jjjacob & B E N N - Tomb Tocsin

WOBBA BOBBA (DEMO)

@icfam
"Tfw you open Propellerhead Reason in your imaginary private economy class jet music studio, and cannot find the dubstep sounds..."

With his forthcoming album Dofflin Beach, Danish producer icfam invites listeners into the shimmering, slippery world of dofflin — a bright, futuristic, and mostly forgotten subgenre of electronic music from mid 2010s.

Conceived as the soundtrack to a behind-the-scenes video from an imaginary world tour, Dofflin Beach plays like a surreal travel diary: a jet-lagged superstar wandering from a beach party where “everyone was stang-bacardi,” to a sunrise jam session with bongos, synths, and even synth-bongos. Amongst the dancing people, a digital video camera gets tossed around, capturing the energy in fragments.

“Trying to capture the essence of dofflin is a slippery affair,” icfam admits. Yet on Dofflin Beach he leans into those early inspirations and influences, reimagining them in his own way about a decade later. It’s music that evokes both longing and belonging.

From beach to beach, to the imaginary private jet studio over the open sea, this album is a postcard from a place where dofflins do sing and play.

releases September 5, 2025

artwork by icfam
mastering by icfam

icfam - Previously

“Softer hands” introduces a reality where art-electronics emerge from familiar club language. Sentimental melodies spray delicate feelings over metallic, hypnotising backgrounds. Distant, angelic choirs are softly moulded and shaped by whirring mechanical sounds, hisses and swooshes. Over time, the music leads inward, letting light through densely packed soundscapes. The result is touching, otherworldly, at times uncanny or post-apocalyptic, like an ensemble of machines learning to feel. The circle of three remixers perfectly understands the language cratje operates in, adding to the universe created within four original tracks. 
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cratje is a co-runner of MONTAGE, a Brussels-based trans-medial output, and host of "Stoute Muziek," a radio show on KIOSK.

cratje - boze wolk (Guenter Råler remix)

/ 𝓢𝓦𝓘𝓝𝓔 𝓟𝓡𝓔𝓜𝓘𝓔𝓡𝓔 / @fae-bestia - "LET THE LAVA SOAK" from her new EP called "GOD DIGGER" via Prague-based label @wrongprague

➠ "Gravel crushes bone. Mud on my knees, dirt paints me a french manicure. Everything wants to bury me before I dig it out. What’s a God to a non-believer? Rain falls in the sound of your name, while lava burns mine into the concrete."

➠ Experimental collective and label Wrong is announcing a new "GOD DIGGER EP" by Prague-based electronic producer and vocalist Fæ Bestia. Three cuts range from singers's signature ethereal vocal atmosphere through unsettling dark & heavy slowness to uncompromising club rawness. 

Digital release on the 3rd of October 2025
Limited edition of 7” lathe cuts on the 3rd of December 2025

∎ Written, produced & mixed by Fæ Bestia
∎ Mastered by Oliver Torr
∎ Cover by Iryna Drahun
∎ Styling by Yen Dang


[Swine Premiere] Fæ Bestia - LET THE LAVA SOAK (Wrong)

Listen to "softer hands (épong remix)" by cratje taken from softer hands out on October 2nd via 00effort

Pre-order: https://00effort.bandcamp.com/album/softer-hands

“Softer hands” introduces a reality where art-electronics emerge from familiar club language. Sentimental melodies spray delicate feelings over metallic, hypnotising backgrounds. Distant, angelic choirs are softly moulded and shaped by whirring mechanical sounds, hisses and swooshes. Over time, the music leads inward, letting light through densely packed soundscapes. The result is touching, otherworldly, at times uncanny or post-apocalyptic, like an ensemble of machines learning to feel. The circle of three remixers perfectly understands the language cratje operates in, adding to the universe created within four original tracks. 

cratje is a co-runner of MONTAGE, a Brussels-based trans-medial output, and host of "Stoute Muziek," a radio show on KIOSK.

Links:
cratje
https://soundcloud.com/cratje
https://www.instagram.com/crat_j
épong
https://soundcloud.com/epong_gnope
https://www.instagram.com/epong_gnope
00effort
https://soundcloud.com/00effort
https://00effort.bandcamp.com
https://www.instagram.com/00effort/

softer hands

pre-order / bandcamp

cratje - softer hands (épong remix) (00effort)

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

4nouki - pacific blue
Sal de Fête, 2025
𝓑𝓾𝔂 👉🏾 https://saldefete.bandcamp.com/album/pacific-blue

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽a͓̽r͓̽t͓̽i͓̽s͓̽t͓̽̽
https://soundcloud.com/4nouki
https://www.instagram.com/4nouki/

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽l͓̽a͓̽b͓̽e͓̽l͓̽
https://soundcloud.com/saldefete
https://www.instagram.com/saldefete/

#newmusic #electronicmusic #hyperpop #synthpop #ambient #electronic

free DL

P̷R̷E̷M̷I̷E̷R̷E̷ 🦛✨ 4nouki - Sparks [Sal de Fête]

from CLAM026 | POINT ZERO

https://clam-pressure.bandcamp.com/album/point-zero

first/last of the ones/many, will achieve/give everything/nothing they need/have, if they ask for/deserve it

"Point Zero"
noise of Trullo
crafted with stone solid perseverance
from the sky portal of Pozzo Allegro, LOCOROTONDO

full album out 17/10/205


full album

IN TERRA - CARBON FOOTPRINT

SWINE PREMIERE: Debut album by duo @idylltwice for @saldefete / Check out the single "Candlelights"

Peter: It’s like a lullaby. And it continues to repeat over itself and then stays in your head, instead of ‘let the words do the talking’, which is a clear chorus song. In the previous question, I said the word genre, a word that can be very disliked within certain music scenes. In this album, you navigate through drum and bass, shoegaze, DIY, trip hop, folk, spoken word, and so many genres. It is all done in a seemingly effortless manner, but did this come naturally?

Dorian: I think the fact that we're both doing editing helped a lot. I'm doing video editing, and Ryo’s doing sound editing of films for a living. So it's something we are comfortable working with. You have different layers: lyrics, melody, rhythm, textures, and the way they’re combined can create different stories. It’s like a long walk where you’ve got interactions that bring you to another one, and to another one, etc…

Ryo: It’s funny because we both grew up learning how to play and write music within a band, where we mimicked stereotyped genres, but for this project, it was a completely different process. You have to lay all of your materials inside a timeline and figure out how they can coexist and evolve together. I think that’s why we never actually talked about genre.

Read the interview here: https://swinedaily.com/idyll-twice-interview/

Written, produced, mixed, and mastered by idyll twice.
Artwork by Flore Balas and Guilhem Prat 
Follow idyll twice on Instagram >> www.instagram.com/idyll_twice/

[Swine Premiere] idyll twice - Candlelights (Sal de Fête)

Bass chiller by iBenji with tribal uptempo remix by Bad Zu
iTunes: https://itun.es/ru/xvcThb
vk.com/ibenjimusic 
@ibenjimusic 
vk.com/badzu 
@bad-zu

FREE DL

iBenji - Killin My Vibe (Bad Zu Remix)

we are getting closer

for premieres msgs to our soundcloud inbox only please

iBenji - Killin My Vibe (Bad Zu Remix)

#internetghetto