All proceeds raised from the sales of the compilation will be donated to funding Palestinian e-SIMs via gazaesims.com (@connectinghumanity_). 

Connecting Humanity is an organisation that provides eSIMs to connect people in Gaza to the internet, giving a voice to journalists, medical professionals, aid workers, families and people documenting the genocide, allowing people in Gaza to stay connected to the world.

Contributing artists: Ship Sket, Crimson Chaos, Apu Nanu, exmantera, aDeAD, xeccute, novasdemise, Golce, h4S, Preost, Capiuz, Misha Faulty, EvaneH, Tommy Ryoma, optionlist, bod [包家巷], Bianca Scout, vorem ipsum, Shast, Silv-o, Tailtiu, Mongleaux, TCV, incel-x, Hellsing, Azrel, Charlie Osborne and Jude Woodhead.

Brought to you by double take records.
from Torrent, released September 5, 2024

Written, produced and composed by: Golce
Creative direction: Dom Paulauskas, Tommy Ryoma & Sam Shepherd
Executive production: List Logins
Mastering: Traces

DONATE & BUY

Golce - DUBBED

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

SMT3X - GODSPEED, 2024 
Buy: https://overmybody.bandcamp.com/album/godspeed

"Godspeed is an eclectic six-track EP that explores various facets of global bass music, bringing an experimental, radical, post-club edge to French pop. Framboise’s sensual vocals and incisive flows merge with indus-tribal beats, blending influences from gqom to hardcore drums and IDM textures. The EP includes “DESPOTE/FROST,” a collaboration with Kenyan producer Slikback, and “CHAV,” featuring Franco-Chinese rapper LK de l'Hotel Moscou, based in London, featuring two remixes by Endgame and B E N N, the visionary heads of Precious Metals & Over My Body, two of the most cutting-edge labels in new club music scene today."

@smt3x
@therealendgame

[Premiere] SMT3X - Messes Basses (ENDGAME Remix) (out on OverMyBody)

Listen to "Lost Keen" by Insignio taken from "Lost keen" out on March 25th via Yanked Beats

Pre-order: https://yankedbeatsrec.bandcamp.com/album/lost-keen

"After his acclaimed single ‘Everytime’ last January, Insignio's long-awaited debut album, Lost Keen, is now out!
As well as his role as label manager of Yanked Beats, Portuguese artist Afonso Silva is also a seasoned producer with many years' experiences working on a variety of projects and under a variety of pseudonyms, including Insignio, who has been with the label for 6 years now.
Already signed to a number of EPs, tracks and remixes for other labels, this album is only his second release on his own label. And this second production clearly expresses his desire to push the boundaries of genres to the limit.
Eight tracks that allow him to hybridize his influences, as diverse and varied as they are, and demonstrate his ease in composing any kind of atmosphere or emotion."

Links:
Insignio
https://soundcloud.com/insignio
https://www.instagram.com/insigniodnb
Yanked Beats
https://soundcloud.com/yankedbeats
https://yankedbeatsrec.bandcamp.com
https://www.instagram.com/yanked_beats

Lost keen

pre-order / bandcamp

Insignio - Lost Keen (Yanked Beats)

Yes, I'm crazy——and I want you to know it. 
Play this EP loud enough to make everyone question if you’re a psychopath. 
Welcome to support me buying the EP on my Bandcamp~

<S.T.G>: 
My most unhinged "club-not-club"(Deconstructed Club) experiment yet—you can literally hear ‘everything into crack’. 

<I knew you were so sick of me>: 
A mind-bending assault Gorge / Hard Drum of psychotic claps, razor-sharp screaming snares, and percussion so complex it’ll short-circuit your brain. 
<Amen Fking Harder Taiko>**: 
My signature weapon reloaded—disturbing Taiko screams, mutated Amen breaks, and snares that feel like a panic attack in waveform. 

For the bold, the broken, and those who want to weaponize their DJ sets. 
Lose your mind. Then make the crowd lose theirs. 


"This is not music—it’s a controlled demolition of the dancefloor." 

⚠️ Play at 130% volume. Your neighbors will call the cops. ⚠️ 

Cover Art by. 張政 


沒錯，我是瘋的，而且我要你知道。 
播放這張EP並調大音量，讓所有人懷疑你才是那個危險分子。 

<S.T.G>：迄今最癲狂的「偽俱樂部」實驗——將萬物解構再碾壓成違禁品的工業碎拍巨獸。 
<I knew you were so sick of me（我早知道你他媽受夠我了）>：精密到讓人胸悶的燒腦錯亂打擊樂詛咒的Gorge曲目。 
<Amen F**cking Harder Taiko（更TM兇狠的阿門太鼓）>：經典殺器升級版—— 太鼓哭嚎、變種阿門碎拍、以及波形化的咆哮軍鼓沖刷。 

獻給所有膽敢失控的操盤手。 

先讓自己崩潰，再讓舞池集體崩潰。 

Amen F**king Harder Taiko

Dueña de la escena
Yo no quiero mas problemas
Miro hacia adelante
Nunca hacia atras
Dios bendiga
A mi familia
Mis amigas
 mi pesar
La macumba
La preparo
La macumba
Mas allla
Te salto en la cara
Papi dime donde estas
Extraño
tus caricias
Pero ya te cambie
Por mil mas

ya no quiero mas problemas

Emerging from shadows to bring forth the Ghost Tech sound and style, KUNAI delivers his most forward thinking release yet. SHATTERED HORIZONS is a 5 track adventure through power, pain, love and transformation; a symphony of synths, snares, pounding kicks and deep reese basslines. This EP is about breaking through, passing your perceived limits, destroying doubt and reclaiming the future.

KUNAI is an innovative electronic music producer known for pushing sonic boundaries with his unique blend of cybernetic grime, cinematic percussion, and raw, industrial textures. Drawing inspiration from the adrenaline of street racing, the subversive energy of hacker culture, and the striking contrast between beauty and brutality, he transforms everyday sounds into immersive, futuristic experiences.

With a distinctive approach that melds pulsating basslines with ethereal melodies, KUNAI creates music that transcends traditional electronic genres. His work invites listeners into a world where technology and raw emotion intersect, crafting dancefloor-centric tracks that are both visceral and visionary. Whether experimenting with intricate rhythms or exploring new soundscapes, KUNAI’s artistry is defined by a relentless pursuit of innovation and a commitment to redefining the possibilities of electronic music.

NÜ PREMIERE : KUNAI -   STREET JUSTICE (#INTERNETGHETTO)

@allenheimer
@goodmoondeer

Symbols echoing like cymbals. The deafening noise of steam-powered looms. The rallying calls of demagogues. Sickly wallpaper peeling from a wall. A brick crumbling in a field. Tarnished coins in a fountain basin. Words and images like rings around some heavenly body. A tangled web, contorted like a rhizome, silken threads resonating with the strange songs of a thousand ragged ghosts.

releases April 29, 2025

Music and artwork by Atli Bollason and Guðmundur Úlfarsson.
Mastered by Miles Whittaker at Full Range Mastering.
This record was made in Fabryka Sztuki in Łódź, Sláturhúsið in Egilsstaðir and at home in Reykjavík.

premiere: Unfiled - The Image and the Word [label: Unfiled]

dru-1’s “preshuh” was composed in the artist’s home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP’s bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the
vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—“maco queen,” “palance,” and “a4s.”

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett’s EP is infused with a spirit of optimism and revelry. The EP opens with echoes of “toma!” and other indistinct cries, as timbale taps gradually build alongside jerky basslines in “diastema.” The subsequent track “corbeaux,” takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. “Libido” calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, “We come together,” repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the steady rhythm beneath. In “maco queen,” the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. “Hey!” and “Ha!” shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, “palance” unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with “a4s,” a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett’s EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies
a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived? 

Artwork by Lucas Owen
Mastering by TB-Mastering
Words by Manolis Elijah Sueuga

Insignio - Lost Keen (Yanked Beats)

#internetghetto