is an exercise in female solidarity between her as a migrant woman and her sisters from the trans community, where an artist from one marginalised group is showing support towards her trans sisters, using her platform to help them amplify their voices and building a bridge towards a mutual understanding of femininity.

Conceptually, TransSoundScapes comes in continuation of Banu‘s previous research-based work, using music as a positive tool for change while working with various marginalised communities. The album originated from the very real experience of being confronted with verbal harassment in Berlin on a daily basis, particularly aimed at her transfeminine friends and companions. As a queer woman of Turkish and Kurdish origin, Banu did not only observe the verbal aggression directed at her friends, but also understood most of the insults shouted in languages such as Arabic. Seeing how she got significantly more verbal violence directed at them when in company of trans people made a lasting impression on her, so she wanted to try and use her relative privilege to amplify transfeminine voices through her music.

Coming from a very conservative family, making music has been her lifelong dream. It was the moment she had the opportunity to work with the iconic Arp 2600 synthesiser (a younger sibling to Eliane Radigue‘s infamous 2500 machine) that all her disparate interests came into place to create an empowering soundscape with the aid of analogue drum machines. TransSoundScapes has a very full, porous sound, where every element that comes into play sounds soft yet clear. Across the 7 tracks, Banu conjures pounding subterraneous bassy techno („Surgery“), slithering tentacular EBM („First Time“) and pulsating cavernous soundscapes („Harem“), where oversized dance-floor elements are woven with poetic spoken word passages, resulting in sensusous yet political anthems. Banu artfully merges loosely related genres such as techno, electro, dub and sound poems into a sound that is at once deeply personal and extremely compelling.

All of the tracks are collaborative efforts, Banu seeing the process as an exchange of care and shared experiences, while integrating research into her writing process. The lyrics in „Transition (part 1+2)‘‘ are an adaptation of Sara Ahmed’s “Living a Feminist Life”, while „Surgery“ was born out of series of interviews with trans people, channeling the metallic sounds of a surgery room to refer to society‘s perception of transness as a medical condition. Tracks like „First Time feat. Patricia“, „Harem feat. Prince Emrah“ or „We feat. Aérea Negrot“ document her encounters with various trans women, centering their life experiences while also developing a deep dialogue through the process of making music together.

The darkest and perhaps the most emblematic track is ‚‘Bianka (In Memory Of)‘‘, dedicated to the late Bianka Shigurova, a 22-year old Georgian actress found dead in her apartment. It was her Tbilisi photographer friend George Nebieridze who told her Bianka‘s tragic story, whose death is suspected to be an assasination due to transphobia. Banu chose one of Nebieridze‘s analogue photos of Bianka as the album‘s cover art.

TrasSoundScapes

BANU - TransSoundScapes LP

For our birthday episode, you can expect the techno fairies to visit ://about blank on February 11th. It will last 24 hours and be the opportunity to present the latest EP in our STAUB series. As usual it is a Various Artists released by Intergalactic Research Institute For Sound. These five tunes represent what you can hear at STAUB, music that ranges from leftfield to drum and bass, from ambient soundscapes to booming techno.

Once upon a time, a little girl felt something was missing in her life. She searched and looked everywhere in the world. As she longingly stared at the clear blue sky, she noticed puffy white trails behind airplanes. For days and nights she walked - sometimes ran - behind these sinister tracks made of vapor. Extraterrestrial entities seemed to blink in the darkest nights and approved of her mission. After a year she finally arrived at its source. When she asked around what it was, the answer was a word full of mysterious energy: STAUB.

Bandcamp

STAUB 007 (10 Years Compilation)

Schloss Mirabell - Requiem for Robots
@florinaspeth
played on Cello and two V2 Cello-1-robots


The Intergalactic Research Institute for Sounds is proud to present Requiem for Robots. For this latest transmission, Florina Speth aka Schloss Mirabell joined forces with a group of robots that were built by Kay Sievers (versioduo.com). The musical question this record states is: “Who animates what?”


The physical body of these robots consists of a wooden cuboid, a single string around which a round, internally strung bow revolves, and a motorized finger which can press down the string.  They produce sounds that are very similar to the cello. They display unusual characteristics such as motor noises, infinite sounds or sometimes scratchy and gruff qualities. In addition, there is the extraordinary level of kinetic expression created by the bow circling around the string. Taken together, precisely these peculiarities form a unique instrument profile, a character which is emphasized in the presented project.
Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg'' at Clemens Hagen when she was 11. She won several prizes and was part of orchestras such as the Bayerisches Landesjugend Orchester and Salzburger Junge Philharmonie. Always keenly interested in contemporary music, she loves bridging experimental arts with science. She composes and works with cello and cello robots. She regularly collaborates with Dasha Rush, Hüma Utuku, Nicholas Bussmann, Lucile Desamory and Larissa Lackner.

V2 Cello-1-robots
The physical body of such a robot consists of a wooden cuboid, a single string around which a round, internally strung bow revolves, and a motorized finger which can press down the string. Various parameters such as bow speed, bow pressure, finger position and finger pressure can be controlled via MIDI. The robots produce sounds that are very similar to the sound of a cello or viola. Due to their physicality, they exhibit very unique and unusual characteristics such as motor noises, infinite sounds or sometimes scratchy, sometimes gruff qualities, which in turn differ from the usual string sound of a cello. In addition, there is the extraordinary level of kinetic expression created by the bow circling around the string. Taken together, precisely these peculiarities form a unique instrument profile, a character which is emphasized in the presented project.

Composition: Schloss Mirabell
Playing Cello and two V2 Cello-1-robots
Music robots: Versio Duo (V2)
Mixing: Jelle Akkerman
Mastering: Tim Rees (at Schnittstelle)
Artwork by: Florina Speth

Schloss Mirabell - Requiem for Robots

More songs from Kavellykore vol.1


Stream the whole album: https://open.spotify.com/album/1D6UPWQezZ4Zrb3J9fgSut?si=n-YDslV7SKmFZ2lelLM7xA

BITCRUSHED LAPDANCE!

This song is simple but I think it's beautiful :p

Heavy Breath

Concentrate

The Canadian duo, Orphx, ignites the new NX1 EP with a mix that takes listeners into the dark corners of the psyche with deep bass and a steady, eerie beat. Orphx has released music on over twenty-five labels including Sonic Groove where they released their latest Pitch Black Mirror. Full article: https://mnmt.no/blog/premiere-nx1-015-orphx-remix/

full story

MNMT Premiere: NX1 — 015 (Orphx Remix)

@Rhyw next on Fever AM.

Alex Tsiridis, one of Techno’s more prolific producers, returns to the label he operates alongside Mor Elian. Tsiridis has used the Rhyw alias to explore more abstract interpretations of both the Techno genre, and the wider dance music spectrum.

On this particular missive Tsiridis looks to his musical roots, growing up in the UK for inspiration, with a pair of high tensile, deconstructed club tools. Both find their focus in the low end, with the artist looking to the silent space between percussive strikes as much as any one sonic component. Vocal cuts lend the tracks their identity, with careful shifts and edits thereof lifting both recordings up far and above the sum of their parts.

The result is satisfying & undeniably effective - Tsiridis’ output as Rhyw has always been deceptively simple - favouring economy of elements over a crowded sonic space. This latest effort is no different, a well executed & welcome addition to the discographies of both artist and label.

Track List:
A. Biggest Bully
B. Felt

Release Date: 20th May 2019 
12" vinyl (+hand screen printed cover) & digital

Pre-order: feveram.bandcamp.com/album/biggest-…lly-felt-fam05
Biggest Bully video: youtu.be/244i-DSMWw8

Biggest Bully / Felt (FAM05)

Rhyw - Felt (FAM05)

Meet on our board - https://soundcloud.com/soul_yatra, a St. Petersburg musician who released on Enfant Terrible and Electro Music Coalition, with his superb jams that carry the mind into outer space, allowing you to feel the strain of overload when you go into orbit. Absolute bangers for gloomy dance floors, coupled with a leisurely remix from https://soundcloud.com/muzikalist .Watch ya head ! 
Release date September,30.
Thank u for support and sharing our stuff ! x

HC005

Pre-Order

(HC005) -  ЯTRA (Clips) Release Date September,30

Various Artists / Unknown Artists - STAUB 005 (IRIS007)

STAUB is a project that came to life in Berlin around 2013. It aimed to detach itself from the hype and business from techno. The idea was simply to not announce a lineup and treat everyone the same without separating headliners from the rest. This strictly equalitarian but also very familial and friendly concept allowed to give chances to newcomers on a regular basis and to build a tight-knit community.

As time passed it also became an outlet to release music staying true to these ethos. Everyone is paid the same, doesn't matter who you are, it's all about music and respect.

It has somewhat become customary to have a record ready to celebrate its birthday. As STAUB turns seven, STAUB's fifth installment (STAUB 5 / IRIS007) will be available at „STAUB - 7 YEAR“ Event at :// about blank.

RA Event:
www.residentadvisor.net/events/1356795

+ Digital:
1. Unknown Artist - D1 STAUB 005
2. Unknown Artist - D2 STAUB 005
3. Unknown Artist - B2 STAUB 005 Instrumental

Silver Vinyl
Cover artwork by Kurt Von Bley
Mastering by Man Made Mastering
Intergalactic Research Institute for Sound 007
2020

STAUB 005

V.A. - STAUB005 - Digital (IRIS007)

Chikiss - Baby Bye (2020 Version)
+ Stanislav Tolkachev Remixes


Tracklist
A1. Chikiss - Baby Bye (2020 Version)
B2. Chikiss - Baby Bye (Stanislav Tolkachev Ambient Mix)

D. Chikiss - Baby Bye (Stanislav Tolkachev Remix)

Cat. Nr. IRIS008
Limited 7“: 150
Intergalactic Research Institute for Sound 008
2020


New technologies have affected the way we discover music. As much as I love crate digging, it was while browsing Bandcamp that I stumbled upon Baby Bye. The song caught my attention and as soon as I finished listening to it, I listened again and again, in what seemed to be an endless loop.
In my living room, images of a fireplace came to my mind, I was cozy while outside progressively turned into the landscape of Siberia. The unforgiving winter with its cold and darkness surrounded me, but I felt wrapped up in warmth and light.

I contacted Chikiss and invited her to play live at a STAUB. When I asked her if I could release her music, she offered to rerelease Baby Bye.
Being so in love with the song, I accepted instantly. When we started to work on the record, I realized I wanted to add something more, not just reissue a track. I feel sometimes we do not treat the things we love with enough respect. I feel fortunate to be given the chance to treat her music with the attention I thought she deserved in the first place.

That is why I asked Stanislav to remix the song. It may seem like an odd choice, but by doing so I brought together two of my favorite artists. This record means a lot to me and I sincerely hope you will appreciate it.


Remixes: Stanislav Tolkachev
Mastering: ManMade Mastering
Cover Image: Epiq Sty
Design / Concept: Irakli Kiziria

Baby Bye

Chikiss - Baby Bye + Stanislav Tolkachev Remixes (IRIS008)

Everyone On Acid invites Lennard Ypma, 8th of September 2020 at Operator Rotterdam

Lennard Ypma:
https://www.facebook.com/LennardYpma.artistpage
@lennardypma

In 2018, Kegffnayy decided to gather new creative minds and released compilation Albums and EP’s on his label called ’Everyone On Acid’. The main idea of this label is to build a platform and bring known artists together with new talented producers on multiple VA releases.In 2020 a new series of radio shows will take place at Operator named “Everyone On Acid Invites” with sets which will be focussing on the characteristic 303 acid sound in different electronic styles. Multiple artists that are involved with the label itself will be invited to play a mix and present you their perspective on modern-day acid.

Lennard Ypma is one of those artists that is almost impossible to define. This guy has been all over the place over the last decade. From aliases such as Saurkraut, Perennial Rhythm, Bind, Cargo Cultcha and Laym. He finally decided to use his birth name Lennard Ypma on stage. In 2019 he released on De Sluwe Vos his own label "Patron Records", and the "Everyone On Acid" (EOA) label in 2019 and 2020. With him only two things are certain; he loves his synths and the guy plays awesome tunes!

03. Everyone On Acid invites Lennard Ypma - 8th of September

Pushmaster Discs is proud to present a new project collaboration with label owner Mattia Trani and the rising techno talent Onyvaa from Los Angeles. The American producer joins the label with a massive pure Nu school-Detroit techno spirit combined with atmospheric chords and solid 909 rhythm patterns. “Climax EP” is a collection of studio jam session tracks written between Barcelona and Bologna from Mattia and Shelby, including also two big Rave/Acid Techno remixes from Icelander producer Dj Exos, which we are delighted to premiere today; a total acid orgasm with a straight kick and unexpected rave surprises on the way; a 100% smasher, while we are reminiscing powerful moments on the dance-floor.

Tracklist: 
A1. Climax
A2. Climax (Dj Exos Remix 1)
B1. Retroreflective
B2.Toro (Onyvaa Mix)
B3. Utopia
1. Climax (Dj Exos Remix 2) - Digital Only
2. Omokase - Digital Only
3. Toro (Mattia Trani Mix) - Digital Only


@onyvaa

Premiere: Onyvaa Vs Mattia Trani - Climax (Dj Exos Remix)- [Pushmaster Discs]

VEIVERIS - ANGST - Tamsioji Pusė Track Contest #3

Nebūkite abejingi ir mėgstamiausius kūrinius apdovanokite "❤" mygtuko paspaudimais. Kiekvienas ❤ labai svarbus - daugiausiai jų surinkę kūriniai gaus dvigubą skaičių taškų įeinančių į bendrą balų sumą.

Don't be ignorant and reward your favorite tracks by clicking "❤" button. Every "❤" is very important - tracks with most likes will get a double amount of points which will be added to the final score.

More information about the contest you can find here: www.bit.ly/tptrackcontest

You can find out more about Tamsioji Pusė here:
Official Instagram: www.instagram.com/TamsiojiPuse
Official Facebook page: www.facebook.com/TamsiojiPuse
Private Facebook group: www.facebook.com/groups/TamsiojiPuse

BE A PART

VEIVERIS - ANGST - Tamsioji Pusė Track Contest #3

Established in 2017, the Intergalactic Research Institute for Sound has been an outlet for artistic and experimental endeavors that go beyond electronic music.
Evocative soundscapes from Georgia were the first communication from the Institute. It has since released music from Ukrainian artist Stanislav Tolkachev, acclaimed duo Air Liquide, or Georgian producer Michailo.
Michailo notably worked on his EP in prison, sending files to the label through intermediaries. He was released early, shortly after his record came out.
These days, it is also the home of STAUB’s unknown artists and of the cello robots that keep company with Schloss Mirabell.
With its blurring aesthetics, the Institute travels from clubs to museums and always pushes its exploration further.

V.A. - STAUB005 - Digital (IRIS007)

Intergalactic Research Institute for Sound

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